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The best TV reboots and revivals of all time — and the worst

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Roseanne

Reboots. Revivals. Returns.

It's hard to classify the craze of TV shows being brought back to life. Some return with all-new casts and storylines, and others pick up exactly where the original show left off as if nothing happened.

But as the new "Roseanne" and other reboots before it have proven, they can be a hit with audiences and critics alike. "Roseanne premiered last week to over 18 million viewers and decent critical praise (combined with some controversy).

Reboots can also be duds, though.

Business Insider looked at 23 notable TV reboots and ranked them worst to best, based on how well they did with critics (using critic scores from review aggregator Rotten Tomatoes).

We based the ranking on the average of the reboot's available season critic scores on Rotten Tomatoes — most only had one season. We also included the average critic score for the original series, when available, for comparison. In the case of ties, the reboot with the higher audience score came out on top.

Below are 23 notable TV reboots, ranked worst to best by critics:

SEE ALSO: 9 prominent conservative characters from TV shows that aren't 'Roseanne'

23. "MacGyver" (2016-present on CBS)

Critic score of reboot: 26%

Original series run: 1985-1992 on ABC

What critics said: "It is trying very, very hard to fit in. It has the right elements; what it hasn't yet quite figured out yet, though, is how to combine them into something that will be truly explosive." — Megan Garber, The Atlantic



22. "Fuller House" (2016-present on Netflix)

Critic score of reboot: 33%

Original series run ("Full House"): 1987-1995 on ABC

What critics said: "By lazily throwing everything at the wall without a single element sticking, Fuller House stands as a threat to memories of an older generation and future memories of a younger one. How rude, indeed." — Ben Travers, Indiewire



21. "90210" (2008-2013 on The CW)

Critic score of reboot: 43% (Audience score: 35%) 

Original series run ("Beverly Hills, 90210"): 1990-2000 on Fox

What critics said: "Lacking Gossip Girl's unrepentant edge or The OC's big heart, the new 90210's only chance for a long life is if it divests itself of all the skinny teens and concentrates on the second childhood of the class of 91." — Jonathan Bernstein, Guardian



See the rest of the story at Business Insider

How Barry Levinson got Al Pacino to perform at his peak for the HBO movie about Joe Paterno's fall

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Paterno 2 Atsushi Nishijima HBO final

  • Barry Levinson explains the key to getting a great performance from a legend like Al Pacino is casting great actors around him.
  • Out of all the amazing actors he's worked with, he reveals why he's grateful most for how Robert Redford treated him on the set of "The Natural."
  • And Levinson opens up about being on stage when John Oliver brought up Dustin Hoffman's sexual misconduct allegations at an anniversary screening of his movie "Wag the Dog" last December.


Oscar-winning director Barry Levinson has been around the movie business for so long he hasn’t just worked with both Robert De Niro and Al Pacino, he’s worked with them multiple times — not to mention a whole bunch of other Hollywood legends.

From “Diner” — where Levinson basically launched not only his directing career, but the careers of Micky Rourke, Kevin Bacon, Steve Guttenberg, Paul Reiser, Ellen Barkin, and Daniel Stern — to “Rain Man” (which earned him his Oscar win), to “Wag the Dog,” Levinson’s work has created some of the best dramas of the last 30-plus years. And recently, in an era when major studios only want franchises that can bring in billions, Levinson has moved his storytelling to HBO and found success with the Bernie Madoff movie “The Wizard of Lies” (his latest collaboration with Robert De Niro), and now a look into the fall of legendary Penn State football coach, Joe Paterno, with Pacino in the lead role.

In “Paterno,” Levinson explores the scandal that tarnished the football god’s legacy when it was revealed, days after he became the winningest football coach in NCAA football history, that his one-time defensive coordinator, Jerry Sandusky, sexually abused children for at least 15 years — with some of the incidents happening on the Penn State campus. Taking place mainly from inside the Paterno home with his family, Pacino gives an incredible performance of a man who must cope with being part of an institutional failure.

Business Insider sat down with Levinson in Lower Manhattan to talk about bringing a story about Paterno to the screen, how he’s come to terms with the fact that many of the people who watch his work are doing it through their phones, and the “peculiar and awkward” experience last December of sitting on stage while “Last Week Tonight” host John Oliver questioned Dustin Hoffman about the sexual misconduct allegations against him.

Jason Guerrasio: Brian De Palma originally was doing this with Pacino. Did you take anything from their collaboration or did you start fresh?

Barry Levinson: Al told me he had been dying to do Paterno but that all didn't work out. And I said let me look at the stuff and basically we came back with a different take on it.

Guerrasio: I talked to De Palma back in 2013 and he said he was imagining Paterno as a King Lear character, it feels that wasn't the way you went.

Levinson: I mean you take a character like that I guess you could make that. But [De Palma] had a different take on it, completely. What we did takes place over a two-week period. You go from the highest high to the lowest low in two weeks. Because otherwise you would be back in the 1980s and '90s, you would be all over the place to hold the story together. Which you could do in some form, probably in a mini series. But in a two hour format, I thought we could get a lot out of it this way.

Guerrasio: It's a great jumping off point to tell the story. He becomes the winningest coach in college football history and then, what a week later —

Levinson: He won on a Saturday, winningest coach in the history of college football, the following Friday the Sandusky scandal begins. And literally, five days after that he's fired.

Guerrasio: Was the thinking also that with so much that has been written about Paterno over the years, on top of the documentary on the scandal itself, "Happy Valley," that there's a lot out there already. You can get away with just doing this pinnacle moment and not lose people.

Levinson: Yeah. The documentary covers a whole lot. We don't need to compete with all of that, but we can tell a separate story that almost nobody will know about. When you think about, one day there's an army of press outside his home and Paterno and his wife and the boys and daughter, everyone is like, "What happened?"

Guerrasio: It's fascinating to compare “Wizard of Lies” and “Paterno” in the aspect of family. The fallen patriarch. Both families are in the dark. Did you model some of “Paterno” off of what you did on “Wizard of Lies?"

Levinson: I didn't model it because we tell it in a different fashion. But I thought it was interesting. The fact that the family is under siege and they don't know. This blindsides them. I thought that would be good to explore, because they don't know so they are asking questions. They aren't accusing, but the daughter is asking, "Who spoke to the boy?" Paterno is like, "I don't know, it was an oversight." So we're learning as they are learning. That seemed to be a good way to do it. Because you're not just providing information, you're providing information in the midst of a drama.

Guerrasio: And to do that, in both films, you cast actors who aren't scared to work alongside legends. Hank Azaria in "Wizard of Lies" or Greg Grunberg in "Paterno" — they up De Niro and Pacino's game. How hard is it to cast actors who won't be scared of working with iconic actors?

Levinson: You have to find strong characters, in this case, for Pacino to work against. How do I make the son, daughter, wife of Paterno interesting? Then you just have to start seeing people. For the [Paterno] boys, I don't even know how many people we looked at.

Guerrasio: At some point do you bring in Al to make sure you'll get out of these actors what you need?

Levinson: No.

Guerrasio: But on the day of shooting, when the lights are brightest, they could fold working opposite Pacino.

Levinson: It's scary. [Laughs]

Guerrasio: Has that ever happened to you?

Levinson: No. You just have to go with your instinct. You meet people and you can tell they can do it. They can step up. At the end of the day you can't have one person, your star, doing whatever. You're putting the instruments into the orchestra, they all have to work.

Guerrasio: In your career you've worked with huge stars, going all the way back writing for Carol Burnett and Mel Brooks. Was there a point where you realized you can work with the cream of the crop?

Levinson: I don't think it ever did. If I think back now and say, I did “Diner” with a bunch of unknown guys and —

Guerrasio: But you were working with much bigger stars before that.

Levinson: Well, I was "working” on their stuff.

Guerrasio: Ah, not the guy at the helm.

The Natural TriStar PicturesLevinson: Yeah. And then I do "The Natural" and I'm working with Robert Redford who is not just a big star but he had just won the Academy Away as best director. So when I think back now I go, "Oh, boy, that was a daunting task." But at some point I went, "Okay, that worked, now I go to the next one." And Redford was great in that he did not impose — [Redford did not say] "Well, this is how I do it." I'll be forever grateful to him that he allowed me to do this crazy fable and didn't go, "No, I don't see that. I don't like that." He went with it. Light stands blowing up, he's rounding the bases night after night after night. He could have gone, "What the hell are we doing?" He was great.

I've been lucky in that regard that I've been able to work with a lot of big names and had solid relationships. De Niro, Al, Redford. Others along the way. It's been very satisfying as opposed to, here it is, that star's coming into the scene, make way. I've seen them as a great collaboration.

Guerrasio: You mentioned before we started this interview that you got to see "Paterno" on the big screen last night and it will probably be the only time that happens. You are making great work in your career currently that will only be seen by most on the small screen, or tablet or even iPhone, are you okay with that?

Levinson: The business has changed and some people can keep talking about theatrical in these wondrous terms — it will survive but it becomes narrower what you can make. So the films I'm most interested in, studios or even the independents, aren't making them. I'm mostly interested in people. I'm interested in the relationships of people. I'm interested in the darker moments within us. All those aspects of human behavior I'm fascinated by. But in the times we're in, those are hard movies to make. So if I can do it at HBO, fine. More people will see it. At the end of the day, when it's all said and done, everything is on television.

Guerrasio: It's where it all is.

Levinson: And it's where it was. Think about it, where did I see "Casablanca?" "Maltese Falcon?" "Citizen Kane?" It was all on television. Those films that were before my time they showed it on the late show. Did I appreciate them less because I didn't see them in a theater? No. I loved them. The kids today, they want to watch it on their iPhone, to me that's crazy, but that's the way. I can't say no.

Guerrasio: “Paterno” looks at an institutional failure of sexual abuse. The movie business is going through the same thing with the #MeToo and Time’s Up movements. You were front and center for one instance of that. Can you talk a little about what the experience was like being on that stage when John Oliver confronted Dustin Hoffman with the sexual misconduct allegations against him. This was during an anniversary screening of your movie, "Wag the Dog," do you wonder if that movie and another movie you did with Hoffman, "Rain Man," are now tainted because of the allegations against Hoffman?

Levinson: I don't know if I can answer that because it's too soon to know what the repercussions are of all of that. I would just be making a theoretical. How do we view something because of something? In the end, even applying it to "Paterno," if the voices of things that happened would have been heard it would have ended as it would have been made public and opening it up. There wouldn’t have been more victims. You can never squash something and assume it's not going to come back in some fashion. It's going to bubble up until it explodes. Society evolves to find a better way. It always has these hills and valleys. We're looking in the early stages of this. We understand the justification of it, but we don't understand how it will settle in and define itself.

Guerrasio: But it must have been strange for you sitting there with Oliver and Hoffman going at it.

Levinson: It was in a sense because I didn't know about anything. So it was literally, when he mentioned it to Dustin I didn't know about anything. I'm listening to a conversation that I can't even participate in because I don't know exactly what they were talking about. It was peculiar and awkward. And then we thought we got past it and then the conversation came back.

Guerrasio: To really understand it you would have had to have been up on the news.

Levinson: Yeah. I knew nothing beforehand. We were all taking back in the green room before going out and I hadn't seen Dustin in years. So we were talking and I was talking to John Oliver and we went out and then this thing took place.

Guerrasio: When it all ended. What was it like backstage?

Levinson: I think at the end of the night it was literally, "What happened?" Dustin and his wife and I think he had one of his sons with him and he was shell shocked. Oliver seemed, in a sense, disturbed by it. None of us knew what to say about what took place because it went in a different direction. Me and Bob [De Niro], we just didn't know where to jump in. You couldn't offer any insight or an opinion because you didn't understand what happened.

Guerrasio: I’ve been thinking often, how is a director or a film's work perceived post #MeToo? Because you worked with Hoffman on "Wag the Dog" and "Rain Man.” Are those movies looked at differently now?

Levinson: As I say, I don't know. But, I was in Switzerland last week, there's a festival there, and they showed "Rain Man." It was the first time I watched it since I made it. So it's like 30 years. But Hoffman never came up. They watched the movie and we talked.

Guerrasio: That's good to hear.

Levinson: Yeah. Your question is valid, but I don't know what things are going to be like, say, next year. I can't surmise what is next.

SEE ALSO: Believe the hype: John Krasinski's is the next hit horror movie and will scare the heck out of you

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NOW WATCH: Why 555 is always used for phone numbers on TV and in movies

Mike Myers returned as Dr. Evil on 'The Tonight Show' to make fun of the Trump administration

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  • Mike Myers returned to his Dr. Evil character from the "Austin Powers" movies on "The Tonight Show" Wednesday to make fun of White House turnover.
  • In the interview, Dr. Evil said he had just been fired by President Trump, and that the most "evil" ideas, like the border wall, were his.
  • Dr. Evil said he got along with Ben Carson because "they were both doctors who didn't know why they were there."

 

Mike Myers appeared on "The Tonight Show starring Jimmy Fallon" Wednesday night, as his Dr. Evil character from the "Austin Powers" movies, to take some jabs at Trump.

Myers (as Dr. Evil) poked fun at the White House for its rapid turnover. In the interview, Dr. Evil said he'd just been fired by President Trump.

When Fallon asked him what he did at the White House, Dr. Evil replied, "Well, I was going to be Secretary of Evil ... but Steve Bannon got that job."

tonight show

"I was more of an ideas guy, really," he continued, and said that the border wall was his idea — but he wanted it to be a "moat filled with spiky blow fish" paid for by Alec Baldwin.

"All of the most evil stuff was me," Dr. Evil said, including the "space force" Trump recently suggested.

But even Dr. Evil has his limits, and ending DACA is where he drew the line, he said.

"I may be evil but I'm not a monster," he told Fallon.

Dr. Evil said he got along with Ben Carson, the Secretary of Housing and Urban Development, because they were "both doctors who didn't know why they were there."

He also described Donald Trump, Jr. as creepy — "he looks like he's missing a facial feature, you just don't know which one."

Now that Dr. Evil is out of the White House, he said he'll be promoting a new book: "Fire and Fury and Also Evil and More Fire and Also Magma Too" — a spoof on the book "Fire and Fury: Inside the Trump White House" by Michael Wolff.

Finally, Dr. Evil said he's running for president, and that he's found the perfect running mate that people hate more than him: Facebook founder Mark Zuckerberg

The full clip is below:

SEE ALSO: The best TV reboots and revivals of all time — and the worst

Join the conversation about this story »

NOW WATCH: Why 555 is always used for phone numbers on TV and in movies

MoviePass works at all AMC theaters again after some were removed in January — and subscribers are thrilled (HMNY)

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black panther

  • MoviePass added back the 10 big-city AMC theaters it previously removed from its app in January, the company confirmed to Business Insider.
  • MoviePass removed theaters from locations in New York, Boston, San Diego, Washington D.C., and Los Angeles seemingly in an attempt to get AMC to cut the company in on ticket and concession sales. 
  • Deadline reported that talks between the companies have stalled and not resumed this week.

MoviePass has added back the 10 high-traffic AMC theaters that it previously removed from its app in January, the company confirmed to Business Insider.

MoviePass removed the AMC theaters from locations in New York, Boston, San Diego, Washington D.C. and Los Angeles in January in an apparent attempt to get AMC to cut the upstart company in on ticket and concession sales. 

"The theaters were added back Tuesday night. We think it’s a great move for both parties as well as the MoviePass consumers," MoviePass CEO Mitch Lowe told Business Insider.

While MoviePass was able to land an exhibitor deal with Landmark Theaters last month, AMC has never been interested in collaborating with the service. 

In November, AMC CEO Adam Aron said on an earnings call that "AMC has absolutely no intention, I repeat no intention, of sharing any — I repeat, any — of our admissions revenue or our concessions revenue with MoviePass."

A MoviePass source told Deadline that the removal of these AMC theaters "wasn’t so much a ban but rather a test of their consumers’ ticket-buying habits." The source claimed that AMC's competitors in those five markets saw "a 23% spike" in overall business through MoviePass following the removal of AMC's theaters in January.

Deadline also reported that talks between the companies have stalled and not resumed as of this week.

Twitter users on Wednesday and Thursday were largely pleased to see the AMC theaters return to the app:

SEE ALSO: MoviePass is likely playing hardball by kicking 10 AMC theaters off its service, and what happens next could have big implications for its business

Join the conversation about this story »

NOW WATCH: Why 555 is always used for phone numbers on TV and in movies

A gorgeous new classic is headed to Nintendo's wildly popular Switch — take a look at 'Firewatch'

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Yet another gorgeous, delightful, charming game is headed to Nintendo's wildly popular Switch console.

This is "Firewatch," an excellent first-person adventure/exploration game that is headed to the Nintendo Switch "soon":

Firewatch

It's gorgeous and mysterious and set in the late 1980s!

But what is it? Let's find out!

In "Firewatch," you play as a man named Henry.



It's a first-person exploration game — you'll get loads of story from the environment itself.



The whole game takes place in the gorgeous Shoshone National Forest (which is a real place, in case you were wondering).



See the rest of the story at Business Insider

'Black Panther' will be the first movie publicly shown in Saudi Arabia after a 35-year ban on cinema

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black panther

  • Marvel's "Black Panther" will become the first movie to be publicly screened in Saudia Arabia following an end to the country's 35-year ban on cinema.
  • Variety reported that the film will screen on April 18 at a new AMC-branded theater in Riyadh, the first theater to open since the country lifted its ban in December 2017, as part of a push for social and economic reform.
  • AMC Entertainment reportedly plans to open 40 cinemas in Saudi Arabia in the next five years, and up to 100 theaters in the country by the year 2030.
  • "Black Panther" entered the top 10 of the highest-grossing films of all time at the worldwide box office this week, bolstered by a strong showing from international markets.

Marvel's "Black Panther" will notch another historic milestone this month, as it is set to become the first movie to be publicly screened in Saudia Arabia following an end to the country's 35-year ban on cinema. 

Variety reported that Disney and Italia Film, the studio's Middle East distribution partner, will release "Black Panther" on April 18 at the country's new AMC-branded theater in Riyadh, the first theater to open since the country lifted the ban in December 2017.

Saudia Arabia's conservative clerics instituted the ban on cinema in the early 1980s. In December, the country's Crown Prince Mohammed bin Salman lifted the ban as part of a push for social and economic reform.

According to Variety, AMC Entertainment plans to open 40 cinemas in Saudi Arabia in the next five years, and up to 100 theaters in the country by the year 2030.

"Black Panther" entered the top 10 of the highest-grossing films of all time at the worldwide box office this week. Its success has been bolstered by a surprisingly strong showing in international markets like China. 

SEE ALSO: MoviePass works at all AMC theaters again after some were removed in January — and subscribers are thrilled

Join the conversation about this story »

NOW WATCH: Why 555 is always used for phone numbers on TV and in movies

The 24 best science movies and shows streaming on Netflix that will make you smarter

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Michael Pollan cooked

If you're looking for something entertaining and beautiful that'll also inform you, there's an incredible variety of science- and nature-focused documentaries and TV shows on Netflix right now.

These films and series showcase the beauty of the planet, delve into the details of how food arrives on your plate, and explore the mysterious and alien underwater world in oceans around the globe.

The downside to all of those options is that there's a lot to choose from. To make it easier, Business Insider reporters and editors have picked some of our favorites from Netflix' selection.

Films come and go from the platform every month, but as of the date of publication, everything on our list should be available. We'll update the recommendations periodically to reflect currently available documentaries.

Here are our favorites, in no particular order:

SEE ALSO: 24 health 'facts' that are actually wrong

"Icarus" (2017)

What it's about: In 2014, filmmaker and amateur cyclist Bryan Fogel contacted Dr. Grigory Rodchenkov, the director of the Moscow anti-doping center, for advice about how to get away with using performance-enhancing drugs. In 2015, Rodchenkov was implicated in state-sponsored doping efforts by the World Anti-Doping Agency. So he decided to flee Russia, travel to the US, and to reveal everything he knew about the widespread Russian doping program. 

Why you should see it:  The film mixes crime, sport, international intrigue, and the science of manipulating human performance. It's both thrilling and disturbing — and is especially relevant given the recent ban on Russian athlets competing for their country in the 2018 Winter Olympics. Because of Rodchenkov's revelations, the world will never look at sports — the Olympics especially — the same way again. [Click to watch]



"Cooked" (2016)

What it's about: In this four-part docu-series, journalist and food expert Michael Pollan explores the evolutionary history of food and its preparation through the lens of the four essential elements: fire, water, air, and earth. 

Why you should see it: Americans as a whole are cooking less and relying more on unhealthy, processed, and prepared foods. Pollan aims to bring viewers back to the kitchen by forging a meaningful connection to food and the joys of cooking. [Click to watch]



"Blackfish" (2013)

What it's about: This film highlights abuses in the sea park industry through the tale of Tilikum, an orca in captivity at SeaWorld in Orlando, Florida. Tilikum has killed or been involved in the deaths of three people while living in the park. 

Why you should see it: This documentary opens your eyes to the troubles of keeping wild animals in captivity through shocking footage and emotional interviews. It highlights the potential issues of animal cruelty and abuse involved with using highly intelligent animals as entertainment. Sea parks have historically made billions of dollars by keeping animals captive, often at the expense of the health and well-being of animals. This documentary played a huge role in convincing SeaWorld to stop their theatrical "Shamu" killer whale shows. [Click to watch]



See the rest of the story at Business Insider

Here's what it's like to play video games on the widest computer monitor in the world

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BI reviews monitor

Perhaps you've thought about it before: What if I stick TWO monitors together to play games in super-ultra-widescreen?

But that's never been a reality, at least for me and probably a lot of PC gamers out there. When you place two monitors together, you get the monitor bezels right down the middle of your makeshift "super-ultra-widescreen" setup. Those bezels get in the way and just don't work in video games.

So Samsung came along and solved the problem by sticking two widescreen monitors together without that unwanted bezel down the middle. It's created the first "super ultra-wide" monitor.

After playing several games on the monitor for about a month, I've decided that the CHG90 and its incredibly wide 32:9 aspect ratio is the new gold standard for enjoying video games. 

Check out what it's like to play video games on Samsung's super-ultra-wide CHG90 monitor:

SEE ALSO: These surround-sound gaming headphones made by a high-end audio company are perfect for games like 'PUBG'

If you could pick between a regular widescreen monitor...



And Samsung's CHG90 super-ultra-wide monitor...

The impact of just how wide Samsung's CHG90 monitor is lost in the small photo above. Still, I'm going to assume that most of you would pick the wider, better, more impressive second monitor that shows you a lot more, well, game. If you chose the first screenshot, then you do you. 

Regular widescreen monitors have the same so-called "aspect ratio" — 16:9 — as your TV, and it's what we've all been used to for the last decade or so.

Samsung's CHG90 monitor is the future — a super ultra-wide future with a 32:9 aspect ratio that makes almost every video game look better and more enjoyable. It's as if someone put two 24.5-inch normal 16:9 displays next to each other and somehow removed the bezels between them.



Summed up in one sentence, playing video games on super-ultra-wide monitor is better than playing on a normal widescreen monitor.



See the rest of the story at Business Insider

This company makes hyper-realistic ‘digital humans’ — and it could be the key to merging real life with virtual reality

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Siren, animation, real-time tracking

Meet Siren. She's a digital human, and the image of her above is not a photograph.

Siren is an animated character, with hyper-realistic details around her eyes, skin and hair, similar to those seen in big budget video games and 3D-animated movies.

Beyond the unsettling realism in her rendering, Siren is remarkable because while making her debut at last week's Game Developer's Conference in San Francisco, she was being puppeted by a real actress in real time.

Take a look at Siren and Cubic Motion's other "digital humans":

SEE ALSO: How to pick out the best VR headset for you, even if you've never experienced virtual reality before

SEE ALSO: A large number of people have come out saying VRChat has saved their lives — here’s what it’s like to experience the online meeting place of the 21st century

Cubic Motion, the computer-vision company behind Siren, has been turning human performances into digital models for about a decade now. It recently partnered with the companies behind "Fortnite" and other popular games to perfect real-time image capture.

 

Cubic Motion executive chairman Andy Wood describes "digital humans" as "something that looks, behaves, and has the mannerisms of a real human, to the point that you can't distinguish the animation from the real thing." 



Wood estimates that "sooner than two years" from now, each person could have access to the technology required to create and puppet their own digital body double in virtual reality, from their own home.

"It could be done today," Wood said in an interview with Business Insider. The hold up, he explained, is with the VR headset manufacturers that have yet to incorporate wearer-facing cameras into their products, a feature which real-time image capture relies on.

Once consumer-level gadgets have caught up, though, Wood says the possibilities for its uses are endless.

"We only hear of ideas," Wood said. After all, Cubic Motion just makes the tech. It's up to the rest of the world to decide how it's used.



Cubic Motion says the potential applications for "digital humans," or virtual body doubles, could be radical for the entertainment business, as well as in sales, education, medical, and other industries.

Digital bodies will allow us to interact, meet, and communicate in virtual spaces in a much more immersive and realistic way than ever before, paving the way for many traditionally face-to-face and phone interactions, like school, tech support, banking transactions, and doctors appointments, to be held in VR.



See the rest of the story at Business Insider

YouTube star Casey Neistat announces new show and collaborative 'factory' for video-making, after exiting CNN

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Casey neistat

  • YouTube star Casey Neistat announced in a video on Thursday that he is opening a collaborative "factory" for video-making in New York City.
  • Neistat said the space would serve as "the narrative of the core of my new daily show."
  • The news follows his departure from CNN in January, after the network bought his app, Beme, for a reported $25 million in 2016.
  • Prior to his departure, Neistat had been developing a daily digital show for CNN, which did not come to fruition.

YouTube star Casey Neistat, who has over 9 million subscribers on the site, announced in a video on Thursday that he is opening a collaborative "factory" for video-making in New York City. 

The development follows his departure from CNN in January, after the cable network bought his app, Beme, for $25 million in 2016, The Wall Street Journal reported.

Neistat said in the video announcement that the new space, titled "368" after its address, 368 Broadway, would serve as "the narrative the core of my new daily show."

"The idea was this: In New York City, I would find a gigantic space," Neistat said. "A space that I could turn into a factory or gigantic studio — a space that was huge. A space that invited collaboration; a space that I could invite all of my friends to come work and make videos and do stuff in with me. That would be the narrative of the core of my new daily show."

Prior to his departure from CNN, Neistat had been developing a live, daily digital show for the network. The show did not come to fruition.

Neistat said in his video on Thursday, "My life is now building this new thing; this new entity. Call it a company, but I’m not sure what the business is behind it yet. I’ll figure that out later."

SEE ALSO: CNN's $25 million bet on a YouTube star has failed

Join the conversation about this story »

NOW WATCH: Why 555 is always used for phone numbers on TV and in movies

The Rock says he would have joined the NFL protests against police brutality and racial inequality

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Dwayne Johnson The Rock

  • Dwayne Johnson says that if he were in the NFL, he would have joined the player's protests against police brutality and systemic racism. 
  • He also harshly criticized President Trump's response to the protests. 
  • Colin Kaepernick, who started the protests, remains unsigned by the NFL, as does the first player to join his protests. 


In a wide-ranging interview with Rolling Stone, Dwayne "The Rock" Johnson said that if he were playing in the NFL, he would have joined the player's protests against police brutality against African-Americans and systemic racial inequality. 

Johnson — a former college football player at the University of Miami — "would either have knelt or raised my fist in solidarity," he told Rolling Stone. 

It's a striking comment coming from Johnson, a public figure not known for being especially political, given how much backlash the player protests engendered, including angry comments from President Trump. Johnson took issue with those comments.

"I felt like our president's responses were being dictated by the noise and not the actual problem," Johnson said.

He went on to call the protests "a cry for help: 'As one human being to another, we're having this issue that's affecting our country and our little kids, and I need your help.' And I think when human beings are in jeopardy, and they ask for help, good-quality human beings, whether locally or at the highest level of office, they help."

In the NFL, the aftermath of the backlash to the protests is still being felt, as Colin Kaepernick remains unsigned. As does Eric Reid, a veteran safety who was the first player to join Kaepernick's protests. Kaepernick has even filed a grievance against the league accusing the owners of colluding to keep him out of a job. And the future of the protests, as well as the role of the league and its players in advocating for social justice causes, remains a source of tension between owners and players. 

As for Johnson, these recent political statements — he made an Instagram post in support of March for Our Lives — aren't a prelude to any presidential run. He told Rolling Stone, "This is a skill set that requires years and years of experience. On a local level, on a state level and then on a national level. I have the utmost respect for our country and that position, and I'm not delusioned in any way to think, 'Oh, absolutely, if Trump can do it, I can do it, and I'll see you in 20-whatever, get ready.' Not at all." 

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The mystery behind why a beautiful movie theater in the town created by Disney World has been closed for almost a decade

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celebration theater thumbnail 2x1

  • Walt Disney World created the town of Celebration, Florida, in the mid-1990s, and its retro movie theater is the downtown's crown jewel. (Disney sold the town to Lexin Capital in 2004.)
  • At one time while the town was still developing, the theater doubled as a church and a site for high school graduations.
  • But the theater, leased by AMC, has been closed since 2010, and the community is frustrated.
  • Numerous groups from the town have tried to take over it.

It's a warm November evening in Celebration, Florida, and the town's charming downtown is mostly quiet outside of a couple of busy restaurants and a crowded ice cream shop. The quaint rows of storefronts are reminiscent of 1940s Anywhere, USA — and everything has a Floridian teal color.

Its vibe feels like a carbon copy of Main Street at Walt Disney World, and there's a good reason for that: The town was created by the iconic amusement park.

If you walk toward the end of downtown Celebration on Front Street, you'll find the town's movie theater. The marquee shines bright, and its Googie-style design gives the warm feeling of the thriving movie houses of yesteryear.

Celebration really is a town frozen in time.

But if you walk closer to the theater, there are troubling signs. For one, the marquee doesn't list any movie titles — it's just a shining, blank space. And there is zero foot traffic. In fact, the entire inside is dark.

In many ways, the theater is like Disney World itself: The closer you get to it, the more you realize it's all a well-designed facade.

How the theater helped a town come into its own

Before his death in 1966, Walt Disney dreamed of building a utopian community that would cater to the young and old while featuring amenities decades ahead of their time — self-sufficient houses powered by their own power plant, large trash tubes built underneath houses so residents wouldn't have to worry about curbside pickup, and public transportation so vast that people would have no need for cars.

He called it an Experimental Prototype Community of Tomorrow, or Epcot.

But this would be one of the few ambitious undertakings Disney could not pull off while he was alive. With no one around to push his extremely expensive project forward, the dream of a city of tomorrow faded to just a section at Disney World.

walt disney epcot

Though Celebration, 17 miles from Disney World, is certainly not Disney's Epcot dream reincarnate — some see it more as something ripped from "The Truman Show" or "Pleasantville" — it has Walt's fingerprints all over it.

This is a town where a communal atmosphere is paramount, and the tranquil white picket fences surrounding almost every property are so ingrained in its aura that they are literally part of its logo, which features a girl in a pigtail riding a bike by a fence with her dog trailing behind.

The town, now with a population of 10,000 people, was the brainchild of Disney Development Company, the Florida-based subsidiary of the Walt Disney Company that's involved in the design and construction of the resorts and shopping areas around Disney World. It was inspired by the New Urbanism craze that was growing in popularity in the early 1990s — land developers mixing a small-town feel with attractive downtowns.

What better way to extend the Disney brand than for the conglomerate to build a town in its image?

The two-screen movie theater in Celebration is one of the crown jewels of the Town Center downtown area. Like the entire downtown, it was built in 1994 to entice people to buy the condos above storefronts or the surrounding farmland that would soon be transformed into quaint homes. (Construction on houses began two years later.)

Disney hired some of the finest architects in the world to design the buildings downtown, and it got Cesar Pelli to do the theater.

What Pelli came up with is a gorgeous theater in a postmodern style, with round spires and twin round marquees. It makes you feel as if it were plucked right from the 1950s.

Celebration AMC Theater Jack Coursey Cinema Treasures copy

"I'll leaf through books on architecture, and I'll see the Celebration theater," Joe McKinney, a former resident who's now the CEO of the Startup Societies Foundation, told Business Insider.

And as the community grew, so did the theater's responsibilities.

In the early years of Celebration, the theater held church services every Sunday morning as the town waited for a place of worship to be built.

"In fact, one church would do its service, and you would walk out of the theater, and another church would walk in," a resident named Floyd McCollum recalled. "The pastors would pass each other."

The theater was also the site of the town's first-ever high school graduation for the class of 1996-97. There were only four graduates, but the theater was packed to witness it.

But in 2004, Disney sold its stake in the town to the private-equity firm Lexin Capital. The theater, operated by the AMC theater chain, closed its doors in 2010, but AMC still owns its lease.

So why has the largest movie-theater chain in the world kept a two-screen, 527-seat theater empty for close to a decade?

That's a question residents have been trying to get answered for years.

Major restrictions held back profitability

The movie theater is one of McKinney's first memories as a 7-year-old moving to Celebration from Minnesota in 2000. He recalled how he and his family got into town for the first time late at night, and because of something that went wrong in the move, they all went to a late showing at the theater to kill time.

"It was 'The Tigger Movie,'" McKinney said. "My family fell asleep watching the movie."

As the years went on, going to the theater became a ritual for McKinney. He attended Sunday service there before the church was built. He remembers running straight to the theater from school to wait six hours in line to see "Star Wars: Revenge of the Sith." And it was where he would hang out with his friends.

"We did a thing I used to call 'Celebration Lunch' — we would go grab a slice of pizza, go get an ice-cream cone, and right next door would be the movie theater, and we would see a matinee," he said.

The theater is where Alex Foster would go to catch a movie late at night when he would have trouble sleeping. And numerous residents recalled seeing the "Harry Potter" movies there, standing in a line that would snake around the block.

Celebration 2 Preston Mack Getty

But despite all the fond memories, the theater was never consistently busy.

"The sellouts were infrequent," Donald Moysey, who worked at the theater for a year in the late 1990s when he was 16, told Business Insider. "The normal movies, only a couple of people would come out. We would have a lot of showings where no one would show up."

Outside of the occasional major blockbuster, the theater, called the AMC Celebration 2, was usually empty, he said. Moysey said this was partly because of infrequent new releases and Disney's mandate that it not play any movies that were extremely violent or sexually explicit.

One myth in Celebration about the theater is that it could run only Disney movies. Others believe it could screen only PG-rated or G-rated movies.

But Moysey said all different kinds of movies were shown there unless they had adult themes like gore, a lot of bad language, or nudity.

"A Quentin Tarantino movie wasn't going to show up there," Moysey said. "If a violent movie or horror movie was the big release that weekend, it wasn't coming to Celebration. So AMC could not put in the most profitable movie to that theater every week. The theater never turned a profit. It was just a question of how much did we lose that month."

AMC finally cut bait on the theater in 2010. It took its logos off the building and shut off the marquee lights — though after years of public outcry, AMC began turning on the lights in the evenings.

And though there was a lot of disappointment spouted online about the theater's closing, the town didn't really come out to give it a proper send-off on its final day.

McCollum and his family were there on the last day the theater was open: November 28, 2010. The titles showing were "Harry Potter and the Deathly Hallows: Part 1" and the animated movie "Megamind," starring Will Ferrell and Brad Pitt.

McCollum said the only reason he knew the theater was closing was that he happened to spot a sign in front of the theater saying so.

He went with his wife, his son, and his neighbor to see "Megamind" and was shocked by what he saw.

"Inside the theater was literally just the four of us," he said. "Four people to see a movie on the last day ever!"

Celebration AMC Theatre Lobby before final

Things got even stranger.

McCollum said that when they walked in that evening, it looked like any other night, with staff members checking tickets and making popcorn. But when the movie ended, they went to the lobby to find no one there.

"It was completely empty," he said. "The movie posters were all off the walls and rolled up in the trash — I took the 'Megamind' one, and my neighbor took the "Harry Potter." Everything was cleaned out. Nobody was there. I actually checked the door when we left; it was locked once we were out and the door shut.

"Nobody could come back in. It was really sad."

Celebration AMC Theatre Lobby on last night after final show final

Why AMC has kept the lease to an empty theater

When AMC began work on a massive 24-screen multiplex at Walt Disney World Resort's Pleasure Island in 1997 — now renamed Disney Springs — the park had one stipulation: If AMC wanted the 24 screens, it also had to take on the existing two-screen theater in Celebration. (A source close to the negotiation confirmed to Business Insider the deal's stipulation.)

Some Celebration residents believe that AMC began to see the town's theater as an annoyance and always intended to close it up once the Pleasure Island theater got on its feet.

Moysey got a job at the Pleasure Island AMC years after working at the Celebration theater, and he said there wasn't much chatter about the Celebration location.

"It was implied that they didn't have any association with it," he said. "They definitely didn't have any intentions of reopening it."

According to town officials who spoke on the condition of anonymity and documents obtained by Business Insider, AMC has kept the Celebration theater empty for close to a decade because it's cheaper to take the loss on the theater than to pay staff and operate it.

The chain, which recently renewed its lease on the theater, has also held onto it so no competitors can come in and take over, the town officials told Business Insider — leaving Celebration residents and those in neighboring areas with the AMC in Disney Springs as the closest option for seeing a movie.

celebration1 Jason Guerrasiofinal

But this hasn't stopped people over the years from devising business plans that they believe are right for the theater.

McCollum said he had been involved in three different attempts to take over the theater in the past eight years. The closest was an initiative headed by Foster, who is not a Celebration resident but is well-known in the area.

In 2016, Foster's Jazz Meets Motown, a weekly jam session of area jazz musicians, was a regular attraction at the Bohemian Celebration Hotel. On Monday nights, the music would fill the hotel's lounge — and at its height, the hotel would have to turn away 50 to 60 people, he said.

From that, his idea of a center for the arts in Celebration was born.

"I thought we got too big for that space," Foster said of performing at the hotel. "The plan was to take over the theater — one of the theaters would be for playing jazz and special programming, and the other theater would be for small live theater productions and classic movies."

Foster also found interest from nearby schools in a potential scholarship program as well as a program dedicated to entertaining older people in the area.

To the shock of many in Celebration, both Lexin and AMC were willing to entertain the offer. Foster just had to come up with some cash.

Specifically, Foster said, he had to get $50,000 up front, then pay $25,000 a month to rent the space from AMC, which would still be the leaseholder — and he had to get a $2 million line of credit.

"My problem was the lack of money," Foster said.

He acknowledged that he made the mistake of not putting enough time into trying to get corporate sponsors.

"We thought we had community backing — we had these meetings once a month," Foster said. "In desperation, I gave a New Year's Eve fundraiser, and that was a disaster. Arms were opened, but I was never embraced."

Foster gave up his dream last year. But since then, a new group has come forward.

The willing takers

Christina and Sean Gerrity are what you call lifers in the performing-arts world.

Christina has traveled all over the world as a professional dancer, while Sean has done everything from performing full time at Disney World to headlining as a singer aboard Royal Caribbean cruises. They ended up at Celebration 6 1/2 years ago when they got off the road and started a family, but the drive to do something in the arts continued.

They began the Celebration Arts Academy a year ago with a desire to use their talents and experience to mold the next generation of entertainers.

"We started with six students, and now we have 105 in one year's time," Christina Gerrity told Business Insider. "We want to expand."

For the past year, they've been subleasing a 1,000-square-foot space from the owners of the Thai restaurant in town, and now they have their sights on the theater.

At first, Christina Gerrity said, the plan was to rent some space at the theater once Foster started operating there. But soon after Foster gave up on trying to sublease the theater, the Gerritys took on the task of trying to revive the theater.

"Phase one would be updating the performance space: take out the existing screen, build a backstage, take out a row or two of seats, build a VIP section in the lobby," Gerrity explained. "The second phase would be building out the education center: have dance rooms, a homework area, a tech area where kids learn about working backstage."

However, like in Foster's case, it has been a challenge to move forward. Christina Gerrity said though AMC was very willing to sublease the theater, Lexin Capital also has to OK it, which has been the roadblock.

"We formed a nonprofit in the last two months in order to build some funds to get in there," Gerrity said. "But we've been told by Lexin we need 'strong financials' — up to the millions — just to get in."

And then there's the condition of the theater.

Gerrity said she had been inside the space twice. The second time, she said, she saw water pouring from the ceiling of the men's restroom.

"It was like a lake in there," she said. "After all these years, and the hurricanes, who knows what's behind the walls."

Lexin Capital has been accused in the past of neglecting repairs to the town. In 2016, the condo owners' association filed a civil lawsuit seeking to force Lexin to pay $15 million to $20 million in repairs.

Gerrity says she doesn't know how much it would cost to do the needed repairs for the theater because Lexin refuses to have an inspector look at the building, and the Gerritys say they will not spend their money to get one themselves.

"We have a legally binding lease with AMC Theater on the space, so we are not at liberty to discuss lease specifics with anyone other than the leaseholder," a spokesman for Lexin told Business Insider via email. "As far as why AMC closed, current condition, etc., those are questions that would need to be answered by the leaseholder (AMC)."

AMC did not respond to Business Insider's numerous requests for comment for this story.

Celebration Preston Mack Getty

The Gerritys have since postponed a fundraiser they were planning to hold at the end of March and are trying to figure out their next move.

"We are not sure what direction to go now, because we feel like we're up against a wall," Christina Gerrity said.

But Gerrity has a glimmer of hope. She said she was recently told by her business partner that the leasing agent for AMC had divulged that the movie chain did not plan to renew its lease on the theater when it expires in October 2021 — something substantiated by another source.

Of Lexin, Gerrity said, "Once that lease is up, they'll change their tune."

For the foreseeable future, however, the theater that was more than just a movie house for the people of Celebration will be relegated to a slowly rotting structure like so many of its brethren across the country.

If this were an old Disney movie made while Walt was at the controls, this would be the moment in the story when a little bit of magic would appear — perhaps in the form of a fairy godmother or some pixie dust — to make things right.

But it doesn't look as though this story will have a happy ending.

"I'll often go back," McKinney said of Celebration. "Seeing that movie theater with its beautiful architecture in the middle of town and it's not open, it's just strange."

SEE ALSO: The crazy, drug-fueled story behind one of Hollywood's notorious lost movies

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Trump walked to Air Force One in high winds — and the photos of his hair are mesmerizing

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President Donald Trump boards Air Force One on Thursday.

Thursday was a very windy day in Maryland, as President Donald Trump's hair can attest.

He departed the White House around 12:45 p.m., en route to Andrews Air Force Base in Maryland.

On the tarmac in Maryland, the wind caught his hair, and Associated Press photographer Evan Vucci was there to capture the result.

Trump was heading to White Sulphur Springs, West Virginia aboard Air Force One for a roundtable with business owners and representatives from companies in the state who have benefited from the Republican tax law. It's his third trip to the state as president.

See the other mesmerizing photos:

SEE ALSO: How Nicolle Wallace went from a top GOP operative to a stranger in her own party

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The weather on the Air Force Base called for 9 mph winds with gusts to 25 mph.

Source: Weather Channel



It looks like Trump got caught in a gust.



Some, including a hair-transplant surgeon who spoke with Business Insider in 2015, have speculated that Trump had a hair transplant at some point in his life.

Source: Business Insider



See the rest of the story at Business Insider

The classic PlayStation series 'Spyro the Dragon' returns this September, and it's getting a huge makeover

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The adorable and snarky "Spyro the Dragon" is coming back this September, and he's getting a huge makeover.

Spyro Reignited Trilogy

Rather than creating a new game, the original trilogy of "Spyro the Dragon" games are being remastered and bundled as the "Spyro Reignited Trilogy" — it's coming to the PlayStation 4 and Xbox One on September 21.

Just look at how much of a graphical upgrade this is:

"Spyro Reignited Trilogy" features the first three "Spyro the Dragon" games.



That includes "Spyro the Dragon," "Spyro 2: Ripto’s Rage!" and "Spyro: Year of the Dragon."



Like "Crash Bandicoot" before it, "Spyro Reignited Trilogy" is a major re-mastering of a classic franchise. The graphical enhancements are vast leaps in detail, lighting, fidelity, and much more.



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The new 'Star Wars' movie about Han Solo will reportedly premiere at Cannes Film Festival

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  • "Solo: A Star Wars Story" will premiere at the Cannes Film Festival on May 15, according to Deadline.
  • The report is a bit of a surprise since the movie is a franchise blockbuster, which are rarely show at the festival, but there is precedent: "Star Wars: Episode III — Revenge of the Sith" was first shown at Cannes back in 2005.

 

"Solo: A Star Wars Story" comes to theaters on May 25, but it's reportedly heading to Cannes before then.

According to Deadline, the latest "Star Wars" anthology film will premiere at the Cannes Film Festival on May 15, a little more than a week ahead of its theatrical release.

The report is a surprising one since franchise and blockbuster films are rarely shown at the festival, which begins May 8 in Cannes, France, but "Star Wars: Episode III — Revenge of the Sith" premiered at Cannes back in 2005.

Cannes did confirm on Thursday that "Everybody Knows," starring Penelope Cruz and Javier Bardem, will open the festival

"Solo" was plagued with production troubles as its original directors, Phil Lord and Chris Miller, were fired for creative differences and replaced with veteran director Ron Howard. 

An anonymous actor who worked on the film also recently revealed that Lord and Miller would sometimes demand over 30 takes, and that production was smoother once Howard took over. 

Despite the troubles, "Solo: A Star Wars Story" stayed on course to open next month — it just looks like it will make a stop at Cannes first. 

The trailer for "Solo: A Star Wars Story" is below: 

 

SEE ALSO: The mystery behind why a beautiful movie theater in the town created by Disney World has been closed for almost a decade

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All 53 movie and TV sequels or reboots coming out in 2018

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So many movies are reboots or sequels. And these days, that bleeds into the television world, too. 

From the Marvel Cinematic Universe to "Star Wars" to "Ocean's 8," a reboot or a sequel is coming to theaters pretty much every weekend for the rest of 2018.

There are some highly anticipated movies like "Avengers: Infinity War" and "Fantastic Beasts: The Crimes of Grindelwald" coming. But for every exciting one, there's another a spin-off of Michael Bay's "Transformers" series.

In TV, there are a handful of reboots and revivals, starting with ABC's "Roseanne," which premiered to huge ratings and a lot of controversy. Starz is expected to premiere its "John Wick" spin-off show "The Continental" by the end of the year. And we can expect "Heathers" from the Paramount Network to premiere soon.

Here are all the movie and TV reboots and sequels you can see (or avoid) in 2018:

SEE ALSO: The 5 most anticipated new TV shows premiering in April

MOVIES "Insidious: The Last Key" — Released January 5



"Maze Runner: The Death Cure" — Released January 26



"The Cloverfield Paradox" — released February 4



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If you miss 'Game of Thrones,' you should watch AMC's 'The Terror' — a historical horror series critics are calling a '10-episode nightmare'

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The Terror

  • AMC's "The Terror" is an amazing new limited series starring some familiar faces from "Game of Thrones" and "Mad Men."
  • The historical-fiction series is a sci-fi horror twist on the stories of real people who went on an expedition to the Arctic and never returned.
  • It's one of the best new shows of the year so far.

AMC's historical-fiction series "The Terror" is the perfect way to satisfy the hole that "Game of Thrones" has left in your TV-watching schedule. It's one of the best new TV shows of the year so far, and critics are raving about it.

Set in the Canadian Arctic, "The Terror" follows a British expedition stuck in ice, haunted by a horrifying creature. The show is terrifying and impeccably made — from the sets to the costumes to the performances.

It stars some of your favorite British actors, including some from "Game of Thrones" like Ciaran Hinds (Mance Rayder), Tobias Menzies (Edmure Tully), and Clive Russell (The Blackfish). Jared Harris, who played Lane Pryce on AMC's "Mad Men," is also in it.

The limited series, which premiered on March 26, is based on the 2007 Dan Simmons novel of the same name; both are fictionalized accounts of Sir John Franklin's lost expedition.

In 1845, Franklin (Hinds on the show) led the HMS Terror and the HMS Erebus on an Arctic expedition to explore the Northwest Passage. After a few men died, both ships got stuck in ice, and not one person out of 129 ever returned.

The remains of the ships were found recently: the Terror in 2016 and the Erebus in 2014.

There has always been a lot of speculation about what happened to the lost explorers, and "The Terror" imagines they were hunted by a supernatural being.

"The Terror," which manages to look horrifying and gorgeous at the same time, was (amazingly) not shot outside, though most of the series is set in the open Arctic. What you mostly see are stunning visual effects.

Here are some of the best things critics have said about "The Terror" that will hopefully get you to stop everything you are doing and watch it.

SEE ALSO: 'Black Panther' will be the first movie publicly shown in Saudi Arabia after a 35-year ban on cinema

"A lavish event series that could be called 'Master and Commander' Meets 'The Thing.' It's not quite as exciting as that pitch makes it sound, but it is a show that builds up steam around the fourth episode."

— Brian Tallerico, RogerEbert.com



"As the title suggests, 'The Terror' is interested in fear itself, how it transforms us, how it turns us cruel and savage ... It conjures a piercing dread, both familiar and inconceivable; a portrait of man and nature at their cruelest and coldest."

— Haleigh Foutch, Collider



"'The Terror' can be scary, but it's real achievement is climatological. The freeze is tangible. When you watch it, wear a sweater."

— Darren Franich, Entertainment Weekly



See the rest of the story at Business Insider

The Rock calls out his 'Fast and Furious' co-stars who complained about his spin-off movie

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  • Dwayne "The Rock" Johnson told Rolling Stone that his "Fast and Furious" co-stars who are unhappy about his spin-off, "Hobbs and Shaw," need to "get on the train" because "it's not going to stop."
  • He compared it to the Marvel Cinematic Universe: "It's like if Robert Downey, Jr. was p----- about 'Captain America.'"
  • He also said that there's no beef between him and Tyrese Gibson, who blamed Johnson for the ninth "Fast and Furious" movie being delayed until 2020: "I just got to a point where I didn't care."

 

Not all of Dwayne "The Rock" Johnson's "Fast and Furious" co-stars are apparently happy about his spin-off, "Hobbs and Shaw" — and he's calling them out. 

In an interview with Rolling Stone, Johnson said "it's so silly" that some of his co-stars would complain about the spin-off, which co-stars Jason Statham and comes to theaters next year.

"You can b----, you can moan, you can complain," he said. "But the train is leaving the station, and it's not going to stop. So be smart, get on the train, think about the big picture — and let's create multiple trains."

Johnson compared the move to what Marvel Studios is doing with its Marvel Cinematic Universe.

"At the end of the day, it's smart business to expand on the franchise and build it out," Johnson told Rolling Stone. "It's the Marvel model. The analogy that was given to me, which was very funny, was that it's like if Robert Downey, Jr. was p----- about 'Captain America' and these other movies. Let it all happen! Let it all grow. It helps out everybody."

Johnson's conflicts with his co-stars are no secret, most notably with Vin Diesel and Tyrese Gibson, though he told Rolling Stone that he wouldn't call it a "beef" between him and Gibson.

"A beef requires two people," he said. "Tyrese, for reasons unbeknownst to me and unbeknownst to a lot of people, went off in his own direction, down a path that was never understood. I never heard from him once – he never called, never texted. So I honestly didn't have a beef, because I just got to a point where I didn't care."

Gibson blamed Johnson in October for the ninth "Fast and Furious" movie being delayed until 2020 and said he was being selfish.

As for Diesel, the beef is clear. Johnson implied that he still has ill will toward Diesel and isn't sure if he'll return for the ninth "Fast and Furious" movie.

In 2016, Johnson posted a scathing message to Facebook calling out his male co-stars — namely Diesel — for being unprofessional on the set of the eighth movie, "The Fate of the Furious," which was released last year.

One thing is certain: Despite the drama, the "Fast and Furious" franchise shows no signs of slowing down.

SEE ALSO: Dwayne 'The Rock' Johnson describes dealing with depression after his mom's attempted suicide

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Netflix's latest action-packed drama series is 'Troy: Fall of a City,' a fresh take on the Trojan War

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troy fall of a city

  • Netflix's "Troy: Fall of a City" is the latest successful drama series the service has brought over from the UK.
  • The BBC co-production serves as a retelling of the ancient Greek Tale, "The Iliad," Homer's epic poem that depicts the 10-year siege of Troy in the 13th century BC.
  • Netflix CEO Reed Hastings said in March that his company had invested $1.75 billion in European productions. 
  • The first season of "Troy: Fall of a City" is streaming now on Netflix.

Netflix continues its streak of bringing in successful foreign series with its new addition of "Troy: Fall of a City," a BBC program that serves as a retelling of the ancient Greek tale, "The Iliad." 

Not a strict adaptation of Homer's epic poem, "Troy: Fall of a City" has been described by the UK's Daily Telegraph as a "fresh, psychologically knotty take on one of the greatest tales of them all." 

The series premiered on the BBC starting in February, but the 8-episode first season is now streaming internationally on Netflix everywhere but the UK (including in the US).

Altogether, the series will cover the 10-year siege of Troy that occurred in the 13th century BC.

Several critics have touted the series as a quality source of "escapism." The New York Times described it as "[reveling] in sex, blood, elaborate costuming and rousing monologues to tell the story of the two countries that went to war over the most beautiful woman in the world." The series currently has a 70% from critics on reviews aggregator Rotten Tomatoes.

"Troy" is the latest in a string of European co-productions on Netflix, including recent additions like the BBC's "The Frankenstein Chronicles" and "Babylon Berlin" from Germany. 

Netflix CEO Reed Hastings said in March that his company had invested $1.75 billion in European TV productions, and that he is planning to invest more moving forward.

Watch "Troy: Fall of a City" on Netflix.

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Disney has to clear 3 hurdles to become 'a global player in streaming' (DIS)

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Disney's path to becoming "a global player in streaming" is in sight, but the media and entertainment giant will need to surpass some significant hurdles to get there, according to a note from RBC Capital Markets.

The company has taken an enormous leap into the video-streaming world by striking a $52.4 billion deal to acquire21st Century Fox's film and TV assets, which include pay-TV channels such as National Geographic and FX. That deal followed the acquisition of BAMTech, a direct-to-consumer streaming service meant to support Disney's ambitions for ESPN.

Disney's streaming efforts have slowed down, however, according to the RBC analyst Steven Cahall. In the note, he says Disney stock "has been tethered to ~$100/sh as a few key issues slowly work their way towards resolution."

While regulatory approval of Disney's 21st Century Fox tie-up is pending, the company is also awaiting a government decision on the AT&T-Time Warner merger for a glimpse into its rationale. The US Department of Justice sued to block AT&T's planned $84.5 billion takeover of Time Warner in November. Such an action could have significant repercussions for Disney's ambitions.

Adding to Disney's list of concerns is Comcast's decision to launch a competing $31 billion bid for the British broadcaster Sky, which is partly owned by 21st Century Fox. Chairman Rupert Murdoch has made several attempts to increase 21st Century Fox's stake in Sky from 40% to a majority 61%, though the efforts suffered some setbacks at the hands of European regulators. Investors fear Comcast's takeover attempt could spark a bidding war among three media titans.

Moreover, Disney recently announced a reorganization and the creation of a direct-to-consumer and international unit. Cahall says this move "leaves questions about the model for FY19+," particularly as the company shifts focus to online and mobile viewing. This signals that Disney is likely to invest more in new content and that there will need to be a rerating of the company as it grows larger and is made up of media and nonmedia assets.

"DIS remains our favorite longterm idea but we acknowledge that the complexity of the story and aforementioned overhangs make it less likely to be a top 2018 Media stock," Cahall said.

Cahall maintained his price target of $135 a share.

Disney's stock was trading at $101.24 a share on Friday and was down 9.44% for the year.

Read more about why Disney is poised to be 'the world's leading content company.'

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