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Why Andy Garcia is literally in only one shot of 'Passengers'

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passengers sony

Warning: Spoilers below if you haven’t seen the movie.

It can get really annoying when a trailer is nothing like the actual movie. And though the big issue with “Passengers” is the story-altering decision one of its main characters makes that is completely ignored in the trailer (learn more about that), there’s also another question after comparing trailer to movie:

What the heck happened to Andy Garcia?

“Passengers” is set on luxury star ship that’s blazing a path from Earth to a colony planet 120 years away. Jim (Chris Pratt) and Aurora (Jennifer Lawrence) wake up too early from their hibernation chambers (for very different reasons) and are alone on the ship with 90 years left in the voyage. With everyone still asleep, including the crew, Jim and Aurora enjoy each other’s company until they are interrupted by a malfunction on the ship that they have to fix on their own or everyone on board will die.

The movie ends with Jim and Aurora fixing the ship and living out their days on it together. The captain, played by Garcia, wakes to find what the two had been doing with their time on it, creating a home for themselves full of gardens, plants, and other reminders of Earth that were locked away in the ship's storage.

Garcia’s surprised expression of what he finds on the ship, which is shown in the film's trailers and TV spots, is literally the only shot of him in the entire movie.

Here it is:

Andy Garcia Passengers Sony finalSo how does an Oscar-nominated actor only get one shot in a big budget movie? Turns out there were numerous endings filmed.

“The ending of the film is the thing that we adjusted most not just during this production but all the years leading up to it,” Jon Spaihts, the “Passengers” screenwriter who had been working on the film for close to 10 years, told Business Insider. “Sticking this ending was one of the trickiest parts of the film. There was a version where we wondered around the aftermath of their lives a little bit longer and the viewpoint character who took us on that walk was the captain of the ship. So there's a version of that ending where you actually spend a few minutes with that guy silently looking at all the signs of how their lives played out. That's not what ended up on screen, what we have now is an extraordinary highbrow cameo.”

Guess what we learned here is regardless of the amount of screen time, if you have a recognizable actor in your movie, you place them in the trailer.

We just hope Garcia didn’t grow that long beard specifically for this role.

“Passengers” is currently playing in theaters nationwide.

SEE ALSO: How this scene-stealing character from "Rogue One" was created

Join the conversation about this story »

NOW WATCH: Watch the trailer for the new Martin Scorsese film that took over 20 years to make


Watch a team of 'SNL' pros complete the nerve-racking transition between scenes in just over 2 minutes

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casey affleck behind the scenes saturday night live nbc.JPG

If you've ever wondered how "Saturday Night Live" transitions its set between scenes, then wonder no more.

The NBC sketch show just pulled back the curtain on the Hollywood magic with a new video showing the amazing and nerve-racking process of changing over the set while the clock ticks in real-time.

This video is especially timely as it captures the transition between this past weekend's cold open featuring Alec Baldwin, John Goodman, and Beck Bennett as President-elect Donald Trump, Russian President Vladimir Putin, and incoming Secretary of State Rex Tillerson, respectively, to host Casey Affleck's monologue.

In less than two-and-a-half minutes, the crew is tasked with pulling down a pretty elaborate Christmas-decorated set of Trump's living room to the bare-bones "SNL" stage. In the background of the video, you can hear the voices from the control room counting down the seconds.

At one point, time is barreling down on the crew as they try to pull down the last vestiges of the cold open set.

"Come on, that big wall's got to go and we'll be alright," said a voice with just 25 seconds left to complete the transition.

When they make it just in time, there's praise to be shared among the crew.

"They're the best," said one voice.

Affleck rushes to the stage for his monologue and the viewing audience is none the wiser. And that's why they're pros.

Watch the stunning behind-the-scenes video from "SNL" below:

SEE ALSO: Alec Baldwin gets paid $1,400 every time he plays Trump on 'SNL'

DON'T MISS: 'Rogue One' star Felicity Jones will host the first 'SNL' of 2017

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NOW WATCH: Why John Cena's 'SNL' hosting gig means big business for WWE

RANKED: The 10 best movies of 2016

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2016 was a horrible year for countless reasons, but one of the few positives was going to the movies. Rotten Tomatoes reports a record number of Certified Fresh movies released in 2016, and Disney’s $7 billion global take at the box office set a new industry record.

So needless to say, there were a lot of great titles in the running for my 10 best this year.

It was hard, but here they are — the films that confirmed why I love going to the movies so much (plus a couple that I felt needed to be mentioned).

SEE ALSO: The 5 biggest winners and losers at the box office in 2016

10. “Jackie”

This haunting look at Jacqueline Kennedy in the aftermath of the assassination of her husband, President John F. Kennedy, is a beautifully constructed retelling of the end of Camelot and the realization that the First Lady is far from the timid person she was portrayed as by the press. Natalie Portman delivers one of the best performances of her career, playing Jackie with a precision that lifts the movie to another level. 



9. “Rogue One: A Star Wars Story”

The first standalone “Star Wars” movie was hyped to have a more mature “Dirty Dozen”-like feel and it was just that. “Rogue One” has an originality that gives you a sense of finality when you get to the end. There’s still a lot of reminders that you are inside the confines of the “Star Wars” universe, whether it be characters that show up or locations where scenes take place, but the high stakes of the movie brings an excitement that can be lost at times when watching the main franchise films. 



8. “Moonlight”

Told over three chapters in the life of a young man living in Miami, Barry Jenkins’ beautifully touching portrait of the complexities of life is a movie you have to experience if you are a film lover. The direction, acting, camera work, and score are all at a high level, while the storytelling is some of the most powerful you’ll see all year. 



See the rest of the story at Business Insider

Seth Meyers blasts Trump's 'dire' attitude toward climate change: 'It's literally life or death'

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seth meyers climate change donald trump late night nbc

The war against facts has been raging throughout President-elect Donald Trump's campaign. But when it comes to the facts about climate change, Seth Meyers believes Trump's denial of its existence could create irreparable harm.

"One of the most dire consequences of a Donald Trump presidency may be its impact on climate change," the host said in a new edition of "A Closer Look" on Wednesday's episode of NBC's "Late Night." "And if there was any hope that Trump might soften his position on climate issues after he won, his cabinet picks tell a different story."

Part of the problem is the belief that the affects of climate change are decades away, but scientists have shown that the effects can be felt right now. Meyers pointed out that 16 of the hottest years in recorded history — including the hottest so far: 2016 — have occurred since 2000.

"So just to recap, 2016 was the hottest year ever," Meyers said, "Donald Trump won the presidency, and on top of that, the f--king Chicago Cubs won the World Series. I'm pretty sure that's three of the four horseman of the Apocalypse right there."

At the core of Trump's stance on climate change is his belief that it isn't real. During his campaign, he said that climate change is a hoax created by China. There was some hope that he could change his stance after Trump admitted that there was "some connectivity" between humans and the changing climate, and after news broke that his daughter, Ivanka Trump, had also met with famous climate change activists Leonardo DiCaprio and former Vice President Al Gore.

"Trump's team moved quickly to snuff out that glimmer [of hope] by reassuring everyone that Trump still thinks climate change is totally made up," Meyers said.

And to double-down on that reassurance, Trump's cabinet picks cemented the deal. He chose oil ally and fracking supporter, Oklahoma Attorney General Scott Pruitt, to head the Environmental Protection Agency. He also chose former Texas Governor Rick Perry, who has called climate change "phony," for energy secretary.

"So the climate situation may well be dire under the Trump Administration, which is why we need to keep bringing attention to it," said Meyers. "It's literally life or death. Without a strong response, we could be in for more arctic melting, extreme weather events, rising sea levels, and earthquakes."

Watch the video below:

SEE ALSO: Lena Dunham apologizes for 'distasteful joke' about abortion

DON'T MISS: Alec Baldwin gets paid $1,400 every time he plays Trump on 'SNL'

Join the conversation about this story »

NOW WATCH: The last time a losing candidate had a wider popular vote margin than Clinton was in 1876 — here's the bizarre story

Apple execs explain why Kanye West's album wasn't on Apple Music first: he 'chose to make a deal with his friend' (AAPL)

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In 2016, Apple Music and Tidal fiercely competed for which streaming music service could boast the most "exclusives."

An "exclusive" in this context means that a popular album would be available for streaming on either Apple Music or Tidal for a period of weeks before it was available on the other services, including Spotify.

These promotions convince music fans to subscribe to a paid service, whether it's Tidal or Apple Music. 

Apple had its share of exclusive hits, but one record eluded Apple Music execs Jimmy Iovine and Larry Jackson: Kanye West's "The Life of Pablo," which was on Tidal for six weeks before it was available on Apple Music. 

"We’ll always work together — not everything has to be business," Jackson told The New York Times. "Jimmy and I went to the studio two times to hear the album and give feedback, not for any reason other than we love him as an artist and we just wanted to help."

Iovine explained Kanye's decision was about his now-seemingly rocky relationship with Jay-Z. 

"He was part of Jay’s thing and chose to make a deal with his friend, and I respect that. I kind of felt like it was going to happen before it did," Iovine said.

But, it turns out that, at least in the battle for popular exclusives, Apple Music had a great 2016.

The New York Times points out that five Apple Music exclusives debuted at No. 1 on the Billboard chart, including Drake's album "Views." 

However, Tidal had West's album, as well as exclusives from Beyonce and Rihanna, totaling three Tidal exclusives to top the charts. 

Check out the Apple Music exclusives to top the Billboard charts in 2016 below: 

SEE ALSO: Apple Music now has 20 million subscribers

Future, "EVOL"

Release date: February 6, 2016

Listen here.



Drake, "Views"

Release date: April 29, 2016

Listen here



DJ Khaled, "Major Key"

Release date: July 29, 2016

Listen here



See the rest of the story at Business Insider

Pokémon Go finally arrives on the Apple Watch

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Back in September, Niantic — the company behind the Pokémon Go smartphone sensation — took the stage at an Apple event to announce that their game would be coming to the Apple Watch before the end of 2016.

Now, with just over a week left in the year, Niantic has delivered: Pokémon Go is finally available for Apple Watch, just a few days before lots of people unwrap the smartwatch on Christmas morning.

To quote directly from Niantic's blog entry, here are the key features of Pokémon Go on Apple Watch:

  • "Log each play session as a workout, with gameplay counting toward personal Activity rings"
  • "Receive notifications about nearby Pokémon"
  • "Count distance toward hatching Pokémon Eggs and receiving Candy with your Buddy Pokémon"
  • "Receive notifications about PokéStops nearby and collect items from them"
  • "Receive notifications when Eggs hatch and medals are awarded"

Of note, Niantic says that if you want to actually catch a Pokémon, you'll still need to pull out your iPhone. It's more of a companion, like a beefed-up and more interactive version of the existing Pokémon Go Plus wearable gadget. Niantic says that Pokémon Go's focus on getting players out and around makes it a perfect compliment to the Apple Watch's focus on personal fitness, just in time for New Year's Resolution season.

On a final note, Pokémon Go on Apple Watch was the subject of a little bit of controversy in the run-up to this release: A pair of reports from 9to5Mac earlier this week suggested that Niantic had cancelled plans to build its Apple Watch app, even as it was secretly hard at work on its own wearable devices.

Today's news directly disputes that first report, and Niantic now flatly denies that it's building any kind of hardware. "Niantic is not working on developing a wearable device at this point in time," a spokesperson said. 

SEE ALSO: Pokémon Go has released new creatures into the wild

Join the conversation about this story »

NOW WATCH: A psychologist explains why we need to 'catch 'em all' in 'Pokémon GO'

The 7 best holiday movies on Netflix to watch this Christmas

'The Big Short' author Michael Lewis tells us what scares him most about Trump and Wall Street — and why his new book is 'a love story without the sex'

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After nearly 30 years of writing, Michael Lewis has tackled his first love story.

Lewis, the author of "The Big Short" and "Moneyball," didn't go the typical romance route, though. His new book, "The Undoing Project," tells the story of Daniel "Danny" Kahneman and Amos Tversky, two best friends who revolutionized cognitive psychology.

As Lewis put it to Business Insider, the relationship between these two brilliant Israeli psychologists "was a love story without the sex."

Kahneman's and Tversky's personalities and ideas perfectly complemented each other's. They understood each other in ways no one else could, and this resulted in groundbreaking work on judgment and decision-making through the 1970s and '80s.

Tversky died from cancer in 1996, but Kahneman has continued to develop their ideas and generate many new ones, and he was awarded the Nobel Prize in Economic Sciences in 2002.

Kahneman and Tversky's theories have influenced medicine and public policy, and led to the founding of behavioral economics and an analytic approach to crafting professional sports teams.

And while their work has been explored for many years, Lewis was in a unique position to tell the human story behind the ideas — Lewis taught Tversky's son Oren during his teaching fellowship at the University of California at Berkeley in the late '90s and would later help Kahneman shape his 2011 bestseller, "Thinking, Fast and Slow."

We sat down with Lewis to discuss "The Undoing Project," and how Kahneman and Tversky's ideas can offer a valuable lens for viewing Donald Trump's election, Wall Street, and sports.

This interview has been edited for clarity and length.

Richard Feloni: A central theme of "The Undoing Project" is the fallibility of human judgment. This entire election season was filled with surprises not predicted by polls or pundits on either side. How do you look at this election year using Kahneman and Tversky's theories?

Michael Lewis: When I wrote "The Undoing Project," I was not thinking of the American election, and I did not think Donald Trump was going to be elected president. But one of the great things about Amos Tversky and Danny Kahneman is they give you a lens for interpreting human behavior and you can filter the whole election through them.

Michael Lewis TimelineThe first thing they would say is people don't like uncertainty, and their minds are tools for making sense of the world, even when the world is senseless. They dislike uncertainty so much that they will impose an order on it even when it doesn't exist. And in their leaders, advisers, and experts, they much prefer overconfidence, total certainty, to any kind of doubt.

I'd say part of the appeal of Trump is that he's presenting himself as a totally certain, infallible person.

Then there's anchoring. Amos and Danny did these studies where they'd give their lab subjects a wheel of fortune with the numbers one to 100 on it and have them spin the wheel. And then, after subjects get a number, they ask them what they think the percentage of countries in the United Nations come from Africa. And people who had spun a high number would guess a higher percentage than people who had spun a low number. Amos and Danny showed that you could anchor the mind into answering a question a certain way by giving them a totally unrelated piece of information dropped before.

Trump's anchoring people every which way. "There are millions of illegal voters." Everything's "huge." I don't think he's doing it consciously, but he does very well in kind of inserting himself into those kind of chinks in our mental armor.

Feloni: What about looking at the way that those who opposed Trump are struggling to accept it?

Lewis: Danny and Amos studied the rules of the human imagination when it tries to undo something, tries to create an alternative reality. Say a loved one dies in an accident. You imagine, "If only they hadn't been on that train when it went off the rails — if only." After the election, some people tried to undo Trump. They started with the outcome and worked their way back to find the first thing they could undo to change the outcome. So the first thing they could undo was the FBI director stirring up trouble about Hillary's emails, when really there are all kinds of things that could have happened that would have changed the election.

The last thing I'll say is that Danny and Amos pointed out that when something happens people didn't predict, they find ways to explain it as if it were predictable. And you see this in spades in our country right now. You'll be amazed by how many people will have "predicted" this thing a year from now, who didn't see it the day before Election Day. The tone of the commentary is already like, "If you had been out there and you'd taken the pulse of the ordinary American, you'd have seen it coming," as if it were a failure of intelligence. But that's not what it was at all! It was a kind of accident. He got almost 3 million fewer votes than Hillary Clinton! He happened to get more in some of the right places. It was just like one of those things where a stock going up and people impose a false sense of order on it. It's really more intellectually honestly viewed as a disorderly process.

Feloni: What made you want to tell the story of Danny Kahneman and Amos Tversky? What do you want readers to learn about their personal lives?

WATCH: Why Lewis wrote 'The Undoing Project'

Lewis: I always find with my stories that the way they start is that I just get so interested in a person that I'm compelled to go back to them over and over until I learn more and more about them, without even quite thinking it's material for a book. Maybe I'm thinking it's a magazine piece. What set me over the edge with this story was, one, the sheer level of interest of the two main characters. They have great literary dimensions. Two, the peculiar passionate relationship between them, which was a love story without the sex. Their children were ideas.

And three, was just the influence of their ideas. You see them everywhere. There are people in medicine who will tell you that they've deeply influenced medical diagnosis and the way doctors think about their jobs. On Wall Street, you go back to the origins of the suspicion of stock picking, the beginning of the movement toward index funds, and their fingerprints are all over that. They're also all over "Moneyball," the whole statistical movement in sports. Every place where big data and algorithms are challenging experts, you will find Kahneman and Tversky in the room.

There just aren't many stories that are this good. It was a really good, really important story, and I had peculiar access to it.

Feloni: How do their personal stories shed light on their theories?

amos tversky daniel kahnemanThe thing about their relationship and the intensity of their feelings for each other was that it was so important in their work. The ideas are all about human fallibility — human vulnerability, even — and their origin largely starts with Danny Kahneman exploring his own fallibility, his own vulnerability. But he was incapable of doing that by himself, in part because he was so unsure of himself. Amos created a safe place in which Danny felt not only confidence but a kind of unconditional acceptance and love.

The strength of that relationship is what enabled them to explore what's weak in people. And it was the great insight into themselves — particularly looking into Danny — that was the source of their idea generation. So it's not surprising that when the relationship started to fracture that the ideas also started to dry up.

Feloni: Your previous book, "Flash Boys" — about Brad Katsuyama gathering a team to take on what he felt to be abuses of high-frequency trading — also had protagonists shaking things up. In the two years since that was published, his firm, IEX, has become an exchange and is planning on listing companies in 2017. Your book had the effect of making them celebrities of sorts. Are they meeting your expectations?

Lewis: They have exceeded my expectations. The world around them has also exceeded my expectations in their attempts to stop them from actually improving the markets. I think the game is slightly changing, and that because they're now an exchange, they can generate data showing what is essentially the grift that goes on in other exchanges — what it costs investors to trade on those versus on an exchange like IEX that is actually trying to level the playing field and not give high-frequency traders an advantage. The game is going to be getting that information now.

I didn't know what the reaction to "Flash Boys" was going to be, because although I have written other Wall Street books, I'd never written one that threatened to take away money from people. And it's still unclear how big those sums of money are, but it's clearly billions of dollars a year. Now I know what happens when you do that — you generate essentially an opposition political campaign against a book. It was as fraudulent as many political campaigns are.

WATCH: Lewis explains how Wall Street has changed

And the truth is, this isn't my war to fight. It's Brad Katsuyama's war to fight — I am an interloper. I came in because I was really interested in a pretty simple thing: what happens when someone tries to introduce moral considerations into Wall Street, what happens when someone wants to actually demand of himself and those who work with him that what they do is not just profitable but good and useful.

I feel a little bad for Brad Katsuyama and the people at IEX — they're on their own doing this — but I think it's going to be OK. It may take a little while, but I think they're going to be a very, very big part of the stock market.

Feloni: Polls increasingly show Wall Street doesn't have the pull it used to for top talent fresh out of college. What does Wall Street look like to you now compared to when you were in it in the '80s?

Lewis: What's happened to Wall Street since "Liar's Poker" came out in '89 is that its relationship with the rest of society has become much more problematic. It's become cagier, more guarded, closed, and afraid of how it seems to the wider world. More political. But it's not clear to me it's become less profitable!

If you're the kind of kid who thinks that all that's important in life is making money, it's probably still the place to go, especially now that Trump's elected. In Wall Street now, you have to hide what you're doing. It's more fun when you don't have to do that. But I don't think its sense of purpose has changed at all.

michael lewis books

Now, the exception is that there are disruptors who are trying to fix the financial system with entrepreneurship, like Brad Katsuyama. You find great purpose there, but you may not find great profits when the game you're playing is making a living by reducing the size of Wall Street, sucking some of the revenues out of it, and reducing the tax the financial-sector levies on the rest of the economy. You're not going to get rich doing that like you get rich figuring out how to increase the tax.

Feloni: You discuss in the introduction to "The Undoing Project" the legacy of your book "Moneyball" and its protagonist, former Oakland A's General Manager Billy Beane. Since the book was published in 2003, the analytics approach to building a pro sports team has become standard. How can scouts be useful in this environment?

Lewis: I thought about this back when "Moneyball" was published. Billy Beane, he didn't ask for my opinion, but I told him, you've got this army of scouts, and they're not doing what they should be doing. They're eyeballing the players and judging if they can be big-league players based on small sample sizes, the games they happen to attend. You get a much better picture of their professional potential when you're dealing with a big body of data.

What scouts should be doing is figuring out if these players have a drug problem, if they may have a difficult time living away from home, if they have weird problems with their teammates, if they don't listen to their coach, or if they're hiding an injury. What you should do is basically hire a bunch of young journalists to go figure out who these people are, because some of that information will be helpful.

The trick is figuring out what the algorithm does well and what people do well.

WATCH: Lewis weighs in on Trump's election

Feloni: One of the narrative arcs that shows up often in your work has an outsider — maybe this person was laughed at by people in positions of power — and then this person goes on to shake things up and influence the people who once mocked him. Does Trump fit into one of these Michael Lewis stories?

Lewis: [Laughs] The problem is my characters are actually usually pretty smart and admirable and I don't think he's either. So the answer is "unlikely"! You never know. Look, just because you've been successful and just because you've disrupted an environment, doesn't mean you're a role model or that you actually have anything to teach anybody. There's an awful lot of luck and accident in the world, and maybe you were just on the receiving end of that.

The thing I'm most afraid of is what happens when these people who voted for Donald Trump realize he's not going to do anything for them and that he's not an antidote to what ails them. His whole movement runs on anger, and if it doesn't have anger, it doesn't go anywhere. Where is that anger going to turn when they all of a sudden realize that he's running an administration to empower rich people?

Feloni: You've said you're concerned about which financial regulations may be rolled back in the coming administration.

Lewis: The idea that it's smart to allow Wall Street firms, with this "too big to fail" imprimatur, to become hedge funds again — it's unconscionable. You're essentially saying we're going to take some elites in our society and let them roll the bones in the marketplace, and if it works out they get rich, and if it doesn't work out the taxpayer comes in again. That seems absolutely crazy to me. That seems to be where they're headed. I mean, maybe they're not and I'm wrong. Maybe they'll do sensible things. It's hard to know! There doesn't seem to be a plan.

SEE ALSO: Malcolm Gladwell tells us about his beef with billionaires, police violence, and how his new hit podcast lets him explore issues in ways his books can't

Join the conversation about this story »

NOW WATCH: 'The 4-Hour Workweek' author Tim Ferriss reveals 2 common principles he's found in successful people


The ultimate fate of the Death Star may be completely wrong

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If you're reading this, chances are you've watched (or plan to watch) Disney's "Rogue One: A Star Wars Story," the first of several standalone "Star Wars" movies that expands upon the main plot of the epic series.

Without spoiling anything beyond the trailers, "Rogue One" picks up at a critical moment: when the Empire has just finished building the Death Star and is flexing its planet-destroying muscles.

But there is something gravely wrong with the moon-size weapon's ultimate fate in the trilogy's final film, and physicists want you to know about it.

millennium falcon escape explosionThe Death Star meets its final doom in "Return of the Jedi," the epic conclusion to the original "Star Wars" saga.

The colossal ship is orbiting the forested Sanctuary moon of the planet Endor and, after it's blown up, the Rebel Alliance and its hairy Ewok friends party in the trees. Everyone and everything is hunky-dory.

But ask a physicist — or a dozen, as Tech Insider did last year — what happens when you detonate a giant metal sphere above a lush green world. The answer is downright chilling.

"The Ewoks are dead. All of them," said one researcher and self-professed "Star Wars" fan, who wrote a white paper in 2015 that supported his conclusion.

Each scientist who responded to our emails quibbled over the exact details, yet a strong consensus emerged in support of a popular fan theory: The "Endor Holocaust" is inevitable, and a threat to the plausibility of any future movies (galactic bankruptcy be damned).

Here's why.

SEE ALSO: 8 terrifying ways the world could actually end

DON'T MISS: 25 images of Earth that will bring you to your knees

The "Endor Holocaust" fan theory dates back to 1997, when it first appeared on a website called TheForce.net.

Source: TheForce.net



Curtis Saxton, an astrophysicist and "Star Wars" super-fan, wrote it as part of a technical series that analyzes the movies frame-by-frame with scientific rigor.

Source: TheForce.net



Saxon's 10,000-word essay about the Endor holocaust claims that the doom of Endor and the Ewoks who live there "is an inevitable consequence of observable facts."

Source: TheForce.net



See the rest of the story at Business Insider

Avril Lavigne accuses Mark Zuckerberg of 'promoting bullying' with his jab at Nickelback (FB)

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Earlier this week, Facebook CEO Mark Zuckerberg debuted "Jarvis"— the "digital butler" for his smart home, as voiced by legendary actor Morgan Freeman.

In a video demonstration of Jarvis, Zuckerberg asks it to "play us some good Nickelback songs." Jarvis responds with "I'm sorry Mark, I'm afraid I can't do that ... there are no good Nickelback songs." Zuckerberg pauses before answering, "Good, that was actually a test."

It was yet another joke at the expense of the much-maligned Canadian rockers, which was pretty funny. But one person definitely did not think so: Avril Lavigne, the singer of chart-topping hits like "Sk8er Boi" and "Complicated." 

On Thursday afternoon, Lavigne took to Twitter in defense of Nickelback, calling Zuckerberg's "jab" in "poor taste," and saying that he "may want to be more careful with promoting bullying." 

Lavigne, it should be noted, was married to Nickelback lead singer Chad Kroeger until they separated in late 2015, and the two reportedly maintain a close friendship.

Lavigne tagged several prominent anti-bullying groups in her message, including STOMP Out Bullying. 

Representatives for Zuckerberg, Lavigne, and Nickelback were not immediately available for comment.

You can watch the Zuckerberg video that prompted Lavigne's response here:

 And read the full text of Lavigne's note to Zuckerberg here:

"Dear Mark, 

Many people use your products - some people love them and some people don't. Either way you're allowed your musical opinion however, your jab at Nickelback is in poor taste.

When you have a voice like yours, you may want to consider being more responsible with promoting bullying, especially given what's going on in the world today.

#SayNoToBullying #TheJokeIsOld #NickelbackHasSoldOver50MillionAlbums

xx,
AL"

SEE ALSO: Mark Zuckerberg is considering giving away the personal virtual assistant it took him 100 hours to build — here's how it works

Join the conversation about this story »

NOW WATCH: Avril Lavigne sells a TON of records in Japan

The 22 most exciting new shows of 2017 you have to see

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As the movie business continues to favor blockbusters and established film franchises, talented people are running to television. For the most part, viewers are reaping the benefits.

An FX study estimates that the amount of original scripted shows will reach 500 in 2017 – up from 455 this year. It's really becoming impossible for any person to keep up with all the most exciting shows coming down the pike.

But don't worry, here's a list of the shows we believe deserve your attention. It's nearly three dozen of the most exciting series slated to premiere in 2017. We're not saying these will be the most critically-acclaimed shows of the coming year, we're just pointing out the ones that will get people taking.

From Starz's "American Gods" to NBC's "Midnight, Texas," and HBO's "Young Pope," here are the 22 upcoming new shows we're most excited about in 2017:

SEE ALSO: 12 TV shows you're not watching that you need to see

DON'T MISS: 20 TV shows you're watching that are probably going to be canceled

"The New Celebrity Apprentice" (NBC), Premieres January 2

There are two major reasons to tune in to NBC's new iteration of "Celebrity Apprentice." Is Arnold Schwarzenegger as entertaining as Donald Trump? And what will be the action star and former California governor's version of "You're fired" be?



"Emerald City" (NBC), Premieres January 6

For today's viewers, NBC's remake of the classic "Wizard of Oz" story is decidedly more edgy and sexier than the original. The basic tenets of the story are all there, but it has a diverse cast, a much more epic scope, and takes place in a violent period for the magical land. Director Tarsem Singh Dhandwar ("Mirror Mirror," "The Cell") serves as an executive producer and directs the series.



"Taboo" (FX), Premieres January 10

Oscar nominee Tom Hardy, who was in "The Revenant" and "Mad Max: Fury Road" last year, rides the line between London gentleman and savage as James on the FX event series, "Taboo." It's 1814, and he's returning to London after 10 years in Africa. Believed dead by those who knew him, James returns to protect his father's legacy against his enemies, and finds himself in a face-off against the most powerful trading firm of the time, the East India Company.

"Blade Runner" director Ridley Scott serves as an executive producer.



See the rest of the story at Business Insider

Legendary 'Star Wars' composer John Williams says he's never seen any of the movies

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Composer John Williams is responsible for some of the greatest music ever put to movies. From the "Indiana Jones" franchise to "E.T. the Extra-Terrestrial," he's created some of the most recognizable film scores in history.

But what Williams will always be best known for is his music to the "Star Wars" saga. All seven episodes of "Star Wars" have been blessed by the legendary composer — he didn't score this month's release, "Rogue One: A Star Wars Story," though a hint of his theme music for the franchise does show up in the movie at one point.

That said, the 84-year-old recently admitted to The Mirror that he's never actually seen a finished version of any "Star Wars" movie.

"I have not looked at the 'Star Wars' films and that’s absolutely true," said Williams. "When I’m finished with a film, I’ve been living with it, we’ve been dubbing it, recording to it, and so on. You walk out of the studio and, 'Ah, it’s finished.' Now I don’t have an impulse to go to the theater and look at it. Maybe some people find that weird — or listen to recordings of my music — very, very rarely."

Though this probably comes to a shock for many of us who have loved Williams' scores — not just for "Star Wars," but the countless others he's done over his career — there are many actors who, like Williams, have said they also don't watch the work they've done.

“I’m not particularly proud of that, I have to say," said Williams, but adding that having just completed the score for "Star Wars: Episode VIII," and now moving onto a new film by Steven Spielberg, "I don’t want to listen to music or see films."

Despite staying away from seeing the films for decades, he is fully aware that the fans love his contribution to the saga.

"It’s probably the most popular music that I’ve done," he said.

You will next hear Williams' music in "Star Wars: Episode VIII" when it opens on December 17, 2017.

SEE ALSO: RANKED: Every character in "Rogue One" from best to worst

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NOW WATCH: Here are the 11 best memes of 2016

Traditional TV has finally peaked, while digital thrives (NFLX, AMZN)

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Esimated number of scripted series

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The number of original scripted series on cable and broadcast TV has declined for the first time since the metric has been tracked in 2009, according to FX Research.

While the total number of scripted original series actually increased by 8% year-over-year to 455 shows, all of that growth is due to the rise of online services. These services — Netflix, Amazon Prime, Hulu, and Crackle, among others — more than doubled their output to 93 scripted shows in 2016.

This surge follows an increase in investment from digital players, which now rival some of the largest traditional media outlets in spending on original content. Netflix is expected to invest $5 billion on original content in 2016, according to data from SNL Kagan and Boston Consulting Group. That tops two legacy powerhouses in NBC ($4.3 billion) and CBS ($4 billion), and trails only ESPN ($7.3 billion). Meanwhile, Amazon is expected to invest a noteworthy $3.2 billion by year-end. Most notably, Amazon offered $250 million to Jeremy Clarkson, Richard Hammond, and James May, to bring The Grand Tour to Amazon Prime.

And Netflix and Amazon will continue to aggressively grow their investments in content over the next year. Netflix stated in its Q3 earnings report that it will spend $6 billion next year on content, a one billion increase from this year. According to Ted Sarandos, chief of content, the company wants its original and exclusive content to comprise half of its total catalog over the next few years. Similarly, Amazon CFO Brian Olsavsky revealed that Amazon would nearly double its investment in video and triple the amount of Amazon original content through 2017.

On the traditional TV front, the average number of TV channels viewed by American adults fell for consecutive years, according to a Nielsen report. While the figure only dropped by a marginal amount — to 19.8 in 2016 compared with 20.9 in 2014 — the number of channels received, on average, by an American adult decreased for the first time in eight years. This further hints at the impact of cord shaving, as traditional TV channels continue to be replaced by other sources such as subscription-video-on-demand (SVOD).

Growth of subscription-video-on-demand (SVOD) services in the US has slowed considerably over the last year as competition in the online video streaming space intensifies. Heavy hitters like Netflix, Hulu, and Amazon Prime are increasingly squeezed by new competitors with exclusive content and niche video offerings.  

International markets, and specifically, the Asia-Pacific (APAC) region will be paramount for both established SVOD players and new entrants looking to establish themselves in the successful video space.

The SVOD market in the APAC region is poised for explosive growth over the next five years due to increased mobile adoption, amplified broadband expansion, and enhanced purchasing power.

Dylan Mortensen, senior research analyst for BI Intelligence, Business Insider's premium research service, has compiled a detailed report on subscription video on-demand that explores how slowing SVOD growth in the US will lead to a surge in the APAC region.

Here are some of the key takeaways from the report:

  • While SVOD services are increasingly rooted among US households, growth is beginning slow. Growth in North American SVOD subscriptions is set to fall from 30% in 2014 to 4% by 2018.
  • The best opportunity for continued growth lies in the Asia-Pacific (APAC) region. The region had nearly 42 million SVOD subscribers in 2015, but could have up to 158 million by 2021.
  • The increasing adoption of smartphones and mobile data is propelling growth in mobile video viewing across APAC, which is poised to outpace the rest of the world.
  • Rising purchasing power in APAC underlines the opportunity for online video services. China and emerging Asian economies represent nearly two-thirds (63%) of global economic growth.
  • Content creators and marketers stand to gain from SVOD’s push into the APAC region. Content creators can benefit from the surge in short-form video, while marketers can capitalize on advanced product placements.

In full, the report: 

  • Forecasts SVOD subscribers in the APAC region.
  • Explores the factors behind SVOD’s slowing growth in the US.
  • Breaks down reasons why APAC is ripe for massive online video growth.
  • Discusses who will benefit from SVOD growth in APAC.

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An event planner who has hosted parties for Beyonce and the Obamas shares his go-to holiday drink

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Friends of the Highline 6590

Bronson van Wyck knows how to throw a party. 

Since 1999, he and his mother, Mary Lynn, and sister, Mimi, have been putting their hosting skills to good use, planning events for the most high-end of clients — people like Beyonce, Madonna, and Presidents Obama, Bush, and Clinton — through their event production firm, Van Wyck & Van WyckEarlier this year, the Van Wyck team launched a new company out of their production firm. Called Workshop, the new company focuses on producing events for brands like Coach, Mercedes-Benz, Hermes, and Range Rover.

Van Wyck clearly knows how to tailor a party's decor and activities to each client's individual tastes, whether that's with candle-lit decor, strong drinks, or fun photo booths. 

But when it comes to the holiday season, he has a few tips that anyone can adapt for their own holiday parties.

dark and stormy cocktail"I like to serve a Dark and Stormy this time of year," van Wyck told Business Insider. "They can easily be made for large pitchers, and the dark rum with a healthy kick of ginger will warm you right up.  With only three or four ingredients (dark rum, ginger beer, lime, a dash or two of bitters if you desire), it is a foolproof cocktail."

Click here to watch van Wyck make his signature Dark and Stormy. 

Van Wyck has also created a line of all-natural cocktail mixes called Arrowhead Farms. The mixes come in eight different flavors, including a seasonally appropriate Spitfire Margarita, a spicy Serrano grapefruit margarita.

And if you're not the one hosting the shindig, he has some suggestions for what to bring along with you.

"I've been whipping up Bloody Marys for friends and family for hostess gifts for as long as I can remember. Holiday parties often create holiday hangovers — your host will thank you for thinking ahead!" he said. "Pour your homemade batch into mason jars tied up with raffia or burlap and maybe a sprig or two of cedar and juniper."

SEE ALSO: These are the best bottles of Champagne to bring to your holiday parties

DON'T MISS: The rules of partying like a celebrity, from one of the best planners in the business

Join the conversation about this story »

NOW WATCH: The 7 best holiday movies on Netflix to watch this Christmas

Fans are rallying around Brendan Fraser and his return to Hollywood

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Brendan fraser as rick o connell in the mummy_(1)

Fans are rallying around actor Brendan Fraser and his Hollywood career.

The '90s movie heart throb is getting a lot of attention for his new role on Showtime's "The Affair" as Gunther, a mysterious prison guard who has caused Noah (Dominic West) to suffer from post-traumatic stress disorder.

Recent interviews about the role – especially a particularly quirky one with AOL talk show, Build, earlier this month – has both the media and fans revisiting the star's long list of past Hollywood roles, such as "The Mummy" blockbuster film franchise,"School Ties," "Gods and Monsters," "Encino Man," "Bedazzled," and "Blast From the Past."

Fans are even hoping to help Fraser's return to the industry with a petition on change.org. As of the publishing of this article, about 7,400 people have signed the petition to implore entertainment companies to give Fraser more work.

The media have also joined in on the growing fascination with Fraser's acting career. The Tribeca Film Festival website recently explored the best movies of his career with an article titled, "Brendan Fraser: The star that Hollywood forgot," and there's an extremely popular post floating around the web right now, "Why Hollywood won't cast Brendan Fraser anymore," which presented potential reasons why Fraser experienced a career slowdown over the past decade.

Watch AOL "Build's" recent interview with Fraser below:

SEE ALSO: Lena Dunham apologizes for 'distasteful joke' about abortion

DON'T MISS: Alec Baldwin gets paid $1,400 every time he plays Trump on 'SNL'

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NOW WATCH: Psychiatrists studied 400 movies to find the most realistic psychopath


Here's every new movie you can see in theaters over the Christmas holiday weekend

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Over the last couple of weeks you've been hit with tons of ad campaigns around movies coming out over the Christmas weekend, but with the amount of releases and all the different release windows you probably have no clue when a movie is actually playing in a theater near you.

Well, we got you covered.

From the wide releases like "Passengers" and "Sing" to the limited openings for Martin Scorsese's "Silence" and Denzel Washington's "Fences," here's every movie opening in the next few days. 

SEE ALSO: The 10 best movies of 2016

NOW PLAYING: "Rogue One: A Star Wars Story"

Why you should see it: If there's a "Star Wars" fan in your family, it's kind of required viewing.



NOW PLAYING: "Assassin's Creed"

Why you should see it: Though it's not getting the best reviews, if you're a fan of the game (or Michael Fassbender) it's a fun time.



NOW PLAYING: "Passengers"

Why you should see it: It's got a "Titanic" in space-type vibe, but in this one Chris Pratt has some questionable methods to make Jennifer Lawrence fall in love with him.



See the rest of the story at Business Insider

Former 'Top Gear' host Jeremy Clarkson reveals the cars he loved the most this year

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Jeremy Clarkson

Jeremy Clarkson is no stranger to controversial statements.

Over the years he's offended everyone from truck drivers to the British Prime Minister.

The former host of the BBC's "Top Gear" is also a long-time automotive journalist and reviewer, with more than three-decades worth of experience.

Suffice to say, when Clarkson speaks, people listen.

In August, Clarkson revealed the cars he loved driving the most over the past year, through his weekly column in the Sunday Times.

His top 10 ranges from diesel SUVs to high-powered supercars. According to the bombastic TV personality, each of the cars he selected was able to stand out above the fray by making the driver "feel special" every time he or she climbs inside.

"A car must have something to elevate it from the norm. It may be speed, or cleverness, or the fizz, or styling to die for," The host of Amazon Prime's "The Grand Tour" wrote in his column.

"But there must be something. Something that makes you excited every time you climb inside. Because if it doesn’t, then it’s just a tool. And if it’s just a tool, you may as well use the bus."

Here's a closer look at a selection of Jeremy Clarkson's favorite cars from the past year.

Read Jeremy Clarkson's column on The Sunday Times »

SEE ALSO: These are the cars former 'Top Gear' host Jeremy Clarkson hated the most this year

Ferrari 488 GTB

The latest generation mid-engined supercar to emerge from Ferrari is the 488 GTB. And it's about as good as it gets.

"As a driving machine, it’s — there’s no other word — perfect," Clarkson wrote in his review.

The TV host loved the 488's thoroughbred racing technology, melodic engine note, and docile driving dynamics.

"When you drive a Ferrari 488 GTB round a corner on a racetrack, it doesn’t feel like a tool that you’re operating. Or even a comfy, well-fitting glove. It feels like an extension of your very self," he added.

The Ferrari 488 GTB received a total of four out of a possible five stars from Clarkson.



Mazda MX-5

In his review, Clarkson praised the all-new Mazda MX-5 for its joyful personality and driving dynamics. In fact, the Mazda proved to be so wonderfully lovable that Clarkson compared it to a cure for depression.

"The new one is better than ever. Because it’s so organic and raw and simple, it feels how a sports car should. It sings and fizzes and jumps about. It always feels eager and sprightly, and that makes you feel eager and sprightly too," he wrote.

Clarkson gave the MX-5 a full five stars.



Vauxhall Zafira Tourer

Your eyes have not deceived you. A Vauxhall Zafira Tourer with a diesel engine is one of Jeremy Clarkson's favorite cars.

(For those of us in the US, the Zafira is a small MPV/van produced in Germany by GM's European Division.)

Clarkson was impressed by the Zafira's strong turbo-diesel engine, good efficiency, and well-executed interior. But most of all, Clarkson was simply blown away by the Zafira's comfortable ride.

"And then I went over a speed hump and I simply didn’t feel a thing. Never in all my years in this business have I encountered any car — including the Rolls-Royce Phantom — that’s quite so good at refusing to transmit road surface irregularities into the cabin," he wrote in his review.

Naturally the Vauxhall Zafira Tourer received a full five stars from Clarkson.



See the rest of the story at Business Insider

'Pokémon Go' is having a big holiday event — here's everything that's happening

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'Pokémon Go' is closing out 2016 with a big holiday event, running through Christmas, Hanukkah, and into the first few days of the new year.

Without further ado, here's everything that's happening in Pokémon Go, along with the days they're happening, according to a blog post from game developer Niantic.

From the morning of December 25th, 2016 through the afternoon of January 3rd, 2017:

  • "PokéStops will award one single-use Incubator each day after your first Photo Disc spin." In other words, the second PokéStop you hit on any given day will give up a one-time-only egg incubator. Which is good, because... 
  • "As you visit PokéStops during this time period, there will be a greater chance of finding Eggs that hatch Togepi, Pichu, and several other recently found Pokémon." Niantic recently added a bunch of baby Pokémon, originally from the "Pokémon Gold and Silver" Game Boy games, that can only be found by hatching. During the holidays, it'll be easier to hatch them.
  • "Special Pikachu wearing festive hats will also be staying around a bit longer!" If you're lucky, you'll be able to catch one of the limited-time Pikachu wearing a Santa hat.

From the afternoon of December 30, 2016, through the afternoon of January 8, 2017 (PST):

  • "The first partner Pokémon and their Evolutions, originally discovered in the Kanto region, are more likely to be encountered." It's going to be way easier to catch fan-favorite monsters Squirtle, Wartortle, Blastoise, Charmander, Charmeleon, Charizard, Bulbasaur, Ivysaur, and Venusaur during this period.
  • "Lure Modules will also last for 60 minutes instead of 30 minutes."

While the conventional wisdom is that Pokémon Go has peaked, it still has many millions of players worldwide. This is a very nice holiday treat for those Pokémon faithful, and maybe enough of an incentive to get lapsed players back into the game.

SEE ALSO: Pokémon Go finally arrives on the Apple Watch

Join the conversation about this story »

NOW WATCH: A psychologist explains why we need to 'catch 'em all' in 'Pokémon GO'

Super Mario Run is already slowing down

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Global In app purchase revenue

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Nintendo’s much-anticipated mobile game, Super Mario Run, could already be running out of customers willing to pay the $10 fee for full access, according to Slice Intelligence cited by TechCrunch.

Despite accounting for almost 30% of total revenue in the App Store, the number of paying users is already dropping away, suggesting that revenue generated early was largely from early adopters and could indicate that the existing monetization model isn't sustainable. 

Mario’s immediate success was likely a result of multiple factors, including strong brand recognition, prominent ad placement within the App Store, and, to some extent, nostalgia for the Super Mario title. However, the shock of the high price point has led to around half of users leaving one-star reviews. And although it’s likely that the game will see an uptick in purchases through the holiday period, these negative reviews could heavily mute the future potential revenue of the game. 

Moving forward, Nintendo will likely explore new avenues of monetization for Super Mario Run. There are several solutions Nintendo could investigate to raise revenue potential and mitigate negative feedback from customers.

  • Lower the price of the game. Nintendo’s decision to charge $10 for full access to Super Mario Run garnered lots of negative attention. By lowering the price point, the company could not only cater to consumers, but also boost revenue, according to data by Apptopia shared with BI Intelligence. The game is converting only 1% to 4% of users who have downloaded the game; but by dropping the price down to $2, its conversion rate could surpass 10%, resulting in a boost of ~$20 million by the end of the holiday period.
  • Offer in-app purchases. While the pay-to-play app monetization model has its benefits, such as a more immediate revenue stream, in-app purchases (IAP) are far more effective at generating revenue over time. For instance, in just two months, Pokémon Go generated about $400 million primarily through micro-transactions for IAP. And while interest has certainly cooled since its launch, the game is still raking in revenue. IAP currently accounts for just less than 50% of total global app revenue, however, this is projected to grow to ~72% of total revenue by 2020, BI Intelligence estimates.

Over the past eight years, developers have flocked to create mobile games as smartphones became a mainstream consumer device. Technological evolutions including faster processors, larger screens, more input points, and better overall graphics capabilities, combined with dropping prices, brought the ability for gaming via smartphone to audiences larger than ever before.

In that growth and through that transition, smartphones as a gaming arena experienced its own evolution. More developers flocked to this medium, and the gaming sections of app stores became saturated. While mobile gaming apps using an up-front paid downloading model, wherein consumers paid a typically nominal fee to download an app, flourished in the early days of mobile gaming, the deluge of apps led to a change in monetization strategy.

More apps started using the free-to-play (F2P) model, wherein a consumer can download an app for free, and is then later monetized either via in-app purchases or in-app advertising. Since that transition, most consumers have been conditioned to expect quality mobile gaming apps for little or no cost.

Jessica Smith, research analyst for BI Intelligence, Business Insider's premium research service, has compiled a detailed report on mobile gaming that examines how the mobile gaming market has been affected by the transition to F2P monetization.

It also takes a close look at how saturation in the mobile gaming category, combined with the standard F2P model, has led to numerous issues for developers, including spiking marketing costs, the premium on acquiring users who will spend heavily within a game (called whales), and the impact that it's having on mobile gamers who do not spend in-app. The report then identifies innovations in mobile app marketing and engagement that seek to alleviate the issues of F2P and inadequate monetization in the fact of mounting marketing costs.

Here are some key takeaways from the report:

  • The mobile gaming app market is so big it makes other app categories seem small by comparison. Mobile gaming apps accounted for 20% of active apps in Apple's App Store in March 2016, according to AppsFlyer. That’s more than double the second most popular category, business apps.
  • It's only going to keep growing as quality smartphones become more accessible and more consumers look to their smartphones for gaming. In the US alone, 180.4 million consumers will play games on their mobile phones in 2016, representing 56% of the population and a whopping 70% of all mobile phone users, according to estimates from eMarketer.
  • This quick growth is resulting in numerous growing pains. Saturation in the market has led to the dominance of the free-to-play (F2P) monetization model, which in turn has led to sky-high marketing costs.
  • As marketing costs for mobile gaming apps has skyrocketed, so has the tendency for apps to focus on the very small segment of players who spend money in-app. This has resulted in game mechanics that optimize the amount of money being spent by this small user group, which can often alienate the large swath of users who do not spend money in-app.
  • There are numerous new solutions coming to market that offer developers and publishing houses a diverse selection of monetization models which combine in-app purchases with other methods.

In full, the report:

  • Sizes up the current mobile gaming app market and its future growth trajectory.
  • Examines the role of free-to-play (F2P) games in the greater mobile gaming ecosystem.
  • Identifies the major threats and opportunities inherent in the current mobile gaming market and in peripheral markets such as marketing.
  • Explains the current monetization conundrum wherein the vast majority of revenue comes abysmally small segments of mobile gamers.
  • Presents new approaches and solutions that can help mobile gaming apps monetize without alienating swaths of mobile gamers.

To get your copy of this invaluable guide, choose one of these options:

  1. Subscribe to an ALL-ACCESS Membership with BI Intelligence and gain immediate access to this report AND over 100 other expertly researched deep-dive reports, subscriptions to all of our daily newsletters, and much more. >> START A MEMBERSHIP
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The choice is yours. But however you decide to acquire this report, you’ve given yourself a powerful advantage in your understanding of the world of mobile gaming.

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How the next big animated hit 'Sing' was made over 5 years

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Sing Universal

Director Garth Jennings already has a very energetic personality, but having spent five years developing and making the animated movie “Sing,” he admits he’s now just a big ball of nerves leading up to its December 21 release.

“It’s been very emotional, actually, and I don’t use that word lightly,” Jennings recently told Business Insider about showing the movie to preview audiences for the last month.

Known for his music video work in the 1990s, he took on directing the adaptation of a book regarded in the industry as an unmakeable movie, “The Hitchhiker’s Guide to the Galaxy” in 2005, which ended up being a critical dud (though it earned over $100 million at the global box office). Jennings rebounded with the inventive indie “Son of Rambow” in 2007, about two boys obsessed with the first Rambo movie. Since then, he’s been trying to develop an animated movie.

Garth Jennings Frederick M Brown GettyBut having never made an animated movie, Jennings was a little naive on how it's done.

So five years ago Jennings had a meeting with producer Chris Meledandri, the man behind the “Despicable Me” movies and this year’s animated hit “The Secret Life of Pets,” and by the time it ended Jennings agreed to make Meledandri’s next movie.

“Chris just started talking about his thoughts and they just smashed together with my sensibility and my hopes and dreams for making an animated film,” Jennings said.

The idea Meledandri had was for a movie about a shifty theater owner whose only way to save his business is to put on a singing competition to give notice to an unknown talent. And seeing as this was an animated kids' movie, it would be filled with pop songs and all the characters would be animals.

“There would be a hook of it being a singing competition but then it is a portal into what becomes a character movie,” Jennings said. “I didn't take any convincing at all, it wasn't like ‘oh, I don't know,’ I just jumped in.”

And that began a five-year process to bring “Sing” to the screen.

For Jennings it was a learning experience from the start. After writing a traditional story treatment and first draft of the script, the story was suddenly cut up and dissected by Meledandri’s team at Illumination Entertainment into a storyboard version of the movie, and that’s when the real work started.

“You start to rewrite and find out what works,” Jennings said. “If a gag is too late, you’re rewriting throughout, which you don’t do on a live-action movie.”

sing universalOne of the biggest changes was the theater owner, Buster Moon. Voiced by Matthew McConaughey, the fury koala bear is barley keeping his theater afloat as he often is on the run from the bank looking for money he owes it. Thinking back on the early drafts of how Moon operates, Jennings felt he came off a little as a scam artist.

“He did start off on paper being a little more of a charlatan,” he said. “There’s a fine line dealing with a character like that where they are kind of con people a bit. Chris and I found early on that he became a bit too unlikable because we were pushing that button too much. He was being a little too rude. And his likability went down for us. This was before we even showed it to audiences.”

Though changes to the characters and story were constant, Jennings admits it wasn’t stressful because often he was only dealing with Meledandri.

“I only had notes and discussions from one person and that was Chris,” he said. “No director even on a live-action film has so few voices. Now my editor and production designer and the animation team have an opinion and everyone has an idea of what they are doing, but the core creative storytelling aspect of it involved discussions between myself and Chris.”

Another big aspect of “Sing” is the music featured: 85 songs, ranging from classics by Frank Sinatra to current pop singles played throughout either over scenes or sung by the competition contestants, who are voiced by the likes of Reese Witherspoon, Scarlett Johansson, Seth MacFarlane, Taron Egerton, and Tori Kelly.

Jennings even wrote specific songs into the script, like the Rosita character (Witherspoon) singing Katy Perry’s “Firework” when she’s introduced in the movie or Elton John’s “I’m Still Standing” played by Johnny (Egerton) as his big number in the end.

sing 2 universalThe latter moment involved a six-month process to get the okay from John, including Jennings sitting down to close the deal.

“And it wasn’t because Elton's company was being tricky,” he said. “They were thinking that they were going to be using it for something they were working on. So I went and had a meeting, I showed them the scene of Johnny playing the song, and they completely understood why we wanted to use it and they loved the way we used it. But before that it was six months of not getting it.”

For Jennings, the most fun was working with the talent in the recording booth. Each actor was different, he said. McConaughey came in full of energy and just wanted to jump in the booth and go. While someone like Witherspoon took her time and wanted to figure out everything going on before recording. And then there was Tori Kelly, who is known more for her singing than acting. Her character Meena, a shy elephant who has an incredible voice, is very much the emotional center of the movie, so Kelly's performance had to have a lot of layers to it.

“She had never done that kind of performance before and very often she was playing her character opposite Buster who is a ball of energy,” Jennings said. “So I would be in the booth with her, jumping around being the character she was playing against, and they would have to cut me out of the soundtrack so you only hear Tori.”

Though Jennings is still nervous about how general audiences will react to the movie, he feels good about the preview screenings. And the movie recently received Golden Globes nominations for best animated movie and best original song.

In the future, he still wants to make live-action work, but he admits he also wants to do another animated movie.

“I feel I’ve only just got the hang of it,” he said.

SEE ALSO: How the earliest McDonald's restaurants were created for Michael Keaton's new movie

Join the conversation about this story »

NOW WATCH: Here are all the major clues in 'Westworld' that hint to the identity of the 'Man in Black'

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