- We ranked the 100 best dramas of all time based on Rotten Tomatoes' adjusted score.
- The adjusted score is based on a weighted formula that gives newer movies an advantage.
- The list includes classics like "Citizen Kane," recent Oscar winners like "Moonlight," and blockbusters like "Black Panther."
- Visit Business Insider's homepage for more stories.
As a cinematic genre, "drama" has taken many forms over the decades.
The list we compiled here is based on review aggregator Rotten Tomatoes, and includes the site's most critically acclaimed films featuring a "drama" tag. This resulted in a list that spans classic drama films, contemporary dramas, and dramadies of all sorts.
The list ranks movies by an adjusted critical score that Rotten Tomatoes derived from a weighted formula to account for the variation in number of reviews for each film. Therefore, the list favors more recent critically acclaimed films that have more reviews.
It includes classic dramas like "Citizen Kane" and "Taxi Driver" along with recent titles like the best-picture winners "Spotlight" and "Moonlight." There are also plenty of blockbusters that have been heavily reviewed.
John Lynch contributed to a previous version of this post.
Here are the 100 best drama films of all time, according to critics on Rotten Tomatoes:
SEE ALSO: All 91 Oscar best-picture winners, ranked from worst to best by movie critics
100. "The Social Network" (2010)
Critic score: 96%
Audience score: 86%
What critics said: "At last, a movie you can actually discuss afterward. And not just on Facebook or Twitter. No, you'll want to chew it over in person, with friends, for hours." — The Wrap
99. "Rocketman" (2019)
Critic score: 89%
Audience score: 91%
What critics said: "The story reshuffles reality, especially time and facts, and the film is more enjoyable for it." — Chicago Reader
98. "Carol" (2015)
Critic score: 94%
Audience score: 74%
What critics said: "'Carol' possesses the same quiet, catlike powers of its magnetic title character: It swirls around to ambush you ... and make you swoon." — The Washington Post
97. "On the Waterfront" (1954)
Critic score: 98%
Audience score: 95%
What critics said: "It's hard to deny that Marlon Brando's performance as a dock worker and ex-fighter who finally decides to rat on his gangster brother (Rod Steiger) is pretty terrific." — Chicago Reader
96. "Paterson" (2016)
Critic score: 96%
Audience score: 71%
What critics said: "A filmmaker telling his story in pictures and the limitlessness of control he brings to his art. What more can one ask of cinema?" — San Diego Reader
95. "The Godfather, Part II" (1974)
Critic score: 97%
Audience score: 97%
What critics said: "An admirable, responsible production, less emotionally disturbing than its predecessor, but a grand historical epic studying the nature of power in the United States' heritage." — The Hollywood Reporter
94. "It's a Wonderful Life" (1946)
Critic score: 94%
Audience score: 95%
What critics said: "The most well-loved of all Christmas movies." — Chicago Tribune
93. "Tokyo Story (Tôkyô monogatari)" (1953)
Critic score: 100%
Audience score: 93%
What critics said: "The way Ozu builds up emotional empathy for a sense of disappointment in its various characters is where his mastery lies." — Time Out
92. "L.A. Confidential" (1997)
Critic score: 99%
Audience score: 94%
What critics said: "A movie bull's-eye: noir with an attitude, a thriller packing punches. It gives up its evil secrets with a smile." — Chicago Tribune
91. "First Man" (2018)
Critic score: 87%
Audience score: 67%
What critics said: "This is a movie that — flag or no flag — doesn't need to take a political stance to make a political statement." — BuzzFeed
90. "The Last Picture Show" (1971)
Critic score: 100%
Audience score: 90%
What critics said: "Director Peter Bogdanovich has seen Anarene, Texas, in the cinematic terms of 1951 -- the langorous dissolves, the strong chiaroscuro, the dialogue that starts with bickering and ends at confessional." — Time
89. "Hidden Figures" (2017)
Critic score: 93%
Audience score: 93%
What critics said: "An assertion of humanity and civil rights that is pure cinematic nourishment for soul." — Tribune News Service
88. "The Hate U Give" (2018)
Critic score: 97%
Audience score: 82%
What critics said: "The Hate U Give has a fierce storytelling grip." — Guardian
87. "Roman Holiday" (1953)
Critic score: 98%
Audience score: 94%
What critics said: "For lovers of romantic comedies through the ages, 'Roman Holiday' remains a favorite." — ReelViews
86. "Star Wars: Episode IV - A New Hope" (1977)
Critic score: 93%
Audience score: 96%
What critics said: "Not a film to be written about, it's an experience. It's that rare experience for both adults and kids that shortchanges neither. Go -- and enjoy." — Boston Globe
85. "The Hurt Locker" (2009)
Critic score: 97%
Audience score: 84%
What critics said: "Like every war before it, the U.S. invasion of Iraq has generated its share of movies. But 'The Hurt Locker' is the first of them that can properly be called a masterpiece." — Miami Herald
84. "Open City" (1946)
Critic score: 100%
Audience score: 92%
What critics said: "A world cinema landmark, but that dusty, respectful word does not do justice to a film that has not lost its power to surprise and even shock." — Los Angeles Times
83. "Apocalypse Now" (1979)
Critic score: 98%
Audience score: 94%
What critics said: "It has coherence, truthfulness, and conviction-up to a point." — New Yorker
82. "All Quiet on the Western Front" (1930)
Critic score: 98%
Audience score: 89%
What critics said: "From such grisly materials the popular cinema is rarely drawn. The film is monumental in the courage that risked its manufacture." — Time
81. "The Wages of Fear" (1953)
Critic score: 100%
Audience score: 95%
What critics said: "The film's extended suspense sequences deserve a place among the great stretches of cinema." — Chicago Sun-Times
80. "The Death of Stalin" (2018)
Critic score: 96%
Audience score: 77%
What critics said: "The Death of Stalin is actually a lot like Veep, except with gulags and executions." — Dallas Morning News
79. "The Grapes of Wrath" (1940)
Critic score: 100%
Audience score: 88%
What critics said: "'The Grapes of Wrath' is just about as good as any picture has a right to be; if it were any better, we just wouldn't believe our eyes." — The New York Times
78. "Dolemite Is My Name" (2019)
Critic score: 97%
Audience score: 91%
What critics said: "Murphy brings the spirit of Blaxploitation underdog Rudy Ray Moore to life, with tell-it-like-it-is radiance. His timing is, as always, cobra-strike precise." — Time
77. "Harry Potter and the Deathly Hallows — Part 2" (2011)
Critic score: 96%
Audience score: 89%
What critics said: "When the movie was over, a young boy sitting behind me said, "That was great!" He was satisfied, and rightly so." — The New Yorker
76. "Repulsion" (1965)
Critic score: 100%
Audience score: 86%
What critics said: "Roman Polanski's first English-language film is still a creepy little horror masterpiece." — Entertainment Weekly
75. "Creed" (2015)
Critic score: 95%
Audience score: 89%
What critics said: "It's an invigorating piece of nostalgia that fuels a bigger adrenaline rush with its climax than any big-budget blockbuster could provide." — The Atlantic
74. "Phantom Thread" (2018)
Critic score: 92%
Audience score: 70%
What critics said: "If Anderson's The Master was a swirling miasma, Phantom Thread is an unforgiving dress. It presents an ideal and even inspires wonder, but it does make breathing difficult, and heaven help you if all you want is to have a good time." — San Diego Reader
73. "Army of Shadows (L'Armée des ombres)" (1969)
Critic score: 97%
Audience score: 94%
What critics said: "From the first sight of German soldiers goose-stepping past the Arc de Triomphe to a postscript that spells out the fate of characters whose moral confusion is all too real, 'Army of Shadows' is a movie of its time — and ours." — Rolling Stone
72. "Double Indemnity" (1944)
Critic score: 97%
Audience score: 95%
What critics said: "This shrewd, smoothly tawdry thriller, directed by Billy Wilder, is one of the high points of nineteen-forties films." — The New Yorker
71. "The Wrestler" (2008)
Critic score: 98%
Audience score: 88%
What critics said: "This sad, strong beast of a film keeps us pinned to the mat with the strength of its compassion and the overpowering force of its central performance." — Houston Chronicle
70. "Vertigo" (1958)
Critic score: 95%
Audience score: 93%
What critics said: "It's as much a wonder of suspense as it is a catalogue of the director's themes and an allegory for his own art of enticement-and for the erotic pitfalls of his métier." — The New Yorker
69. "The Big Sleep" (1946)
Critic score: 97%
Audience score: 91%
What critics said: "Arguably the high-water mark of Hollywood's love affair with the infinitely slippery possibilities of the English language." — Time Out
68. "The Treasure of the Sierra Madre" (1948)
Critic score: 100%
Audience score: 93%
What critics said: "Greed, a despicable passion out of which other base ferments may spawn, is seldom treated in the movies with the frank and ironic contempt that is vividly manifested toward it in 'Treasure of Sierra Madre.'" — The New York Times
67. "Chinatown" (1974)
Critic score: 99%
Audience score: 93%
What critics said: "Roman Polanski's American made film, first since 'Rosemary's Baby' shows him again in total command of talent and physical filmmaking elements." — Variety
66. "Taxi Driver" (1976)
Critic score: 97%
Audience score: 93%
What critics said: "Like Werner Herzog's 'Aguirre' or Coppola's 'Apocalypse Now,' 'Taxi Driver' is auteurist psychodrama." — Village Voice
65. "Three Billboards Outside Ebbing, Missouri" (2017)
Critic score: 90%
Audience score: 86%
What critics said: "Watching it is like having your funny bone struck repeatedly, expertly and very much too hard by a karate super-black-belt capable of bringing a rhino to its knees with a single punch behind the ear." — Guardian
64. "Rashômon" (1951)
Critic score: 98%
Audience score: 93%
What critics said: "Its virtues are still plentiful: Kurosawa's visual style at its most muscular, rhythmically nuanced editing, and excellent performances." — Time Out
63. "The Babadook" (2014)
Critic score: 98%
Audience score: 72%
What critics said: "A deftly inventive and psychologically charged horror story that trades on the ways in which the prospect of maternal failure can be just as fearsome a boogeyman as any monster under the bed." — Buzzfeed
62. "The Dark Knight" (2008)
Critic score: 94%
Audience score: 94%
What critics said: "An exceptionally smart, brooding picture with some terrific performances." — CNN
61. "Jaws" (1975)
Critic score: 98%
Audience score: 90%
What critics said: "A grisly film, often ugly as sin, which achieves precisely what it set out to accomplish-scare the hell out of you." — Newsweek
60. "Brooklyn" (2015)
Critic score: 97%
Audience score: 87%
What critics said: "Although not without moments of sadness and tragedy, 'Brooklyn' is sublimely uplifting and life affirming." — ReelViews
59. "Kind Hearts and Coronets" (1949)
Critic score: 100%
Audience score: 94%
What critics said: "Robert Hamer's 1949 film is often cited as the definitive black, eccentric British comedy, yet it's several cuts better than practically anything else in the genre." — Chicago Reader
58. "The 400 Blows (Les Quatre cents coups)" (1959)
Critic score: 100%
Audience score: 94%
What critics said: "One of the first glistening droplets of the French New Wave." — Time Out
57. "12 Angry Men (Twelve Angry Men)" (1957)
Critic score: 100%
Audience score: 97%
What critics said: "This is a film where tension comes from personality conflict, dialogue and body language, not action." — Chicago Sun-Times
56. "Lawrence of Arabia" (1962)
Critic score: 98%
Audience score: 93%
What critics said: "Remains one of the most intelligent, handsome, and influential of all war epics." — Chicago Reader
55. "A Streetcar Named Desire" (1951)
Critic score: 98%
Audience score: 90%
What critics said: "Brando's performance as Stanley is one of those rare screen legends that are all they're cracked up to be." — The Washington Post
54. "M" (1931)
Critic score: 100%
Audience score: 95%
What critics said: "Lang's movie is that rare thing, a nail-biting soul-searcher. While 'M' steers clear of analyzing deviance, it is startling in its musings on which punishment fits an inhuman crime." — Philadelphia Inquirer
53. "Hell or High Water" (2016)
Critic score: 97%
Audience score: 88%
What critics said: "A film with the sort of sweeping grandeur that today's filmmakers rarely aspire to, let alone fulfill." — Wall Street Journal
52. "Touch of Evil" (1955)
Critic score: 96%
Audience score: 92%
What critics said: "It was Orson Welles's last Hollywood film, and in it he makes transcendent use of the American technology his genius throve on; never again would his resources be so rich or his imagination so fiendishly baroque." — Chicago Reader
51. "Rear Window" (1954)
Critic score: 100%
Audience score: 95%
What critics said: "It's one of Alfred Hitchcock's inspired audience-participation films: watching it, you feel titillated, horrified, and, ultimately, purged." — The New Yorker
50. "Rebecca" (1940)
Critic score: 100%
Audience score: 92%
What critics said: "It is the finest job of direction accomplished by a master director and may justly be called Alfred Hitchcock's masterpiece." — New York Daily News
49. "Bicycle Thieves (Ladri di biciclette)" (1949)
Critic score: 98%
Audience score: 94%
What critics said: "So well-entrenched as an official masterpiece that it is a little startling to visit it again after many years and realize that it is still alive and has strength and freshness." — Chicago Sun-Times
48. "Sunset Boulevard" (1950)
Critic score: 98%
Audience score: 95%
What critics said: "One of Wilder's finest, and certainly the blackest of all Hollywood's scab-scratching accounts of itself." — Time Out
47. "Shoplifters" (2018)
Critic score: 99%
Audience score: 91%
What critics said: "Writer-director Hirokazu Kore-eda fills the film with grace notes, humor and fine observations, circling and filling out each character while leaning more on innocence than corruption." — Detroit News
46. "Seven Samurai (Shichinin no Samurai)" (1956)
Critic score: 100%
Audience score: 97%
What critics said: "The greatest movie ever made about warriors and battle." — Chicago Reader
45. "Alien" (1979)
Critic score: 97%
Audience score: 94%
What critics said: "A screamingly spooky sci-fi tale with more than a few echoes of 'The Thing' but echoes which enhance rather than detract." — New York Daily News
44. "Widows" (2018)
Critic score: 91%
Audience score: 61%
What critics said: "It offers everything adults used to love about cinema." — Observer
43. "Spider-Man: Homecoming" (2017)
Critic score: 92%
Audience score: 88%
What critics said: "Marvel has finally started to figure out what the future of superhero movies might look like." — IndieWire
42. "The Night of the Hunter" (1955)
Critic score: 99%
Audience score: 90%
What critics said: "A garish, unbelievable but fairly exciting nightmare." — Time
41. "The Florida Project" (2017)
Critic score: 96%
Audience score: 79%
What critics said: "The Florida Project is a song of innocence and of experience: mainly the former." — Guardian
40. "La La Land" (2016)
Critic score: 91%
Audience score: 81%
What critics said: "I'm hoping that 'La La Land' will be a hit for the ages, for all ages. It's a film that re-enacts, with rare originality, a classic role for the movie medium -- escapist entertainment in troubled times." — The Wall Street Journal
39. "War for the Planet of the Apes" (2017)
Critic score: 94%
Audience score: 84%
What critics said: "The best summer blockbuster in years, a smart, thoughtful, confrontational and challenging allegory for a world run amok." — Detroit News
38. "Baby Driver" (2017)
Critic score: 93%
Audience score: 86%
What critics said: "Put in your metaphorical earbuds, turn the key in the ignition, and enjoy the cinematic highlight of the summer so far." — The Atlantic
37. "12 Years a Slave" (2013)
Critic score: 95%
Audience score: 90%
What critics said: "Every scene of '12 Years a Slave,' and almost every shot, conveys some penetrating truth about America's original sin." — Dallas Morning News
36. "The Battle of Algiers (La Battaglia di Algeri)" (1967)
Critic score: 99%
Audience score: 95%
What critics said: "It uses realism as an effect, documentary as a style. You feel that you're really there, and you can't help but be moved." — Village Voice
35. "Argo" (2012)
Critic score: 96%
Audience score: 90%
What critics said: "Let's just say that the movie's final section is so nail-bitingly tense, thanks to a skillful combination of acting, writing and crosscutting, that it puts Affleck in the big leagues as a director." — The Wrap
34. "The Maltese Falcon" (1941)
Critic score: 100%
Audience score: 91%
What critics said: "Frighteningly good evidence that the British (Alfred Hitchcock, Carol Reed, et al.) have no monopoly on the technique of making mystery films." — Time
33. "Manchester by the Sea" (2016)
Critic score: 96%
Audience score: 77%
What critics said: "The sadness of 'Manchester by the Sea' is the kind of sadness that makes you feel more alive, rather than less, to the preciousness of things." — Boston Globe
32. "Boyhood" (2014)
Critic score: 97%
Audience score: 80%
What critics said: "The closest thing to a lived life that fictional cinema has yet produced." — St. Louis Post-Dispatch
31. "Leave No Trace" (2018)
Critic score: 100%
Audience score: 81%
What critics said: "It covers difficult ground, but to say it leaves no trace would be a lie. It definitely makes its mark." — Detroit News
30. "Gravity" (2013)
Critic score: 96%
Audience score: 80%
What critics said: "Unfolding as a series of terrifying object lessons in Newtonian physics, the movie lends new meaning to the phrase 'spatial geometry.'" — The Atlantic
29. "Once Upon a Time... in Hollywood" (2019)
Critic score: 85%
Audience score: 70%
What critics said: "It is Tarantino's best, bravest and most confrontationally impudent movie since Pulp Fiction." — Financial Times
28. "Metropolis" (1927)
Critic score: 99%
Audience score: 92%
What critics said: "A fully realized work of art whose influence on science fiction, set design and symbolism can scarcely be put into words." — St. Louis Post-Dispatch
27. "The Favourite" (2018)
Critic score: 93%
Audience score: 68%
What critics said: "Weisz and Stone are both brilliantly witty and nimble, but Colman's performance is nothing short of sublime." — New York Times
26. "Call Me By Your Name" (2017)
Critic score: 95%
Audience score: 86%
What critics said: "You may not realize how strong the acting is until you replay the movie in your head later." — Boston Globe
25. "Logan" (2017)
Critic score: 93%
Audience score: 90%
What critics said: "The only problem with calling it the boldest and most affecting superhero flick in many years is that it's barely a superhero movie at all." — NPR
24. "Thor: Ragnarok" (2017)
Critic score: 93%
Audience score: 87%
What critics said: "The idea of pairing the oft-dull Thor with a series of oddball companions is an inspired, if necessary, move — so much so that it's baffling it has taken Marvel this long to smarten up." — Globe and Mail
23. "Arrival" (2016)
Critic score: 94%
Audience score: 82%
What critics said: "Amy Adams is a miracle worker-she makes us believe in this mesmerizing mindbender about alien communication, directed with searching mind and heart by Denis Villeneuve." — Rolling Stone
22. "The Shape of Water" (2017)
Critic score: 92%
Audience score: 72%
What critics said: "Del Toro's willingness to court absurdity and bad taste serves to guarantee his integrity, proving he hasn't entirely gone respectable." — The Age (Australia)
21. "The Godfather" (1972)
Critic score: 98%
Audience score: 98%
What critics said: "Francis Ford Coppola has made one of the most brutal and moving chronicles of American life ever designed within the limits of popular entertainment." — The New York Times
20. "Selma" (2015)
Critic score: 99%
Audience score: 86%
What critics said: "'Selma' focuses on the one thing we don't expect in a movie about Martin Luther King Jr. - his doubts - and Oyelowo comes through with a deeply felt and quite brilliant performance." — Boston Globe
19. "A Quiet Place" (2018)
Critic score: 95%
Audience score: 83%
What critics said: "There are moments when the movie takes us firmly by the hand and escorts us down a darkened path, and they lead to one of the most profound of communal pleasures: the sound of a movie audience screaming as one." — Slate
18. "Star Wars: The Last Jedi" (2017)
Critic score: 91%
Audience score: 44%
What critics said: "Rian Johnson's middle chapter in the current Star Wars trilogy is the epic you've been looking for. Capped by Mark Hamill in the performance of his career, it points the way ahead to a next generation of skywalkers - and, thrillingly, to a new hope." — Rolling Stone
17. "Spotlight" (2015)
Critic score: 97%
Audience score: 93%
What critics said: "It's not a stretch to suggest that 'Spotlight' is the finest newspaper movie of its era, joining 'Citizen Kane' and 'All the President's Men' in the pantheon of classics of the genre." — The Washington Post
16. "All About Eve" (1950)
Critic score: 100%
Audience score: 94%
What critics said: "Joseph Mankiewicz was Hollywood's midcentury master of comic drama, and All About Eve, from 1950, was one of his signal achievements." — The New Yorker
15. "La Grande illusion (Grand Illusion)" (1938)
Critic score: 97%
Audience score: 93%
What critics said: "This elegy for the death of the old European aristocracy is one of the true masterpieces of the screen." — The New Yorker
14. "Dunkirk" (2017)
Critic score: 92%
Audience score: 81%
What critics said: "Masterful visual storytelling on an epic scale." — NPR
13. "The Farewell" (2019)
Critic score: 98%
Audience score: 87%
What critics said: "You'll be spewing with tears before the first act is done." — Times (UK)
12. "Wonder Woman" (2017)
Critic score: 93%
Audience score: 88%
What critics said: "The moviegoing world deserves the best that Hollywood can deliver, and this time we've pretty much got it." — The Wall Street Journal
11. "A Star Is Born" (2018)
Critic score: 90%
Audience score: 79%
What critics said: "At its huge, pulsating heart this is a story about lovers desperately trying to save one another — from the loss of integrity in an industry that disdains it and from self-destructive impulses with roots too old and deep to be touched." — London Evening Standard
10. "Casablanca" (1942)
Critic score: 98%
Audience score: 95%
What critics said: "Across seven decades, the Humphrey Bogart-Ingrid Bergman starrer has emerged as Americans' default favorite movie." — The Hollywood Reporter
9. "Roma" (2018)
Critic score: 96%
Audience score: 72%
What critics said: "Roma captures, as well as any film I have seen, the spirit of "magical realism," without ever hinting at the supernatural. Its magic is pure, stunning cinematic technique." — The Atlantic
8. "Moonlight" (2016)
Critic score: 98%
Audience score: 79%
What critics said: "A disarmingly, at times almost unbearably personal film and an urgent social document, a hard look at American reality and a poem written in light, music and vivid human faces." — The New York Times
7. "BlacKkKlansman" (2018)
Critic score: 96%
Audience score: 83%
What critics said: "The filmmaker rips from the headlines, but the struggles remain the same." — Slate
5. "Citizen Kane" (1941)
Critic score: 100%
Audience score: 90%
What critics said: "More than a great movie; it is a gathering of all the lessons of the emerging era of sound." — Chicago Sun-Times
5. "The Irishman" (2019)
Critic score: 96%
Audience score: 86%
What critics said: "'The Irishman' is long, to be sure, but it's never less than compelling — Scorsese, De Niro, Pacino and Pesci, all in their mid-to-late-70s, are each carrying a lifetime of work, with practiced ease." — Seattle Times
4. "Lady Bird" (2017)
Critic score: 99%
Audience score: 79%
What critics said: "A heartfelt coming-of-age story that perfectly captures the bittersweet transition from adolescence to dawning adulthood." — Village Voice
3. "Mission: Impossible — Fallout" (2018)
Critic score: 97%
Audience score: 87%
What critics said: "It keeps on going and going, following one exciting sequence with another and then another." — San Francisco Chronicle
2. "Avengers: Endgame" (2019)
Critic score: 94%
Audience score: 90%
What critics said: "Endgame consists almost entirely of the downtime scenes that were always secretly everyone's favorite parts of these movies anyway." — Slate
1 "Black Panther" (2018)
Critic score: 97%
Audience score: 79%
What critics said: "Whether or not this is the best film Marvel Studios has made to date — and it is clearly in the discussion — it is by far the most thought-provoking." — The Atlantic