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Here are over 50 new shows coming to TV next year

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taboo tom hardy

The first half of 2017 is already set with some highly-anticipated new shows.

From comic shows like "Marvel's Iron Fist" and "Legion" to revivals of old classics like "Twin Peaks" and "Prison Break," there is plenty to choose from. 

Here are the hottest new shows coming in the new year. We will be updating the list as more information becomes available. 

"The Mick" (Fox)

Starring: Kaitlin Olson, Sofia Black-D'Elia, Thomas Barbusca, and Jack Stanton

Premiere: Sunday, January 1 at 8 p.m.

What it's about: Mackenzie (Olson), known as Mickey, assumes guardianship over her estranged sister's three kids after her and her billionaire husband flee the country to escape fraud charges.



"Ransom" (CBS)

Starring: Luke Roberts, Sarah Greene, Brandon Jay McLaren, and Nazneen Contractor

Premiere: Sunday, January 1 at 8:30 p.m. (after football)

What it's about: Eric (Roberts) and his team travel the world as crisis negotiators to resolve kidnap and ransom cases.



"The New Celebrity Apprentice" (NBC)

Starring: Arnold Schwarzenegger, Patrick Schwarzenegger, and Tyra Banks 

Premiere: Monday, January 2 at 8 p.m. 

What it's about: Schwarzenegger takes over the boardroom from Donald Trump and moves the celebrity reality show to Los Angeles. 



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The best Carrie Fisher performances outside of 'Star Wars'

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Princess Leia

With Carrie Fisher's death on Tuesday, the world is looking back on her incredible life and career, where she'll always be remembered most for playing the iconic role of Princess Leia in the "Star Wars" franchise. 

But Fisher was so much more than just a princess in a galaxy far, far away.

Along with being a best-selling author and script doctor, she also had close to 90 screen credits over a 41-year career. It's a wide-range selection from the supportive girlfriend in "When Harry Met Sally" to playing Peter's boss in "Family Guy."  

Here we highlight the roles Fisher played in both movies and TV outside of the "Star Wars" saga. 

SEE ALSO: The awesome life and career of "Star Wars" icon Carrie Fisher

"Shampoo" (1975)

In her first movie role, Fisher plays one of the girls who can't resist the looks and charm of hairdresser George (played by Warren Beatty).



"The Blues Brothers" (1980)

Fisher plays a woman determined to kill her ex-fiancée Jake Blues (John Belushi) in the most sensational ways possible. She never succeeds, and left instead are some outrageous moments in a comedy classic.   



"Under the Rainbow" (1981)

Never shy to star in movies that went against the grain ("Star Wars" certainly was that), here Fisher stars opposite Chevy Chase in an outlandish comedy set in a LA hotel where auditions for "The Wizard of Oz" are being done. (Yeah, this one is out there!) 



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Debbie Reynolds, mother of Carrie Fisher, has been rushed to the hospital after possibly suffering a stroke

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Debbie Reynolds Carrie Fisher

Actress Debbie Reynolds, the mother of Carrie Fisher, has suffered a medical emergency — possibly a stroke — according to TMZ.

EMTs rushed to the home of her son, Todd Fisher, in Beverly Hills just after 1 p.m. local time, according to TMZ.

Reynolds, 84, lost her daughter, Carrie Fisher, on Tuesday. Fisher had suffered a heart attack on a flight last Friday.

Reynolds posted a touching tribute on Facebook after her daughter's death. Fisher began her acting career sharing the Broadway stage with her mother in the 1973 production of "Irene."

Reynolds is known for her iconic roles in movies like "Singin' in the Rain" and "The Unsinkable Molly Brown," for which she received an Oscar nomination.

Business Insider reached out to Reynolds' reps for comment but did not receive an immediate response.

SEE ALSO: The awesome life and career of "Star Wars" icon Carrie Fisher

Join the conversation about this story »

NOW WATCH: Watch the explosive new trailer for the latest 'Planet of the Apes' film

This teen makes up to $1,500 a night eating dinner in front of a webcam in South Korea

Debbie Reynolds' life in pictures

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Debbie Reynolds, the mother of Carrie Fisher, died Wednesday at the age of 84, a day after the death of her daughter.

"It's true, she's with Carrie," Reynolds' son, Todd Fisher, told Reuters.

The legendary Hollywood actress is best known for her roles in the musical "Singin' in the Rain" and "The Unsinkable Molly Brown," which brought her an Oscar nomination.

Here's a look back on the iconic life of Debbie Reynolds:

SEE ALSO: Debbie Reynolds, mother of Carrie Fisher, dead at 84

Debbie Reynolds, newly engaged to Eddie Fisher, steps from her automobile on Oct. 27, 1954 in Beverly Hill, California.



Fisher and his fiancée Reynolds, gaze into each other's eyes at Idlewild Airport, April 19, 1955 in New York after arriving from England.



Reynolds entertains at the 8th Army headquarters in Seoul, South Korea, on Monday, May 23, 1955.



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RANKED: The 10 best TV shows of 2016

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With a finite number of hours in the day to watch television, one can feel there will never be enough time to watch everything the critics, social media, our coworkers, friends, and family say we need to see.

It's not just a feeling. We now know it for a fact: There were an estimated 455 scripted TV programs in 2016. And you just can't see them all.

To sit down and name the 10 best shows of the hundreds that aired and streamed this year is a herculean task. So for this list of 2016's best shows, we reflected on all the well-written, superbly acted, and beautifully shot shows of the year (that we were able to check out) and added one more criterion to mix up the selections just a bit: Was it not only good, but surprisingly so?

That means shows that usually populate year-end lists like this  such as AMC's "Better Call Saul," FX's "The Americans," and HBO's "Silicon Valley"  won't appear here as we expect them to be exemplary.

With that in mind, here are 2016's 10 best TV shows:

SEE ALSO: The 22 most exciting new shows of 2017 you have to see

DON'T MISS: 12 TV shows you're not watching that you need to see

10. “Mozart in the Jungle” (Amazon)

"Mozart in the Jungle," a show about a New York classical music orchestra that was called "niche" when it first debuted, has proven itself season after season to be about so much more. Its newly released third season is no different. The orchestra has fallen apart and its talented musicians have embarked on their own personal journeys. Amid beautiful international settings, we see just how broad this show can get. At the same time, it's grounded in the comedy of bringing these lost souls back together to create beautiful music. Tremendous acting from Gael Garcia Bernal, Bernadette Peters, and Malcolm McDowell give this series the extra edge.



9. "The Crown" (Netflix)

A show about the early years of Queen Elizabeth's reign may not appeal to everyone, but it really brings an unexpected intimate and grounded feel to her life, her marriage, her family obligations, and her role in an evolving England.



8. "The Night Of" (HBO)

An especially timely show as the American criminal justice system is itself on trial, "The Night Of" plots the arrest of Nasir (Riz Ahmed), a young Muslim man suspected of brutally murdering a young white woman after a night of sordid sex and drugs. It seems like an open-and-shut case, but an ambulance-chasing attorney, played by the talented John Turturro, has a gut instinct that there's more to the story. The show plods slowly at a hypnotic pace as more information about the night in question, Nasir, and the victim comes to the light.



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A 23-year-old 'Star Trek' episode nails the most troubling thing about Trump's climate research proposal

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Last night, I took a break from the news to watch an episode of "Star Trek," and it turned out to be the most relevant commentary on science and President-elect Donald Trump I've seen so far.

In November, The Guardian reported that Trump's administration was "poised to eliminate all climate change research conducted by NASA as part of a crackdown on 'politicized science,'" as senior Trump campaign adviser Bob Walker has said.

donald trump

This is the clearest policy stance on climate science that we've seen so far from the Trump administration.

As far as Trump the individual goes, his stated opinions on human-induced climate change have wavered. In 2012 he denied it, saying instead that climate change was a hoax perpetrated by the Chinese to cripple US manufacturing. Several weeks ago, however, he acknowledged that it could be real, telling a room of New York Times reporters and editors that he believed there was "some connectivity" between humans and climate change.

Of course, his policy speaks louder than his personal opinion.

And if last month's statement is any indication of what climate-change policy will look like in Trump's administration, we should be worried. Essentially, Trump is proposing to halt future NASA research on climate change. NASA currently does a ton of work in this field — just take a look at climate.nasa.gov. NASA researchers would be significantly limited in working on the climate models that show how and why our actions are contributing to a warmer planet.

On a more positive note, Gavin Schmidt, a climate scientist and director of NASA's Goddard Institute for Space Studies, which studies the changing atmosphere, has told my colleague Rafi Letzter that it won't be simple for Trump to purge federal agencies of climate researchers during his presidency.

"Chopping off science just to prevent people from talking about climate change won't work," Schmidt said. "You need science for hazards, for weather forecasting, and climate comes along for the ride."

I hope he's right. Still, I'm terrified by the prospect that climate-change research would be limited in any way. So last night, I turned away from the news and toward science-fiction television for solace.

Mistake.

I rewatched a classic episode of "Star Trek: The Next Generation," an episode I saw for the first time when I was a kid. I'd seen it with my father, a self-proclaimed Trekkie and a man from whom I continue to draw endless inspiration.

Turns out the episode was one of the most powerful critiques of Trump's proposal — which is essentially a ban on future NASA-led climate change research — that I've come across.

"Force of Nature" (season seven, episode nine, available on Netflix), takes place aboard the main ship, the Enterprise, and focuses on its reliance on warp drive, a faster-than-light spacecraft propulsion system the crew uses to skip around the galaxy. Basically, if warp drive allows the Enterprise to ferry itself around in a Ferrari, without it, it would be reduced to something like crawling on all fours.

The warp drive is to the Enterprise what fossil fuels are to us

Unfortunately, unbeknownst to the crew members, every time they engage warp drive, they slowly contribute to the creation of a phenomenon they call "a rift," which is causing terrible damage to multiple solar systems. The rift is like a massive tear — every time a ship uses warp drive, it wreaks havoc on the solar system nearby. Among the rift's effects are the shifting of a planet's tilt and triggering of massive earthquakes, two things that would eventually destroy the planet.

star trek 1

In the episode, the crew is using warp drive for a rescue mission — it's traveling to an area of space where a friendly ship has been stalled. On the way to the ship, the Enterprise is rendered powerless by an unrecognized ship and boarded by two strangers.

When they come aboard, the strangers — a brother and sister from another planet — tell the Enterprise it must immediately stop using warp drive. "You are killing us!" the sister says.

'Maybe I was a little threatened, the thought that warp engines might be doing some kind of damage'

The Enterprise crew members, while initially outraged that they've been shut down by an unrecognized vessel and boarded without permission, eventually agree to look into the duo's claims.

The Enterprise's captain, Jean-Luc Picard, essentially tells them their claims are reasonable and promises to ask the powers in charge (the Federation Council) to conduct "more research" on their behalf in exchange for the strangers' agreement to let the Enterprise go. The sister responds angrily, saying it isn't good enough. She leaves aboard her ship and sends herself into warp drive to prove her point. In the process, she destroys her ship and kills herself.

They all soon see that she and her brother were right. Some of the crew members who earlier dismissed her claims say they feel responsible.

star trek 2

"Maybe I was taking the whole thing personally. Maybe I was a little threatened, the thought that warp engines might be doing some kind of damage," Geordi La Forge, the chief engineer, says.

Finally, the Enterprise sends its report, which concludes that warp drive is harmful, to the Federation Council. The agency responds by announcing strict policies limiting the use of warp drive except for specific situations in which it is necessary. At the end of the episode, Captain Picard says he feels partially responsible for using warp drive even though he wasn't aware of the damage it was doing.

star trek 3

"I've charted new worlds. I've met dozens of new species. I believed that these were all valuable ends in themselves," Picard says. "And now it seems that all this while I was helping to damage the thing that I hold most dear."

SEE ALSO: Trump tells New York Times there is 'some connectivity' between humans and climate change

DON'T MISS: 3 reasons researchers are terrified about Donald Trump's presidency

Join the conversation about this story »

NOW WATCH: Trump's pick for UN Ambassador once said he was 'everything a governor doesn't want in a president'

Here's everything leaving Netflix in January that you need to watch before it disappears

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dazed and confused Universal

It's time to check out what will be leaving from Netflix when 2017 comes around.

In January, a handful of ESPN "30 for 30" titles will be gone, as well as classics like "The Fast and the Furious," "Coming to America," "Bring It On," and "Dazed and Confused."

Here's the full list of everything leaving Netflix in December.

We've highlighted in bold some of the titles you should check out before they disappear.

SEE ALSO: The 25 worst movies of 2016, according to critics

Leaving January 1

"30 for 30: Winning Time: Reggie Miller vs. The New York Knicks"
"30 for 30: No Crossover: The Trial of Allen Iverson"
"30 for 30: The Day the Series Stopped"
"30 for 30: Jordan Rides the Bus"
"30 for 30: Without Bias"
"30 for 30: Once Brothers"
"30 for 30: Bernie and Ernie"
"30 for 30: Requiem for the Big East"
"30 for 30: The Price of Gold"
"Alvin and the Chipmunks Meet Frankenstein"
"Alvin and the Chipmunks Meet the Wolfman"
"Angry Birds Toons" (Season 1)
"Bewitched"
"Blade 2"
"Bring It On"
"Bring It On: All or Nothing"
"Breakfast at Tiffany's"
"Coming to America"
"Columbo" (Seasons 1-7)
"Crash"
"Dazed and Confused"
"Final Destination 3"
"Flip or Flop" (Season 1)
"Fixer Upper" (Seasons 1-2)
"Ghost Town"
"Hairspray"
"Jake and the Never Land Pirates" (Seasons 1-3)
"Law & Order: Special Victims Unit: The Thirteenth Year"
"Little Black Book"
"Little Man"
"Maid in Manhattan"
"Miracle on 34th Street"
"Murder, She Wrote" (Seasons 1-12)
"Nanny McPhee"
"Property Brothers" (Seasons 4-5)
"Saved by the Bell" (Seasons 1-6)
"South Park: Bigger, Longer and Uncut"
"Stardust"
"Superstar"
"The Italian Job"
"The Painted Veil"
"Sixteen Candles"
"Saving Private Ryan"
"The Fast and the Furious: Tokyo Drift"
"The Fast and the Furious"
"The Uninvited"
"The Amityville Horror"
"The Wicker Man"
"Vanity Fair"
"You Live in What?" (Season 3)
"Zoom: Academy for Superheroes"



Leaving January 6

"The Girl Who Played with Fire"
"The Girl Who Kicked the Hornet's Nest"



Leaving January 29

"Stephen King's A Good Marriage"



See the rest of the story at Business Insider

YouTube stars' viewership is dropping (GOOG, GOOGL)

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YouTube Channels ViewershipThis story was delivered to BI Intelligence "Digital Media Briefing" subscribers. To learn more and subscribe, please click here.

The biggest YouTube channels have experienced a significant drop in viewership over the past year, according to a Social Blade study commissioned by Kotaku.

This study comes after several YouTube stars complained about decreasing video views and subscriber additions. While it seems to confirm the first charge on plummeting views, it doesn’t corroborate the latter about fewer new subscriptions.

Social Blade aggregated data from every channel with over 10 million subscribers, excluding those operated by major record labels and television studios, leaving 49 of the biggest channels on YouTube in total. Here’s what it found:

  • YouTube views are down meaningfully. Views are now between 5-7% lower since the first half of 2016, and were down 10% between July in September. In January, the big channels averaged about 4 million views, compared to just over 3.7 million views in November.  
  • New subscriptions are down marginally. The big channels had an average of over 10,000 subscribers per day at the start of the year. This is down to about 9,000 new subscribers a day as of November. However, the general trend shows that the number of subscriptions per day as more or less constant.

Several prominent YouTubers have spoken out about decreasing view numbers, including the personality behind the platform's most subscribed channel, PewDiePie, who threatened to delete his account. YouTube's stars play an important role in the platform's success, especially by appealing to younger audiences, so keeping these creators happy is a must. There are a number of theories as to why video views have gone down:

  • Removing invalid views generated by bots. Otherwise known as view audits, this is when YouTube purges fake, bot-generated traffic from the video view count. The company intermittently conducts view audits, but YouTubers may be noticing them more often because of analytics tools like Social Blade.
  • Changed search and promotion algorithms. Another theory is that YouTube has adjusted its video-promoting algorithm in a way that emphasizes trending and newsworthy content over posts from big channels who frequently upload videos.  
  • New methodology for counting video views. The fundamental unknown underlying all of this is YouTube's proprietary view-counting algorithm. We know YouTube measures watch time when determining views, and there’s likely an assortment of other factors that it takes into account too.

If 2015 was the year that brands and advertisers embraced online video, then 2016 saw the medium take the next step as live streaming took off.

Live streaming video refers to broadcasts in real time to an audience over the internet. While the concept of live streaming has been around for years, mobile-first video platforms with user-generated content have just recently begun to make serious waves thanks to improved video quality, faster broadband speeds, and enhanced mobile technology.

Online video has become a key part of the strategic business model for both brands and marketers as they seek more innovative ways to capture consumer attention. Creative live streaming video initiatives and campaigns are a way for companies to cut through the digital clutter and have emerged as the medium of choice not only for person-to-person sharing, but also for business-to-consumer (B2C) and business-to-business (B2B) communication. 

Brands are increasingly using live streaming to reach audiences. Its importance has grown significantly thanks to substantial investments by social platforms such as Facebook, YouTube, Snapchat, and Twitter to build and enhance their live-streaming platforms.

And advertising dollars are likely to follow. 88% of agency respondents stated that they “might” or “definitely will” invest in live stream video advertising over the next six months, according to a recent Trusted Media Brands survey.

BI Intelligence, Business Insider's premium research service, has compiled a detailed report on live streaming video that examines the eruption of online video from the perspective of both consumers and advertisers and assesses how live streaming is emerging as the medium's next catalyst for growth.

Here are some key points from the report:

  • Live streaming video will further accelerate streaming videos overall share of internet traffic. Streaming video accounts for over two-thirds of all internet traffic, and this share is expected to jump to 82% by 2020, according to Cisco’s June 2016 Visual Networking Index report.
  • Live video’s value comes from its unique ability to add an authentic human element to digital communications. As a result, brands are leveraging three main streaming methods to connect with their viewers: tutorials, product launches, and exclusive and behind-the-scene footage.
  • Advertisers will continue to invest heavily in online video, especially as live streaming video gains traction. Already in the US, digital video ad revenue reached $7.8 billion in 2015, up 55% from 2014, according to figures from the Internet Advertising Bureau.
  • While live streaming is still in its early stages, brands are leveraging micropayments, mid-roll video ads and direct payments from social platforms, to monetize their live streaming videos.
  • The success of live streaming video hinges on brands overcoming a lack of measurement standards in the space, as well as changes in social media sites' algorithms that affect what content users see.

In full, the report:

  • Examines the eruption of live streaming video.
  • Explores the differences between platforms that host live streaming video.
  • Breaks down successful approaches from both brands and publishers.
  • Discusses unique monetization opportunities live streaming presents.

To get your copy of this invaluable guide, choose one of these options:

  1. Subscribe to an All-Access pass to BI Intelligence and gain immediate access to this report and over 100 other expertly researched reports. As an added bonus, you'll also gain access to all future reports and daily newsletters to ensure you stay ahead of the curve and benefit personally and professionally. » START A MEMBERSHIP
  2. Purchase & download the full report from our research store. »BUY THE REPORT

The choice is yours. But however you decide to acquire this report, you’ve given yourself a powerful advantage in your understanding of live streaming video.

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Carrie Fisher helped people realize the power of speaking out about mental illness

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Carrie Fisher 2 AP

Carrie Fisher, who died on December 27 after suffering a heart attack, was best known for her career in the arts as an actor, author, and script doctor. But for many people, she was an inspiration for far more personal reasons.

Fisher was of course famous for her role as Princess Leia in the "Star Wars" films, and she was also a funny and incisive writer.

But — as many have pointed out since her death — she was also outspoken about her struggles with mental illness, something that can be a huge help for other people dealing with similar issues.

Just several weeks ago, Fisher wrote to a young person suffering from bipolar disorder — the same serious illness that she struggled with — in her advice column at The Guardian:

"We have been given a challenging illness, and there is no other option than to meet those challenges. Think of it as an opportunity to be heroic – not "I survived living in Mosul during an attack" heroic, but an emotional survival. An opportunity to be a good example to others who might share our disorder."

That willingness to be an example was noticed by many.

Speaking out about personal experience with mental illness can make a huge difference for people struggling to seek treatment — and the choice to seek treatment can be dramatically important. Many don't seek help because they aren't comfortable acknowledging their struggle, largely because of social stigma.

Mental illness is common, Bethany Teachman, a professor and director of clinical training in UVA’s Department of Psychology, tells Business Insider via email. Approximately 25% to 50% of the population will experience mental illness at some point in their life. If people recognize that it's not abnormal to have these struggles, it makes it easier to get treatment.

"Stigma of mental illness remains a serious problem that interferes with people seeking treatments that could dramatically improve their quality of life," says Teachman. She says that people with social anxiety disorder often wait 15 to 20 years before seeking treatment, even though we know we have effective ways to deal with that condition. "This means people struggle for years, trying to hide their problems and not getting help, with enormous costs to their relationships, work, emotional and physical health."

An illness like bipolar disorder can be particularly dangerous if untreated. Somewhere in between one-quarter and one-half of people with bipolar disorder attempt suicide at some point in their lives.

"It can make a big difference when people speak out about their mental heath challenges because it helps people to realize that these problems are common and don’t need to be hidden," Teachman tells Business Insider.

And it's important that people share their own real experiences. It's not enough to just educate people about the existence of a condition like bipolar or anxiety or depression; it's more helpful to actually hear what those experiences are like, since "people need opportunities to interact and realize that there is no 'us' versus 'them,' and to recognize that they are not alone and there is no shame in experiencing mental heath challenges or in seeking help," says Teachman.

By frequently discussing and writing about her struggles, Fisher did exactly that.

At the same time, Teachman says it's important that we hear these experiences from people we know, not just celebrities, since a celebrity experience can be a lot harder for many of us to relate to. For that, it may be helpful to glance at the tweets Fisher fans have been posting with the hashtag #InHonorOfCarrie, talking about their own struggles.

That openness is encouraging, but it's important to note that the struggle to deal with stigma about mental illness has a long way to go. Teachman says that even people who aren't consciously discriminatory can harbor implicit biases against people struggling with these conditions, and that it's important to deal with those attitudes to make sure people get help.

"We have good treatments for many mental heath challenges, but people are not getting the care they need," she says.

SEE ALSO: Scientists discovered an absurdly easy way to seem convincing

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NOW WATCH: These are the 3 dogs with the most health problems

How stars are reacting to the death of 'Hollywood royalty' Debbie Reynolds

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Debbie Reynolds

On Wednesday evening the news came out that actress Debbie Reynolds had died at the age of 84 after being rushed to the hospital due to a medical emergency earlier in the day (her cause of death has not yet been announced). This was one day after her daughter, actress Carrie Fisher, died at the age of 60 after suffering a heart attack on a United flight on December 23. 

As Reynolds' son Todd Fisher told Variety after her passing, “She wanted to be with Carrie.” 

Before Fisher went on to become an icon playing Princess Leia in the "Star Wars" movies, Reynolds was already a legend. At 19 years old she landed the lead female role in the classic 1952 musical "Singin' in the Rain," which also starred Gene Kelly and Donald O'Connor. Then in 1964 she received an Oscar nomination for "The Unsinkable Molly Brown." She had her own TV show, "The Debbie Reynolds Show," in 1969. And in 1996 she received a Golden Globe nomination playing the adorable mom in Albert Brooks' "Mother."  

Celebrities both young and old have gone to social media to pay their respects to Reynolds, a Hollywood institution for her whole life.

Read below how Debbie Reynolds is being remembered:

SEE ALSO: Debbie Reynolds' life in pictures

William Shatner called her "the last of Hollywood royalty."



"Mother" director and star Albert Brooks can't believe Reynolds passed away one day after her daughter.



Bette Midler called her "beautiful, talented, devoted to her craft...."



See the rest of the story at Business Insider

'Star Wars' actor says there's an 'enormously different' version of 'Rogue One' out there

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Rogue One Mendelsohn Disney final

Since the release of the "Star Wars" standalone movie, "Rogue One: A Star Wars Story," we have begun to realize how much tinkering was done to the movie not just in the reshoot phase but throughout principal photography. 

The most recent example is an interview with actor Ben Mendelsohn, who plays Orson Krennic in the movie, in which he hinted at the amount of alternative footage there is for the movie. So much that he believes an "enormously different" version of it could be released (if Lucasfilm/Disney ever wanted to do such a thing).

"We did have multiple, multiple ways of going at any given scenario, we had multiple readings of it," Mendelsohn told Collider. "So should they ever decided to, there would be a wealth of ways of approaching these different things. And I know from having seen sort of the crucial kind of scenes throughout it, I know there’s vastly different readings of at least four of those scenes… enormous differences within I would’ve said 20 or 30 of the scenes. There really would be. There would be enormously different renderings."

Comparing the footage in the movie to what was teased in the trailers proves that there were many different options, especially for the ending, which underwent major reshoots. But Mendelsohn's comments will feed fans' interest in seeing alternate versions of this movie.

at at rogue oneDisney is always up for making more money. There have been numerous versions of "The Force Awakens," all featuring deleted scenes, but whether the studio would ever allow "Rogue One" director Gareth Edwards to go in and do a directors' cut or some kind of "extended version" of the movie is the big unknown.

It certainly would be a major seller (I'd love to see how Jyn, Cassian, and K-2SO ended back on the beach after getting the plans for the Death Star and where they were headed) and you would think Disney would want to control that aspect instead of releasing deleted scenes that someone on the web can cut into a pirate alternate fan version. 

SEE ALSO: RANKED: Every character in "Rogue One" from best to worst

Join the conversation about this story »

NOW WATCH: Here are the 11 best memes of 2016

50 Disney movies are coming to Hulu (DIS)

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Box Office 2016This story was delivered to BI Intelligence "Digital Media Briefing" subscribers. To learn more and subscribe, please click here.

Hulu and Disney have struck a partnership that will see the subscription video on demand (SVOD) site gain about 50 Disney movies, Engadget reports. The deal is important for a handful of reasons:

  • Diversifying Hulu's catalog into the world of cinema. Hulu does have films on its platform, but it’s strategy has been directed at securing licenses to major TV shows. The Disney deal suggests that Hulu has a renewed focus on film. The deal will see Hulu gain about 50 new movies, most of which are family movies, but with dramas and thrillers interlaced too.
  • Planting seeds for a deeper Disney-Hulu relationship. Disney already provides Hulu with children’s programming, and this new deal could signal the start of an expanded partnership. Disney is a major shareholder in Hulu, co-owning 30% of the SVOD service alongside alongside NBCUniversal (30%), Fox (30%), and Turner (10%).
  • More Disney content is a big boost to Hulu’s service. Disney's films have performed spectacularly in 2016. It became the first studio to ever pass $7 billion in global box office sales in a single year, and is expected to account for over half of box office profits this year, according to media analyst Doug Creutz cited in Vanity Fair.
  • Differentiation is a must in an increasingly saturated market. Hulu faces pressure from incumbents like Netflix and Amazon Video, which are focused on original content, and from recent entrants like AT&T’s DirecTV Now and expected new arrivals like Google’s digital TV product, Unplugged, which aim to bring the live cable-TV experience over-the-top.
  • The partnership also gives insight into Disney’s OTT strategy. Part of Disney's digital strategy is focused on partnerships with digital TV providers, such as Hulu, PlayStation Vue, Sling TV, DirecTV Now, and the recent agreement with Snapchat. At the same time, the company also plans to launch various direct-to-consumer streaming services, like DisneyLife in the UK.

Growth of subscription-video-on-demand (SVOD) services in the US has slowed considerably over the last year as competition in the online video streaming space intensifies. Heavy hitters like Netflix, Hulu, and Amazon Prime are increasingly squeezed by new competitors with exclusive content and niche video offerings.  

International markets, and specifically, the Asia-Pacific (APAC) region will be paramount for both established SVOD players and new entrants looking to establish themselves in the successful video space.

The SVOD market in the APAC region is poised for explosive growth over the next five years due to increased mobile adoption, amplified broadband expansion, and enhanced purchasing power.

Dylan Mortensen, senior research analyst for BI Intelligence, Business Insider's premium research service, has compiled a detailed report on subscription video on-demand that explores how slowing SVOD growth in the US will lead to a surge in the APAC region.

Here are some of the key takeaways from the report:

  • While SVOD services are increasingly rooted among US households, growth is beginning slow. Growth in North American SVOD subscriptions is set to fall from 30% in 2014 to 4% by 2018.
  • The best opportunity for continued growth lies in the Asia-Pacific (APAC) region. The region had nearly 42 million SVOD subscribers in 2015, but could have up to 158 million by 2021.
  • The increasing adoption of smartphones and mobile data is propelling growth in mobile video viewing across APAC, which is poised to outpace the rest of the world.
  • Rising purchasing power in APAC underlines the opportunity for online video services. China and emerging Asian economies represent nearly two-thirds (63%) of global economic growth.
  • Content creators and marketers stand to gain from SVOD’s push into the APAC region. Content creators can benefit from the surge in short-form video, while marketers can capitalize on advanced product placements.

In full, the report: 

  • Forecasts SVOD subscribers in the APAC region.
  • Explores the factors behind SVOD’s slowing growth in the US.
  • Breaks down reasons why APAC is ripe for massive online video growth.
  • Discusses who will benefit from SVOD growth in APAC.

Interested in getting the full report? Here are two ways to access it:

  1. Subscribe to an All-Accesspass to BI Intelligence and gain immediate access to this report and over 100 other expertly researched reports. As an added bonus, you'll also gain access to all future reports and daily newsletters to ensure you stay ahead of the curve and benefit personally and professionally. » START A MEMBERSHIP
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The 10 highest-grossing movies of 2016, ranked

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Captain America Civil War disney final

The movie industry had another banner year as it took in over $11.1 billion in global ticket sales, surpassing last year's record figure. Some reasons for that included Marvel, a guy in red tights, and animated movies.

Disney was the biggest contributor to the record-breaking year, taking in over $7 billion at the worldwide box office thanks to titles like "Captain America: Civil War," "Finding Dory," and "Zootopia," which all earned over $1 billion in worldwide earnings.

Five of the top 10 worldwide box-office earners of 2016 are Disney titles (domestically it gets six out of the top 10).  

Outside of the house that Walt built, 20th Century Fox's "Deadpool" was the biggest shock, taking in huge coin. And though they had lousy reviews, Warner Bros.' DC Comics movies "Batman v Superman: Dawn of Justice" and "Suicide Squad" still took in impressive figures. 

Below are the 10 biggest worldwide box-office earners of 2016, and why "Rogue One" will climb up this list daily through the new year.

Note: All figures are from Box Office Mojo

SEE ALSO: The 10 biggest box office bombs of 2016

10. "Rogue One: A Star Wars Story" — $675 million worldwide (estimate)*

*"Rogue One" is still a new release in theaters and will climb higher even by the end of the year.

US domestic: $400 million (by end of weekend)

With over $635 million worldwide at the time of this writing, we had to pull out the crystal ball for this one, since the latest "Star Wars" movie is rising up the box-office charts on a daily basis.

Though "Doctor Strange" is currently in 10th place with a $656.4 million worldwide take, "Rogue One" will surpass that within the next day.

As with "The Force Awakens" last year, Disney has masterfully made the last few weeks of the year its time to dominate the movie business with a "Star Wars" release. It should be just under first place at the domestic box office by the time the new year hits.  



9. "Suicide Squad" — $745.6 million

Domestic: $363 million

Despite bad reviews, this DC title from Warner Bros. continued to plug away at the box office. After having the biggest opening weekend of all time for an August release and then sales dropping almost 67.5% in its second weekend domestically, the movie found its groove. And it certainly helped that it took in over $400 million internationally. 



8. "Fantastic Beasts and Where to Find Them" — $746.1 million

Domestic: $217.3 million *Still in theaters

Though the "Harry Potter" spin-off movie isn't making the enormous figures that Warner Bros. saw with the "Potter" franchise, it still came in as the studio's third-highest earner of the year domestically. 



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The 16 best Netflix original shows of 2016, according to critics (NFLX)

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Netflix is pumping out so many shows these days, it's hard to keep track of which ones are worth your time.

To help out, we put together a list of the best Netflix series that released new episodes in 2016. This list included old favorites that had new seasons this year, like "Orange Is the New Black," or blockbuster newcomers like "The Crown."

It left off some popular Netflix shows that are still going but didn't get any updates in 2016 — "Marvel's Jessica Jones" for instance.

How did we construct the ranking?

To get a sense of how Netflix's 2016 shows stacked up against one another, we turned to the reviews aggregator Metacritic, which pulls in critic (and audience) reviews from all over the world. We looked only at dramas and comedies Netflix had originated (not co-produced or taken over). Then we picked 16 ones that got the best combined critics ratings.

There were a few surprises in the data. Cult mega-hit "Stranger Things" was only in the middle of the pack, while "Lady Dynamite," which has relatively little buzz, was a critical darling.

Here are the shows that made the cut, along with their rating, and a description:

SEE ALSO: Hackers are selling lifetime access to stolen Netflix accounts for less than $1

No. 16: 'The OA' — 61/100

Average critic score: 61/100

Audience score: 7.0/10

Netflix description: Seven years after vanishing from her home, a young woman returns with mysterious new abilities and recruits five strangers for a secret mission.



No. 15: 'Sense8' — 63/100

Average critic score: 63/100

Audience score: 8.2/10

Netflix description: Their gift of telepathic communication made them targets for extermination. But it's the one thing keeping them alive.

Note: Sense8's first season came out in 2015, but Netflix released a Christmas special so it was eligible.



No. 14: 'Bloodline' — 67.5/100

Average critic score: 67.5/100

Audience score: 8.1/10

Netflix description: The Rayburns seem to have the perfect life in their lovely Florida town. But nobody's perfect — especially the Rayburns.



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Deadpool will not show up in the upcoming Wolverine movie after all

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It turns out the Merc with a Mouth will not be making a cameo in the new Wolverine movie, “Logan.”

On Wednesday, TheWrap reported that “Deadpool” star Ryan Reynolds threw on the red tights recently to shoot a scene that was to appear in “Logan” (likely a post-credits scene). The footage was directed by “Deadpool 2” director David Leitch, according to the story. (Business Insider contacted Leitch’s reps for comment, but did not get a response.)

However, after the story went live Reynolds, “Logan” star Hugh Jackman, and the film’s director James Mangold all tweeted that Deadpool would not be showing up in “Logan.”

Here are their tweets:

Then on Thursday, Reynolds doubled down that Deadpool isn’t in the movie when replying to a tweet from a Hollywood Reporter staffer.

“Logan,” which once again stars Jackman as Wolverine, is certainly much darker in tone than “Deadpool.” Set in the future where the number of mutants is dwindling, an aging Wolverine and Professor X (Patrick Stewart) come across a young girl who has powers similar to Wolverine’s. The movie is extremely violent compared to the other X-Men movies (Business Insider has seen the first 40 minutes of the movie and all we’ll say is it’s definitely getting an R rating).

20th Century Fox, the studio behind both “Deadpool” and “Logan,” declined to comment for this story. However, a source close to the movie told Business Insider that Deadpool does not appear in “Logan.”

“Logan” opens in theaters on March 3, 2017.

SEE ALSO: The 10 highest-grossing movies of 2016, ranked

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All the awful things about 2016 have been put into this fake horror movie trailer

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2016 the movie final

2016 had so much promise until it basically turned into a horror movie thanks to our favorite celebrities passing away and the nation suffering a bitter presidential election. 

YouTube user Friend Dog Studios decided to collect all of the disappointments of the year and use them as the basis of a fake trailer for a horror movie titled "2016: The Movie." 

It starts out innocently with a couple ringing in the new year in a new house. But then things you never would expect start happening everywhere — the deaths of legends like Muhammad Ali and David Bowie (as well as a gorilla named Hambre), phones exploding, England leaving EU, and unprecedented election nastiness.

Sometimes laughter is the best medicine, so check out the hilarious "2016: The Movie" below and let's hope there isn't a sequel.

SEE ALSO: RANKED: The 10 best TV shows of 2016

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These were the 8 most complained about ads from Australia in 2016

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The Australian Standards Bureau (ASB) has released a list of the most complained-about ads of 2016. 

The most complained about ad, criticized for discriminating against vegans, received more than 700 complaints. 

In total, the ASB received more than 5,000 complaints about ads in 2016, over a third of which were for advertisements in the below ranking. (We usually publish the ASB's top 10 most complained-about ads, but three of the top 10 reference the same ad but for different mediums — TV, internet, and social — so there are eight ads in total, not 10).

Check out the eight most offensive ads from Australia in 2016. 

SEE ALSO: These were the 10 most offensive ads from Australia in 2015

8. A window display of a poster advertisement for lingerie brand Honey Birdette May — 59 complaints. Complainants said the ad was only appropriate for a sex or adult shop and the ASB upheld the complaints.



7. Medibank Health Insurance — 66 complaints. This ad featured many different types of families in different settings, including homosexual couples and a mother breast feeding. Viewers complained about the ad showing homosexual couples kissing and that it depicted breastfeeding. The ASB dismissed the complaints.

Youtube Embed:
http://www.youtube.com/embed/95X7C4tQa4E
Width: 560px
Height: 315px

 



6. "The Conjuring 2," Roadshow Films — 82 complaints. Viewers complained the graphic horror content was too extreme for children and generally distressing for adults too. The board upheld the complaints.

Youtube Embed:
http://www.youtube.com/embed/GK__BeDR1-M
Width: 560px
Height: 315px

 



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Amy Schumer finally sold her 'tiny' penthouse apartment in NYC

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Amy Schumer

Amy Schumer has finally sold her "tiny" one-bedroom co-op on the Upper West Side of Manhattan, according to Variety.

Both the buyer and the final selling price are unknown. What is known: the apartment isn't actually so tiny.

Though last year the comedian joked about how, despite her fame, she still lives in a one-bedroom walk-up apartment, she neglected to mention that it was also a penthouse, technically.

It's located on the top floor of a beautiful brownstone building, steps from the Museum of Natural History and a block away from Central Park. It totals about 850 square feet and she bought the apartment for $1.695 million in September 2014, Curbed NY reports.

Schumer quietly listed the apartment last November for $2.075 million, as was first reported by the New York Post. Nearly a year later, the price on the cozy space had been reduced to $1.625 million with new brokers. The final listing price was $1.625 million, marking at least a $70,000 loss before realtors fees are factored in.

Modlin Group now had the listing.

SEE ALSO: See inside the $5.3 million Washington, DC, home that the Obamas will move into after they leave the White House

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The apartment is no typical New York shoe box — it's actually a penthouse on the top floor of an Upper West Side brownstone.



A gorgeous stone entryway with a wooden door allows entrance into the five-unit co-op building.



Schumer wasn't kidding about the walk-up, however. The apartment is on the fifth floor, and there's no elevator. At least the hallways are nice.



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