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HOUSE OF THE DAY: Hard Rock Cafe Founder Flips Elvis Presley's LA Mansion For $4.7 Million Profit

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elvis beverly hills home

Just over a year after he bought Elvis Presley's old Beverly Hills mansion for $9.8 million, Hard Rock Cafe founder Peter Morton has flipped the property for a tidy profit, according to real estate blogger The Real Estalker.

The home reportedly sold off-the-market to a corporate entity for $14.5 million. Morton was rumored to be tearing down the historic home, but it seems that those plans never panned out. 

The home, which has four bedrooms, five bathrooms, and spans 5,367 square feet, sold to Morton in December 2012 for significantly less than the initial $12.995 million asking price.

The gated property sits on 1.18 acres of land, with stunning views of Los Angeles from the backyard. Morton is a bit of a real estate buff, with another home in Holmby Hills and a mini-compound on Carbon Beach in Malibu.

Welcome to Hillcrest Road.



The house was built in 1958.



About $1.836 million worth of improvements went into the home in 2010, according to the Los Angeles County Tax Assessor website.



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Jimmy Kimmel Has One Major Gripe About Jimmy Fallon

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Jimmy Kimmel Jimmy Fallon

Jimmy Fallon may be beating Jimmy Kimmel in the late night race since taking the reins at the "Tonight Show," but that isn't what's bothering the host of ABC's rival show, "Jimmy Kimmel Live!"

"My only complaint about Jimmy Fallon is the first name: Jimmy," Kimmel says in the new issue of Esquire. "People get us mixed up all the time. No one remembers which Jimmy is which. Or they think I’m him, which can only make you feel like you should be him. Actually, he says the same thing happens to him."

But Kimmel explains that there are distinct differences in the late night hosts' TV styles, saying, "He’s like an athlete out there. He can jump high, act, sing. He’s a true performer. I’m a broadcaster. That’s how I come at this. Not a stand-up, not an actor, not a commentator. A broadcaster."

Jimmy Kimmel Esquire

But there was a time — many moons ago, when Kimmel worked in radio  that he did try changing his name. 

"I worked in a station once where there were two other disc jockeys named Jimmy. So I became Chris Kimmel," he tells Esquire. "I didn’t hate it. Then I was Jimmy again. Chris Kimmel. I’d still answer to it. But in the end, I’m a Jimmy." 

But just because the other Jimmy's "Tonight Show" may be ahead in the ratings, doesn't mean that the social media savvy Kimmel is quitting anytime soon.

"This is the job. The only job for a person like me," he says. "I mean, I like to draw. I’m really good at it. I’m a good artist, and I think that’s what I would have done had radio not worked out for me. But here I am. You won’t see me doing anything else in the next twenty-five years."

But one thing the dueling hosts seem to agree on? Mischievously pranking the public.

"I’m willing to let myself be the one complicating the lives of others, asking something impossible, being obtuse, demanding, obnoxious, whatever," explains Kimmel. "I always found that it’s not entirely bad, because the victims always tend to come through. They show their humanity ... I’m the a--hole, yes, but they generally reaffirm their humanity. I always end up recognizing the fact that people are basically good."

Read Kimmel's full Esquire interview here >

SEE ALSO: Jimmy Fallon Vs. Jimmy Kimmel: The Late Night Fight, By The Numbers

MORE: Jimmy Fallon And Jon Hamm Expertly Photobomb Tourists In NYC

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Oprah Winfrey Refuses To Surrender Her Private Diaries In Lawsuit

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Oprah red carpetOprah Winfrey has shared her life and lessons with fans through TV shows, magazines, books, and more, but there’s one area of her life that’s off limits.

The TV talk queen has told a court she won’t hand over her private diaries as part of an ongoing lawsuit against her — despite the fact that the Plaintiff thinks they could hide some important secrets.

As Radar has reported, Winfrey is being sued by Simone Kelly-Brown over Winfrey’s use of the term “Own Your Power,” to which she says she has claim. Kelly-Brown’s lawyers recently filed documents asking for a two-week extension of the discovery period, but Winfrey’s attorneys quickly responded with a strongly-worded letter insisting the suit move ahead as originally scheduled.

PHOTOS: Oprah: Through The Years

In the letter, obtained by Radar, Winfrey’s counsel insists that “Defendants have abided by all deadlines and done everything to accommodate the preferred schedule within the parameters of the Court’s expert discovery deadline … No extension is warranted, and any extension would prejudice Defendants.

READ: Oprah’s Attorney Explains Why She WON’T Hand Over Her Diary

They claim that the Plaintiff has actually engaged in “gamesmanship,” demanding last-minute teleconferences, and asking for to change the time and/or location of scheduled depositions.

What’s more, Kelly-Brown’s attorneys had asked the court to “compel production of ‘Ms. Winfrey’s personal, professional journal or diary entries’” , but Winfrey’s attorneys insist in the letter that that won’t be happening.

“Ms. Winfrey examined her journals and there is nothing relevant,” the letter to the Court insists.

PHOTOS: Oprah Gets Star Studded Farewell Surprise!

In conclusion, Winfrey’s attorney writes, “We request that the Court deny the Plaintiff’s request for an extension of discovery …”

The judge agreed with Ms. Winfrey’s counsel, and denied the Plaintiff’s motion to extend discovery by written order entered on the docket on March 14.

SEE ALSO: Oprah Is Selling Harpo Studios For $32 Million To Chicago Developer

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Netflix CEO Blasts Comcast Over Net Neutrality

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netflix reed hastings

Last month, Netflix and Comcast announced that they have come to an arrangement that should ensure quality television and movie streams for Comcast customers for the foreseeable future. 

Here are the basics: Netflix will pay Comcast an undisclosed sum, and in exchange Comcast will connect directly to Netflix's servers, improving streaming quality for all Netflix content.

In our guide to understanding the agreement, we noted that the deal wasn't really about net neutrality. 

Apparently, Netflix CEO Reed Hastings doesn't agree with that assessment. 

In a post on Netflix's blog, Hastings today argues that the "weak net neutrality" we have today isn't sufficient for protecting an open, competitive Internet. Here's Reed's argument for a "stronger" net neutrality:

"Strong net neutrality additionally prevents ISPs from charging a toll for interconnection to services like Netflix, YouTube, or Skype, or intermediaries such as Cogent, Akamai or Level 3, to deliver the services and data requested by ISP residential subscribers. Instead, they must provide sufficient access to their network without charge. "

Here, Hastings is a referring to the situation that led up to the Netflix-Comcast agreement. Comcast wouldn't hook up their data centers directly to Netflix, so Netflix had to pay an intermediary — Cogent — to connect to Comcast for them. 

Cogent and Comcast had a deal where Comcast would accept traffic from Cogent for free, and Cogent would help Comcast customers get to other parts of the web faster for free. This is a standard industry practice, and went smoothly until Netflix traffic made the flow of bits between the two a bit too one-sided. That's when Comcast said Netflix (or Cogent, which could then charge more to Netflix) had to pay up.

Why does Hastings think that Netflix shouldn't have to pay?

"ISPs sometimes point to data showing that Netflix members account for about 30% of peak residential Internet traffic, so the ISPs want us to share in their costs. But they don't also offer for Netflix or similar services to share in the ISPs revenue, so cost-sharing makes no sense. When an ISP sells a consumer a 10 or 50 megabits-per-second Internet package, the consumer should get that rate, no matter where the data is coming from. "

The idea that cable companies should pay for infrastructure improvements themselves because their job is to simply offer a pipe for content is appealing, but Hastings' argument that cost-sharing isn't fair doesn't hold up to the simple fact that Netflix's streaming business wouldn't exist at all without the infrastructure provided by cable companies like Comcast.

Here's the full text of Hastings' blog post:

The Internet is improving lives everywhere – democratizing access to ideas, services and goods. To ensure the Internet remains humanity's most important platform for progress, net neutrality must be defended and strengthened. 

The essence of net neutrality is that ISPs such as AT&T and Comcast don't restrict, influence or otherwise meddle with the choices consumers make. The traditional form of net neutrality which was recently overturned by a Verizon lawsuit is important, but insufficient. 

This weak net neutrality isn't enough to protect an open, competitive Internet; a stronger form of net neutrality is required. Strong net neutrality additionally prevents ISPs from charging a toll for interconnection to services like Netflix, YouTube, or Skype, or intermediaries such as Cogent, Akamai or Level 3, to deliver the services and data requested by ISP residential subscribers. Instead, they must provide sufficient access to their network without charge. 

Some major ISPs, like Cablevision, already practice strong net neutrality and for their broadband subscribers, the quality of Netflix and other streaming services is outstanding. But on other big ISPs, due to a lack of sufficient interconnectivity, Netflix performance has been constrained, subjecting consumers who pay a lot of money for high-speed Internet to high buffering rates, long wait times and poor video quality. A recent Wall Street Journal article chronicled this degradation using our public data

Once Netflix agrees to pay the ISP interconnection fees, however, sufficient capacity is made available and high quality service for consumers is restored. If this kind of leverage is effective against Netflix, which is pretty large, imagine the plight of smaller services today and in the future. Roughly the same arbitrary tax is demanded from the intermediaries such as Cogent and Level 3, who supply millions of websites with connectivity, leading to apoor consumer experience.

Without strong net neutrality, big ISPs can demand potentially escalating fees for the interconnection required to deliver high quality service. The big ISPs can make these demands -- driving up costs and prices for everyone else -- because of their market position. For any given U.S. household, there is often only one or two choices for getting high-speed Internet* access and that’s unlikely to change. Furthermore, Internet access is often bundled with other services making it challenging to switch ISPs. It is this lack of consumer choice that leads to the need for strong net neutrality. 

Netflix believes strong net neutrality is critical, but in the near term we will in cases pay the toll to the powerful ISPs to protect our consumer experience. When we do so, we don’t pay for priority access against competitors, just for interconnection. A few weeks ago, we agreed to pay Comcast and our members are now getting a good experience again. Comcast has been an industry leader in supporting weak net neutrality, and we hope they’ll support strong net neutrality as well. 

ISPs sometimes point to data showing that Netflix members account for about 30% of peak residential Internet traffic, so the ISPs want us to share in their costs. But they don't also offer for Netflix or similar services to share in the ISPs revenue, so cost-sharing makes no sense. When an ISP sells a consumer a 10 or 50 megabits-per-second Internet package, the consumer should get that rate, no matter where the data is coming from. 

Some ISPs say that Netflix is unilaterally "dumping as much volume" (Verizon CFO) as it wants onto their networks. Netflix isn't "dumping" data; it's satisfying requests made by ISP customers who pay a lot of money for high speed Internet. Netflix doesn't send data unless members request a movie or TV show. 

Interestingly, there is one special case where no-fee interconnection is embraced by the big ISPs -- when they are connecting among themselves. They argue this is because roughly the same amount of data comes and goes between their networks. But when we ask them if we too would qualify for no-fee interconnect if we changed our service to upload as much data as we download** -- thus filling their upstream networks and nearly doubling our total traffic -- there is an uncomfortable silence. That's because the ISP argument isn't sensible. Big ISPs aren't paying money to services like online backup that generate more upstream than downstream traffic. Data direction, in other words, has nothing to do with costs. 

ISPs around the world are investing in high-speed Internet and most already practice strong net neutrality. With strong net neutrality, new services requiring high-speed Internet can emerge and become popular, spurring even more demand for the lucrative high-speed packages ISPs offer. With strong net neutrality, everyone avoids the kind of brinkmanship over blackouts that plague the cable industry and harms consumers. As the Wall Street Journal chart shows, we're already getting to the brownout stage. Consumers deserve better. 

Some big ISPs are extracting a toll because they can -- they effectively control access to millions of consumers and are willing to sacrifice the interests of their own customers to press Netflix and others to pay. Though they have the scale and power to do this, they should realize it is in their long term interest to back strong net neutrality. While in the short term Netflix will in cases reluctantly pay large ISPs to ensure a high quality member experience, we will continue to fight for the Internet the world needs and deserves. 

Here's Comcast's official response:

“There has been no company that has had a stronger commitment to openness of the Internet than Comcast.  We supported the FCC’s Open Internet rules because they struck the appropriate balance between consumer protection and reasonable network management rights for ISPs.  We are now the only ISP in the country that is bound by them. 

“The Open Internet rules never were designed to deal with peering and Internet interconnection, which have been an essential part of the growth of the Internet for two decades.  Providers like Netflix have always paid for their interconnection to the Internet and have always had ample options to ensure that their customers receive an optimal performance through all ISPs at a fair price.  We are happy that Comcast and Netflix were able to reach an amicable, market-based solution to our interconnection issues and believe that our agreement demonstrates the effectiveness of the market as a mechanism to deal with these matters.”

 

SEE ALSO: What the Netflix-Comcast deal really means in plain English

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'Game Of Thrones' Creator George R.R. Martin Gave Away A $30,000 Iron Throne At Season 4 NYC Fan Premiere

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george rr martin

The only thing better than seeing the "Game of Thrones" season four premiere in NYC with thousands of fans is having an opportunity to meet the series creator and take home a piece of the show.

HBO hosted a special event for fans of the series in NYC Thursday night.

Around 7,000 people flooded the Barclays Center in Brooklyn to watch the season four premiere more than two weeks before it airs on the network.

What fans didn't expect was to be greeted by four cast members AND series creator and co-executive producer George R.R. Martin on stage.

One lucky person went home with an Iron Throne replica from the hit show.

Business Insider was in attendance when "Game of Thrones" actor Kristian Nairn (who plays Hodor) welcomed Martin on stage at the Barclays Center accompanied by Maisie Williams (Arya Stark), John Bradley (Sam), and  Sibel Kekilli (Shae) to loud roars and applause. 

The group then sat down for a short Q&A hosted by Nairn before the premiere.

It all culminated in Martin giving away an Iron Throne to a randomly selected audience member who then joined him and the cast on stage.

That chair costs $30,000. (You can actually order them from the network.)

Martin claimed he has two thrones of his own.

During the Q&A, Maisie Williams admitted that out of all the characters on "Game of Thrones," the one she wanted to kill off the most was Joffrey (Jack Gleeson).

Williams said her character Arya would do it "in the most humiliating way. Sticking him with the pointy end (her sword) seems like the easy way out."

However, that may prove slightly difficult since Williams admitted to not being the best with a sword.

"There have been several cases when I've hit myself and others in the face and the cameras," said Williams.

While fans were star struck, Kekilli was overwhelmed by the outpouring of fans, snapping photos of the audience and finding it difficult to say much other than how amazed she was to be around such a massive crowd.

When asked about her favorite part of acting on the show, her response was humbling, "To be here ... And get free drinks and food."

Martin himself was asked what, if anything, could kill a dragon on the show.

game of thrones dragon season 4The question seemed to throw Martin off at first; however, he offered a hint at what could come in the future.

"It remains to be seen ... except [maybe] another dragon."

We were hoping Martin may turn up for the fan event since HBO held the season premiere earlier this week in NYC.

We won't spoil what happened, but it was a very enjoyable opening.

"Game of Thrones" season four premieres April 6 at 9 p.m. on HBO.

More from last night: HBO made fans surrender their cell phones before heading into the premiere

SEE ALSO: Check out a trailer for the new season

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Sony Jumps Into Streaming Content Game With A Superhero Fantasy Crime Drama Series On Playstation

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Sony's PlayStation Network has followed online media giants Netflix and Amazon in commissioning its first original drama series, a spokesman said.

"Powers," based on a comic book of the same name, combines the genres of superhero fantasy, crime noir and police procedural, and is produced by Sony Pictures, he said.

Sony, aiming to compete with its main video games console rival Microsoft's Xbox Live in offering TV-style programing, has ordered 10 episodes of the show, according to CNN. The PlayStation Network spokesman, Dan Race, gave no further details.

Sony's new show is described as a one-hour drama "set in a world full of people with superhuman abilities and where all of those powers are just another catalyst for mayhem and murder," said a company statement.

A detective investigates cases "involving the God-like men and women, referred to as 'powers,' who glide through the sky on lightning bolts and fire and who clash above cities in epic battle, oblivious to the mortals below."

Netflix was the first streaming service to commission its own original shows early last year with political drama "House of Cards," followed by Amazon with character-driven political sitcom "Alpha House" in November.

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Everything You Should Know About 'Divergent' — Hollywood's Next Big Movie Franchise

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divergent shailene woodley

Hollywood's next big franchise hopeful "Divergent" is heading to theaters this weekend.

You may not know much about it, but the adaptation of the best-selling series is what teens will be heading out to see.

The film stars Shailene Woodley ("The Descendants"), Theo James ("Underworld: Awakening"), and Kate Winslet in a dystopian future.

After "The Hunger Games," it's Lionsgate and Summit Entertainment's latest Young Adult adaptation to the big screen.

While it's not expected to duplicate Jennifer Lawrence's break-out hit opening weekend, "Divergent" is expected to make upwards of $65 million falling in line with 2008's "Twilight" debut.

If you're not sure what all of the fuss is about, here's what you should know about Hollywood's next big film.

Meet Beatrice Prior, played by actress Shailene Woodley.



She lives in a future dystopian version of Chicago.



It's broken down and completely enclosed from the outside world.



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10 Classic Paintings Brilliantly Reimagined As 'Simpsons' Scenes

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Students of the British Higher School of Art and Design in Moscow presented a project in which they reinterpreted famous Russian paintings and replaced the people in them with characters from the animated series "The Simpsons."

Check out these strange yet comical takes on some of Russia's most famous art:

Valentin Serov's "Girl with Peaches"

russiaone

 Kuzma Petrov-Vodkin's "Bathing of a Red Horse"

russiatwof Vasily Pukirev's "The Unequal Marriage"

russiathree Vasily Perov's "Troika" 

russia4f Viktor Vasnetsov's "Ivan Tsarevich Riding the Gray Wolf"

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Viktor Vasnetsov's "Three Bogatyrs"

russia7f Ivan Kramskoy's "Prayer of Moses after the Israelites Go Through the Red Sea" 

russiajes8f Vasily Perov's "Hunters At Rest"  

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Pavel Fedotov's "The Fresh Cavalier" 

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Fedor Reshetnikov's "Low Marks Again" 

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HBO Made Thousands Of 'Game Of Thrones' Fans Surrender Their Cell Phones To Watch An Early Season 4 Screening

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Around 7,000 "Game of Thrones" fans descended upon the Barclays Center in NYC Thursday night for an early season four screening. 

Ticket holders were told at the time of purchase that phones and cameras wouldn't be allowed inside the event.

game of thrones ticket

That seemed a little strange. When "The Epic Fan Experience" was first announced, HBO said it would include costumes, props from the series, and opportunities to take photos on the Iron Throne — all things fans would probably want to take photos of.

We've seen notes like this before attending other concerts and events.

When we attend movie screenings we're simply told to shut off our electronics. If anyone's caught doing something they're not supposed to, they're thrown out. 

However, that's in a pretty small theater that seats a few hundred — not thousands.

Either way, the idea seemed pretty unimaginable.

How was HBO going to prevent thousands of people from bringing their phones into a large arena? Many were traveling to the event after work — where they most likely had their cell. Were they going to confiscate everyone's phones?

Yes. That's exactly what they did — and everyone was OK with it.

When arriving at the Barclays Center Thursday evening, "Game of Thrones" fans were unexpectedly met by five tents.game of thrones barclays

Each one was marked by a different colored flag ... game of thrones barclays tent flag

... and the uninviting words "phone check."game of thrones phone check

Puzzled attendees quickly learned that didn't mean attendees were being "checked" for a phone but were checking them in for safe keeping during the show.

The rules were strictly enforced.game of thrones phones

Here's how it went down: 

After receiving an "Epic Fan Experience Bracelet" we had to surrender our phones.game of thrones wristletgame of thrones bracelet

Fans were asked to hand over any electronics (cells, laptops, iPads, etc.). Phones were place into brown paper bags.phone in bag game of thrones

In exchange, attendees received a ticket to pick up their electronics after the event. 

game of thrones ticket

The color of the ticket corresponded to the flag above the tent so fans knew where to return later.
game of thrones ticket

Bags were labeled with the number on your ticket ...game of thrones phone organization

... and were sorted into containers for pick up on the opposite end of the tent at the night's end.

game of thrones phones in bucketsAfter that, it was a "game of lines" before we could see "Game of Thrones."

We proceeded to another line to get inside the building where staff checked IDs to make sure fans were 18 and up. After that, we  went through a bag search and metal detector. (There was absolutely no way you were getting inside this event with a phone.) 

Finally, after that, you had your ticket scanned and you were inside.

Fans were free to wander the arena, get photos on the show's Iron Throne and a faux red carpet, and receive a few freebies including a "Game of Thrones' T-Shirt.

We found it a bit ironic the first item we received inside the event was for our phones.

smart wallet game of thrones copy

In addition to being an "epic" fan event, the night was essentially a giant social experiment.

For nearly four hours, fans could not share their experiences with social media.

game of thrones I don't remember the last time I've been able to go to a concert without seeing cameras raised in the air filming and snapping what people see ahead of themselves.  

If you didn't have a watch (gasp!) you were forced to go up to strangers and ask for the time. March Madness fans had no idea if their brackets were getting torn apart (the horror!).

Without access to Twitter or Facebook, you couldn't brag to your friends about the moment your jaw dropped when "Game of Thrones" creator George R.R. Martin and cast members came out on stage.

The night was a stark reminder of how overly reliant we are on technology.

HBO handled the event pretty efficiently with a smart, simple system that worked.

After the screening ended around 9:20 p.m., I waited no more than 20 minutes to get my phone back. There was no yelling, pushing, or shoving (that we saw). 

It would be interesting to see if a similar system could be implemented at other events in the future.

SEE ALSO: George R.R. Martin gave away a $30,000 Iron Throne at the "Game of Thrones" fan premiere

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Kim Kardashian Has Finally Made It Onto The Cover Of Vogue

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After a year of speculation, Kim Kardashian has finally landed a Vogue cover. 

The star is pictured on the front of the magazine with her fiancé, Kanye West. She's wearing a wedding gown, and her hair is sleekly pulled back. 

Here's the cover, which Kardashian posted on her Instagram account. She also tweeted "This is such a dream come true!!! Thank you @VogueMagazine for this cover! O M GGGGGG!!!" 

 West also reacted on his Twitter account. 

West is rumored to be friends with Vogue editor-in-chief Anna Wintour. While Kardashian is incredibly famous, the magazine typically puts models or A-list actresses on its cover.

Last year, New York Magazine ran a story explaining why the fashion world turned up their noses at Kim Kardashian. 

"Kim Kardashian—a sexpot with curves and a prodigious behind, a sybarite as well as a full-on capitalist—is an affront to everything it holds dear," Benjamin Wallace wrote. "It’s hard to imagine a model who converted her looks into a business empire being perceived as anything other than impressive—an entrepreneur—but for this world Kim may be the wrong kind of model."

The Vogue cover shows that Kardashian has made it in fashion. 

SEE ALSO: 35 Companies Changing The Way We Eat And Shop

Want to read more fashion stories? Follow Business Insider: Life on Facebook

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Jimmy Fallon And Billy Joel Used An iPad App To Create A Two-Man Doo-Wop Group

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billy joel jimmy fallon Jimmy Fallon lived out everyone's dream by singing with Billy Joel last night on "The Tonight Show." 

He took that one step further when he used an iPad app to help the two sing "The Lion Sleeps Tonight."

Loopy costs $7.99 and allows users to layer recordings of singing, beatboxing, or instruments.

Fallon used the app to create a four-part background vocal harmony of the duo singing "aweema-wep, aweema-wep, aweema-wep, aweema-wep" before proceeding to sing the song.

loopy app tonight show

This is possibly the coolest thing you'll see today.

billy joel jimmy fallon

SEE ALSO: HBO asked thousands of "Game of Thrones" fans to surrender their phones to watch an early screening

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Catholic Nun Stuns 'The Voice Italy' With Incredible Rendition Of Alicia Keys' 'No One'

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nun on the voice

A 25-year-old Catholic nun stunned the audience and judges of "The Voice Italy" on Wednesday with an incredible rendition of Alicia Keys' "No One."

Appearing on stage in black dress, head covering, and cross necklace, the crowd soon erupted in cheers after Sister Christina Scuccia began to sing. And it didn't take long for the judges — listening only to her sing without seeing her appearance — to become impressed with her talents.nun singing the voice

But it was  about 35 seconds into her song that two of the judges turned around. They were visibly stunned. The other two judges turned just a short time later.

nun singing the voice

“I came here because I have a gift, and I want to share that gift,’’ Scuccia told the judges afterward, according to News.com.au. "I am here to evangelize."

She also said she was inspired to go on the show by Pope Francis, who “told us to come out’’ of our convents to spread the word of God.

Now watch her awesome performance:

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Meet The 52 Hottest New Stars In Silicon Valley

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Erin Teague

Silicon Valley is home to rockstars like Yahoo CEO Marissa Mayer and Facebook CEO Mark Zuckerberg.

But over the last year, many new faces made a name for themselves in Silicon Valley.

Some of these unfamiliar faces are trying to tackle HIV, whereas others are tasked with leading major divisions at Apple.

 

Angela Ahrendts, Denise Young Smith

Head of Retail; Head of Human Resources, Apple

In October 2013, Apple announced the hiring of former Burberry CEO Angela Ahrendts as the company's new head of retail.

Then, in February 2014, Apple appointed Denise Young Smith to lead its worldwide human resources division. The pair are in charge of the future of two of Apple's most important assets: its chain of stores and its talent.

(It's also great to see Apple shaking up its previously male-dominated top ranks.)



Mike Del Ponte

Founder, Soma 

Mike Del Ponte is the genius behind Soma, a sort of Warby Parker of water filters. In July 2013, it closed a $3.7 million round of seed funding led by Baseline Ventures and Forerunner Ventures.

Soma is targeting people who are tired of ugly Brita water filters and are passionate about sustainability. For every biodegradable water filter it sells, Soma donates money to charity.



Taro Fukuyama, Ilya Tokhner

CEO; director of business development, AnyPerk

After being told he had the worst startup in his Y Combinator batch, Taro Fukuyama had to figure out how to turn the company around. Six pivots later, he landed on AnyPerk. AnyPerk helps put startups on par with Google and Facebook when it comes to perks, offering discounts on things like movie tickets, lift tickets, cell phone plans, Lyft car-sharing rides, and car rentals. 

Today, AnyPerk has 28 employees. Last March, the startup raised a $1.4 million seed round from Digital Garage, Ben Lewis, Michael Liou, CyberAgent and Shogo Kawada.



See the rest of the story at Business Insider
    






Here's How Poorly Most Young Adult Adaptation Movies Perform At Theaters

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shailene woodley climbing divergent

"Divergent" is out in theaters this weekend and the film has a lot weighing on it.

It's the next big young adult movie adaptation to hit the big screen with Hollywood hopes of being the next money-making franchise.

The teen flick is expected to make north of $60 million opening weekend. Thursday night, the film opened to $4.9 million.

Despite that, Lionsgate’s stocktumbled about 6% Friday afternoon, but it really doesn’t make much sense.

Sure, it may not have received spectacular reviews, but neither did the "Twilight" series.

In reality, with $23 million so far at the box office, "Divergent" is already faring better than other young adult (YA) adaptations at theaters. 

And while “Divergent” isn’t going to be a "Hunger Games" or "Harry Potter," it will certainly be a healthy franchise for Lionsgate and Summit Entertainment.

We took a look at the box-office numbers for the first film in every potential YA series. (It wouldn't be fair to compare any of the latter "Harry Potter" film sequels to the potential of a new franchise.)

From 2001's "Harry Potter and the Sorcerer's Stone" to February's bomb "Vampire Academy," here are the box-office openings for 10 young adult movies brought to the big screen.box office opening weekends young adult movies

Note how "The Hunger Games" blows "Harry Potter" out of the water. Even if the film's opening weekend was adjusted for inflation, it would have made $133.2 million. "The Hunger Games" had a $152.5 million debut.

The YA releases above averaged a total box-office opening of $42 million. (Taking "Harry Potter" and "The Hunger Games" out of the equation they average $22.3 million.)

The worldwide box-office numbers don't get much better for any of the other films.

The majority —"I Am Number Four," "Beautiful Creatures," "The Host," "The Mortal Instruments: City of Bones," "Ender's Game," and "Vampire Academy" — all made under $100 million at theaters.

worldwide box office young adult movies

Yet, most of those same movies — "I Am Number Four," "Beautiful Creatures," and "The Mortal Instruments" — hovered around $60 million. The anticipated adaptation of "Ender's Game" set Lionsgate back $110 million. 

"Divergent" is costing the studio an estimated $85 million making it one of the costliest YA's since "The Hunger Games."

box office budgets young adult movies

Now, here are all of those charts combined into one.young adult movie adaptations at box office

What you'll want to focus on here is the difference between the film's budgets and worldwide totals.

After the wild success of "The Hunger Games" in 2012 there was a giant young adult movie boom; however, it's been difficult for another movie to duplicate that model at theaters.

Since "Harry Potter" is an obvious outlier having grossed $974.8 million worldwide, here's another look at the same chart.

young adult movie adaptations

In no way will "Divergent" be the next "Mortal Instruments" or "Beautiful Creatures" at the box office. 

It's potential opening weekend of $60 million+ is a parallel to that of "Twilight" ($69.6 million) in 2008.

We all know the phenomenon that movie became.

SEE ALSO: Everything you should know about "Divergent"

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Kevin Bacon Recreates Iconic 'Footloose' Dance For His Entrance On Jimmy Fallon's Show

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Actor Kevin Bacon still has the moves.

The 55-year-old actor made an impressive entrance onto Friday night's "Tonight Show with Jimmy Fallon," recreating the iconic dance performance first seen 30 years ago in the film, "Footloose."

Prior to the roughly four-minute skit, Fallon said, "dancing has been outlawed on the show." Fallon then introduced his guest, Bacon, who was in the backroom and responded, "Jump back! This is the 'Tonight Show,' there has to be dancing." kevin bacon footloose dance jimmy fallonWhile the entrance was an homage to "Footloose," that wasn't the real reason Bacon was there. He was on the show to promote his TV show "The Following," Rolling Stone reports.

The original 1984 version is here, but here's the performance from Friday:

SEE ALSO: WHERE ARE THEY NOW? The Cast Of 'Footloose'

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Jimmy Kimmel Takes Epic 'Ellen'-Style Selfie With All Three Clintons

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Somehow, ABC's Jimmy Kimmel was tapped to interview Hillary, Chelsea, and Bill Clinton for an event at the Clinton Global Initiative University in Tempe, Ariz.  

The main result — since Hillary refused to give an inch when asked about her plans for  2016 — was the following: 

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17 Movie Stars Coming To TV This Year

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frank underwood president house of cards

With the success of shows like True Detective and House of Cards, television continues to erase its reputation as film's kid brother.

It's no longer a step backwards for big screen stars to give TV a shot, and the 2014 pilot season proves just how willing movie types are to make the jump to the smaller screen.

1. Halle Berry

ShowExtant

The Pitch: After spending a year in space where she lived and conducted strange experiments, astronaut Molly Watts tries to resume a normal life with her family. 

Network: CBS

Premiere: July 2



2. Katie Holmes

Show: TBA

The PitchKatie Holmes stars in a Dangerous Liaisons-seque high society drama.

Network: ABC

Premiere: TBA



3. Mark Ruffalo, Julia Roberts, and Taylor Kitsch

ShowThe Normal Heart

The Pitch: A gay activist attempts to raise HIV/AIDS awareness during the early 1980s.

Network: HBO

Premiere: May 25



See the rest of the story at Business Insider
    






The 20 Most Successful Actors At The Box Office

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Cameron DiazWhen it comes to acting, success can be measured in a lot of different ways — awards, respect, critical acclaim, prolificacy — but what movie executives really care about is profitability.

Which actor is going to sell the most tickets? Well, using the stats from Box Office Mojo, we can answer that.

Check out the top actors at the box office >

1. Tom Hanks

Career Box Office: $4.26 billion

Highest Grossing FilmToy Story 3

Career Average: $101 million per film



2. Morgan Freeman

Career Box Office: $4 billion

Highest Grossing FilmThe Dark Knight 
 
Career Average: $77 million per film


3. Harrison Ford

Career Box Office: $3.85 billion

Highest Grossing FilmStar Wars

Career Average: $101.4 million per film



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How The New 'Divergent' Star's Salary Stacks Up Against Jennifer Lawrence's 'Hunger Games' Payday

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Shailene Woodley Divergent

Lionsgate Studios is counting on 22-year-old actress Shailene Woodley to carry the huge, three-part "Divergent" film franchise based on Veronica Roth's best-selling trilogy set in a future dystopia.

Woodley was apparently the "first and only choice" for the role of Beatrice "Tris" Prior, and the studio was willing to shell out a $250,000 - $500,000 paycheck to get Woodley on-board for the first installment alone.

If all goes well at the box office after the film's March 21 opening  which it's on track to do Woodley will have the bargaining power to negotiate a much higher salary for the sequels.

23-year-old Jennifer Lawrence, for example, earned $500,000 for the first "Hunger Games," but after the film earned a whopping $691 million at the box office, she scored $10 million for the second installment, "Catching Fire." The Hollywood Reporter notes that the higher figure "is a combination of salary, bonuses and escalators."

hunger games catching fireProducer Alix Madigan, who has worked with both Lawrence and Woodley, tells THR, "Their career trajectories are similar in the sense of doing independent films and then going on to the YA franchise. I think Shailene certainly has the talent and the charisma and the inherent likability to follow in Jennifer's footsteps."

Similarly, Kristen Stewart, 23, also started her career in indie films such as "Into The Wild," but everything changed when she landed the role of Bella Swan in 2008's "Twilight."

After the initial film raked in nearly $393 million globally, Stewart was able to negotiate an unprecedented $25 million paycheck against 7.5% of the theatrical gross for the franchise's final two "Breaking Dawn" sequels.

According to E! Online, actress Emma Watson, also 23, played Hermione Granger in eight "Harry Potter" films from 2001 to 2011 and earned $15 million for both "Deathly Hallows" installments.

So if the "Divergent" readers translate into box office ticket sales as expected, Shailene Woodley should be able to negotiate a hefty paycheck for the second and third installments, "Insurgent" and "Allegiant," slated for release in March 2015 and March 2016.

SEE ALSO: Shailene Woodley Will Earn A Pretty Measly Paycheck To Star In $85 Million 'Divergent'

AND: The Young Star Of Huge New 'Divergent' Franchise Is A Hardcore Hippie

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'Muppets' Sequel Performs Worse Than Original Opening Weekend

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muppets most wanted

It was an underwhelming box-office weekend for "The Muppets" sequel.

"Muppets Most Wanted" debuted to $16.5 million.

That's more than $10 million less than Disney's Muppet's movie with Jason Segel and Amy Adams that made $29.2 million in 2011.

Estimates predicted "Muppets Most Wanted" would open between $23-$26 million.

Still, the opening is better than other previous Muppet films including 1996's "Muppet Treasure Island" ($7.9 million). (Today, that opening would translate to $14.9 million.)

Easily leading the box office this weekend was Lionsgate and Summit Entertainment's latest franchise hopeful, "Divergent," starring Shailene Woodley ("The Descendants"). 

The first in at least three movies made $56 million opening weekend.

SEE ALSO: Everything you should know about "Divergent"

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