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Business Insider Is Hiring A Marketing Designer

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business insider iphone mugWe are looking for an experienced Marketing Production Designer to assist in the day-to-day production of marketing and promotional materials for Business Insider, including BI Intelligence and BI Events.

You will be working on the cutting edge of digital media at a dynamic and thriving company that offers an excellent work environment. 

Responsibilities include:

  • Designing on-site promotions for Business Insider brands and products (BI Intelligence, events, mobile apps, etc.), including banner ads and landing pages
  • Assist in the production of email promotions
  • Design and produce event materials, both digital and print, including signage, brochures, and web pages
  • Work within company branding guidelines
  • Create and update landing pages for marketing promotions (including subscription acquisition and events)
  • Design illustrations, charts, infographics for promotions
  • Create and update marketing reports

 Qualifications:

  • Minimum 1-2 years of related experience
  • BA in design or related field or equivalent work experience
  • Knowledge of latest Web and graphics design trends and tools
  • Experience in creating web pages and email in CSS, HTML
  • Experience with responsive and mobile web design
  • Knowledge of JavaScript and other advanced web design technologies is desired
  • Ability to create illustrations (charts, infographics, etc.)
  • Software: Creative Suite (Photoshop, Illustrator, Dreamweaver, InDesign, Acrobat), MS Office

There is an opportunity for involvement in other marketing areas including campaign management and analytics. Experience or interest in these areas is desired but not required.

This full-time position is based in New York City (no freelance or remote candidates). We offer competitive compensation. Please email cover letter and resume to mktgjobs@businessinsider.com and be sure to include samples of your work and your salary requirements.

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Harrison Ford Basically Confirmed He's Returning For The Next 'Star Wars'

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Han Solo

Gear up the Millennium Falcon.

Word is coming from Harrison Ford himself that he may really be appearing in the next "Star Wars" film.

Ever since we learned we'd be getting a new "Star Wars" trilogy from Disney, reports of the original cast reunitingfor episode VII have been abundant.

The 70-year-old actor told a reporter for Chicago's WGN-TV while at a Michigan Avenue magazine cover party he's almost certainly reuniting with the original cast for the new movie.

"I think it's almost true," said Ford. "[It's] not in the bag yet, but I think it's happening."

Though Disney and Lucasfilm are staying mum about casting, even George Lucas himself has dropped hints the three will return for the new film. 

Earlier this month, Lucas revealed in a Bloomberg Businessweek interview that he was close to signing Mark Hamill, Carrie Fisher, and Ford when he was working on episode VII before signing the franchise over to Disney.

Watch the interview below: 

SEE ALSO: George Lucas Was Working On A New 'Star Wars' Trilogy Before Disney Purchased Lucasfilm >

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Jon Bon Jovi Just Listed His Manhattan Duplex For A Whopping $42 Million

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bon jovi soho apartment

Want to live like a rockstar? Well if you have $42 million, now you can live like Jon Bon Jovi.

After more than a year of speculation that it would hit the market, the rockstar has listed his duplex apartment in Manhattan's SoHo neighborhood for a sky-high price, celebrity real estate blogger The Real Estalker reports.

The duplex, listed with Corcoran, has a massive great room, five bedrooms, and 5.5 bathrooms. Even better, the apartment comes fully furnished, and as you can see from the listing photos, the crooner has great taste.

Bon Jovi bought the place for $24 million back in 2007, according to Curbed NY: if he sells for anywhere near the current asking price, he'll make a tidy profit.

The apartment is located on Mercer Street, in NYC's trendy SoHo neighborhood.



It has 11 rooms in total, including a great room with 11-foot ceilings.



Floor-to-ceiling windows mean every corner of the apartment is filled with light.



See the rest of the story at Business Insider

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Jon Favreau And Diplo Take Us On A Wild Ride In Doritos' New Ad [THE BRIEF]

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Good morning, Adland. Here's what you need to know today:

When it comes to Doritos ads, we're mostly used to consumers creating the content for the company's "Crash the Super Bowl" contest. But now the chip has joined forces with Jon Favreau and Diplo to create a cool new commercial by Goodby, Silverstein & Partners.

Co.Create made an inspiring list of ad creatives' side passions. 

It turns out that in spite of meager ratings, AMC's "The Pitch" is back for another season. This agency is set to appear on the show.

Mashable talks about how half of what advertisers know about you is wrong.

TechMediaNetwork just hired a new COO, CRO, and CTO: Doug Llewellyn from CBS Interactive, Mike Kisserberth  from IDG Consumer & SMB, and John Potter also from CBS Interactive, respectively.

Previously on Business Insider Advertising:

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Guy Who Killed His Dad With An Ax Might Be Winning A Nasty Legal Battle With Lifetime TV

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Lifetime Christopher Porco

NEW YORK (AP) — The Lifetime television network's attempt to air a movie this weekend on a man who killed his father and maimed his mother with an ax depends on a ruling from a New York state court.

A New York judge has temporarily banned Lifetime from showing "Romeo Killer: The Christopher Porco Story." It was scheduled to debut Saturday night and repeat on Sunday, showing the story about an upstate New York man imprisoned for the grisly crime.

Porco sought to stop the movie, arguing Lifetime needed permission to use his name because the movie represents a fictionalized account of the crime. New York state Supreme Court Judge Robert Muller agreed with him and temporarily barred the showing, pending a late April hearing.

Lifetime has asked the state Appellate Division to lift the injunction and allow the movie, which stars Eric McCormack of "Will & Grace" as an investigator, to be shown this weekend.

"It's a sad day when a convicted murderer who has exhausted all of his appeals can convince any court to stop people from exercising their First Amendment right to talk about his crime," Lifetime spokesman Les Eisner said Wednesday.

The extent to which Lifetime took liberties with the story is in question. Eisner said the movie was "inspired by" Porco's crime, but would give no further details. Court papers filed by Lifetime with the Appellate Division argue that the "details of the crimes, the criminal investigation, and the conviction of Porco as presented in the movie are all factually correct and well-documented."

Lifetime said it had spent more than $2 million acquiring rights to tell the Porco story and nearly $1 million promoting Saturday's premiere of the movie.

If viewers tune in expecting to see the movie Saturday and it is not on, they will "come to see Lifetime as unreliable and not trustworthy, which will have long-term negative effects on Lifetime's 'brand' and reputation, and may ultimately lead to declines in its ratings," the network argued in court papers.

Eisner would not comment on what Lifetime would air if the network is not permitted to show the movie this weekend.

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DreamWorks Animation Needs Its Next Film To Do Extremely Well At Theaters

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the croods

DreamWorks Animation has a lot to prove when its next movie comes out this weekend.  

"The Croods," starring Nicholas Cage and Emma Stone as members of a Caveman family, will be the first feature released since the studio's domestic box-office bomb, "The Rise of the Guardians" last November. 

Centered around holiday characters, "Guardians" opened to the studio's weakest performance since 2006 

Analysts anticipated the film would earn in the neighborhood of $60 million. Rather, it grossed nearly three times less with $23.8 million. 

As an immediate result, the company's stock dropped nearly five percent the following Monday. In the long-run, though the film picked up some steam overseas, the film's poor performance domestically resulted in an $87 million write-down.  

Then in February, the animation studio altered its release schedule heavily 

Originally scheduled November film "Mr. Peabody & Sherman" has been pushed back until next March and another animation, "Me & My Shadow," has been put back into developmental stages.  

Rise of the GuardiansWhen the company's fourth quarter earnings were released, DreamWorks Animation reported a loss of $83 million and announced 350 layoffs. 

That leaves all eyes on "The Croods" this weekend.  

Analysts have the film projected to open between $38 million and $45 million 

Stifel analyst Benjamin Mogil predicts the film could earn $150 million domestically and another $300 million overseas

Those numbers are 20 percent below the $60.3 million opening of last summer's "Madagascar 3." Current tracking for "The Croods" is more in line with the "Shrek" spinoff "Puss in Boots." 

If the film performs well, then it will prove the "Guardians" debut was simply an anomaly.  

However, if it fails to meet analyst's estimates, and teeters close to DreamWorks Animation's Thanksgiving debut, the studio could have a larger problem on its hands with only one other film — about a racing snail— out later this year.  

Right now, there are two major problems DreamWorks Animation has to overcome: it's over-inflated film budgets and its heavy reliance on animated features to produce most of the company's revenue. 

The studio's immense budgets puts an insane amount of pressure on DreamWorks Animation to make sure every one of its features are box-office gold. 

"They spend as if every movie they produce is a new 'Shrek,' but it's unreasonable to spend as if you are making big, big tentpoles when you really aren't," Vasily Karasyov, an analyst for Susquehanna Financial Group, told The Wrap

Here are the previous estimated budgets and openings for its last five films:
 

TitleOpening Weekend    Estimated Budget
"Rise of the Guardians" $23.8 million $145 million
 "Madagascar 3: Europe's Most Wanted $60.3 million$145 million 
 "Puss in Boots" $34 million$130 million 
 "Mega Mind" $46 million$130 million
 "Shrek Forever After" $70.8 million$165 million

Even the studio knows its films are gambles.  

From DreamWorks Animation's latest 10K SEC filing 

"Our success is primarily dependent on audience acceptance of our films, which is extremely difficult to predict and, therefore, inherently risky … Our business is currently substantially dependent upon the success of a limited number of film releases each year and the unexpected delay or commercial failure of any one of them could have a material adverse effect on our financial results and cash flows." 

The company reported it relies on the performances of its features to earn most of its revenue: 

"We currently derive a significant percentage of our revenue from a single source, the production of animated family entertainment, and our lack of a diversified business could adversely affect us."

Translation: any film DreamWorks Animation puts out can be a huge success story or a potential disaster for the company. 

the croods dreamworksThis weekend, "The Croods" has a lot in its favor to perform well at theaters.

It will be the only animated kids' film out
The Weinstein Company's kid flick "Escape From Planet Earth" will be heading out of the box-office top ten this week during its sixth week in theaters.

Disney's "Oz," meanwhile, will be in its third week at the box office. After grossing $41.3 million last weekend, if it continues to follow the trend of similar film "Alice in Wonderland," it should take in somewhere around the range of $25-$30 million this weekend.

The other two big releases this weekend are the Tina Fey and Paul Rudd rom-com, "Admission," and a Gerard Butler action thriller, "Olympus Has Fallen," as competition.

Positive ticket sales
As of Wednesday, "The Croods" was Fandango's number one selling movie representing 31 percent of daily ticket sales. 

The film is currently outpacing ticket sales 2009's "Cloudy with a Chance of Meatballs." That film went on to earn $30.3 million opening weekend.

The only thing that could prevent the DreamWorks' cavemen family from a good weekend is the poor box-office performance of the year so far. 

SEE ALSO: Why Hollywood is having a terrible year >

SEE ALSO: Here's how poorly Steve Carell's latest film performed opening weekend >

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Two 'Mad Men' Stars Get Engaged In Real Life — Here's Today's Buzz

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Vincent Kartheiser Alexis Bledel

SEE ALSO: This 'Walking Dead' actress is much older than you think >

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Needed: One Outstanding Advertising Account Executive

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Mountain Climber flickr

Business Insider is looking for an advertising account executive who is proactive, highly motivated, and has a firm understanding of the online advertising industry and a tenacious desire to succeed in a start-up environment.

This AE will call on a variety of blue-chip advertisers in NYC and surrounding areas. The position is based in our Manhattan office with some travel and plenty of sales calls.

Key requirements:

  • 3+ years in digital advertising sales with a solid list of agency contacts
  • Polished presentation and sales skills
  • Well organized professional who can manage a vibrant account list
  • Ability to comprehend and stay ahead of the digital media buying cycle
  • Eagerness to thrive at a start-up, with a passion for winning
  • Attention to detail and can analyze the key campaign performance indicators
  • Can build and maintain strong relationships with clients and agencies at all levels

Please forward resume and cover letter to: salesjobs@businessinsider.com. Thanks in advance.

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Nobody Is Safe In A New 'Star Trek Into Darkness Trailer'

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The latest trailer for "Star Trek Into Darkness" is pretty dark, but finally puts more of the film's plot into context. 

We learn a lot more about the new villain, Benedict Cumberbatch, and why he's out for revenge against the Starfleet. 

"Star Trek Into Darkness" is out May 17 in theaters.

Watch the trailer below: 

*Note: The trailer is international and says the film comes out May 16. 

SEE ALSO: DreamWorks Animation's next film needs to do extremely well at theaters this weekend >

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A Morph Of Lindsay Lohan's 6 Mugshots

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On March 19, Lindsay Lohan chose a 90-day stint in locked rehab that includes psychotherapy and community service in order to avoid a six-month jail term stemming from a car crash last summer which violated her probation for a separate shoplifting case. Whew.

It's hard to keep up with Lohan's long legal past, but thanks to The Hollywood Reporter, you can track her six mugshots in just six seconds:

SEE ALSO: What beloved child stars look like today >

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FIRST LOOK: Beyoncé Is New Face Of H&M

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Beyoncé is the new face of H&M

The rumors are true: singer Beyoncé Knowles is starring in H&M's summer 2013 ad campaign, H&M confirmed in a tweet this morning. The campaign will feature luxurious beach photos from some shoots in the Bahamas, and a TV commercial for the fast-fashion company.

"It felt more like making a video than a commercial," Knowles told The Telegraph. As its soundtrack, the video will debut a new Beyoncé song, Standing On The Sun.

Beyoncé helped to design the new collection. She said that she has "always liked H&M's focus on fun and affordable fashion," and that the summer line would "explore the different emotions of women represented by the four elements - fire, water, earth and wind." H&M will introduce the singer as "Mrs. Carter" in reference to her upcoming world tour.

Rumors emerged in January when Beyoncé posted a photo of herself in a bikini with her daughter, Blue Ivy, around the same time one of her dancers tweeted about rehearsing for H&M in the Bahamas (the tweet was deleted).

The Swedish retailer's partnership with the Hottest Woman of the 21st Century comes with news of a "difficult" first quarter for the company (net profits are down 10 percent). CEO Karl-Johan Persson blamed the "challenging situation" on bad weather and a tough economic climate.

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The Future Of Mobile [SLIDE DECK]

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internet connected devices

We hosted our IGNITION: Mobile conference on March 21 in San Francisco.

To kick off the conference, our BI Intelligence team—Marcelo Ballvé, Alex Cocotas, and I—put together a deck on the current trends in mobile. We looked closely at the growth of smartphone and tablet adoption, the platform wars, and how consumers are actually using their devices.

We've posted the deck here. We hope you enjoy it.

BI Intelligence is a new research and analysis service focused on mobile computing and the Internet. Subscribers can download the entire deck as a PDF or PowerPoint, as well as any of the individual charts from the presentation. Please sign up for a free trial here.







See the rest of the story at Business Insider

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More People Now Watch TV And Movies On Tablets In Bedrooms Than On TVs!

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In case you wanted more evidence that tablets and smartphones are disrupting the traditional TV viewing experience, here are some startling new survey stats from Motorola about how people consume TV and movies these days...

The highlights:

  • More people now watch TV and movies on tablets in their bedrooms than they watch them on TVs. In other words, bedroom TV viewing is moving rapidly to tablets. (The "more than on TVs" seems hard to believe. But even if it's close, it's impressive. The tablet viewers probably also include folks who don't have TVs in their bedrooms.)
  • People who own tablets watch more TV and movies than those who don't own tablets (convenience and control)
  • TVs are still the dominant viewing device in the living room, but tablets and smartphones are making strong inroads here, too.

Here's the bedroom data:

Chart showing tablet use in bedrooms

 

And here's the living room:

chart of tablet and smartphone usage in living room

 

And there are more interesting tidbits in the press release:

Mobile Devices and DVRs Shifting Global Media Consumption

Motorola study reveals the effects of multi-screen and time-shifting technology on consumer behavior

March 19, 2013  

HORSHAM, Pa – March 19, 2013 – Motorola Mobility’s Fourth Annual Media Engagement Barometer, launched today, reveals that consumers are watching an enormous amount of video, in some surprising ways, in unexpected places.

Motorola Mobility’s Media Engagement Barometer is an independent global study of video consumption habits among 9,500 consumers in 17 countries. The study looks closely at new and emerging content trends, such as multi-screen habits and recording behaviors, which are dramatically shifting the way audiences are consuming video.

Notably, these trends reveal consumer frustration with the delivery of video content – a prime opportunity for service providers to deliver content experiences in the new multi-screen environment that are free of traditional boundaries and complexity… the experiences that consumers crave.

Key findings from the Motorola Mobility Media Engagement Barometer:

  • Consumers around the world are watching an average of 25 hours of TV programming and film content a week. Film viewing has risen from 5 to 6 hours. TV viewing is up from 10 hours in 2011 to 19 hours this year
  • Recording behaviors are now a constant of the content experience – but content is being forgotten; almost a third (29%) of weekly TV viewing is of recorded content, but almost a third of recorded content is also never watched
  • The living room remains the epicenter of the home content experience, but the multi-screen home is now a reality; the study shows the impact of Laptops, Tablets and Smartphones – on viewing throughout the home
  • Consumers want to be able to move content between devices more easily; 76% would be interested in a service that automatically loaded content a user liked to their mobile phone or tablet, to enjoy when on the move

John Burke, senior vice president and general manager, Converged Solutions, Motorola Mobility comments, “This year’s study shows us that consumers take their viewing experiences very seriously. They want to be firmly in control of the way they experience their videos, but they’re frustrated. Increasingly, they’re using tablets and smartphones to view their content, and they expect this experience to transition seamlessly across their favorite programs, whenever and wherever they like. Motorola is enabling this shift through innovation in the cloud, the network and the home. We’re delivering content experiences free of boundaries, complexity and impairment.”

One Day a Week Spent Watching Video Content – rise in hours spent viewing content

The study shows that the average consumer watches 19 hours of TV content and six hours of movie content a week – totaling just over one day of content a week.

  • The US sees the highest consumption, with 23 hours of TV and six hours of movies watched each week
  • The lowest TV consumption is seen in Sweden and Japan at 15 hours and two hours respectively

Multi-screen Romance – tablets eclipse broadcast for content in the bedroom

The living room is the center of home entertainment consumption, but consumers are taking advantage of the ability to watch the content they like in multiple rooms throughout the home, even in unexpected places.

  • 50% watch broadcast TV in the living room
  • Highest in Sweden (81%), the UK (75%) and Australia (68%)
  • 36% of consumers globally are watching broadcast TV in the master bedroom, and countries with above-average consumption in the bedroom include Argentina (62%), the US (54%) and Russia (49%)

Smartphones and tablets are driving most multi-room content behaviors – they are watched more than broadcast TV in the bedroom (46% and 41% versus 36%). These portable devices are also used in less-conventional rooms; 10% of tablets are used in the kitchen.

Tablet Owners – the hungriest for content

In general, tablet users could be described as ‘super users:’ watching more content on their own terms than non-tablet users.

  • On average, tablet owners watch 6.7 hours of movies a week versus the average of 5.5 of non-tablet owners
  • Tablet users are more likely than non-tablet owners to use a service provider’s TV catch-up service (47% versus 31%). 80% of a tablet user’s content is recorded, versus 65%

DVR killed the Linear Star? Not quite yet... a third of weekly content is recorded

Almost a third (29%) of all weekly content consumed is recorded. But live viewing still dominates – particularly with News – which is watched by 73% as it airs. Though DVR owners tend to watch an average of one hour more content a week, a third (36%) of all content recorded is never actually viewed. The US is the most wasteful content market, with 41% of recorded content never being consumed.

The study sheds light on the reasons people record content.

  • 77% record because there is other content airing at the same time, which the viewer would prefer to watch live
  • 72% are hoarders – recording to collect the box-set
  • 68% globally record to skip advertisements on commercial channels, rising to 75% and 74% in the UK and US, respectively

With so many reasons to record content, it is understandable that the current hard drive limitations of DVRs cause frustration. Sixty-eight percent, globally, have had to delete content because they have run out of storage room on their device. Seventy-nine percent say this has caused frustration in their house. Women are more often frustrated than men by needing to remove recordings they have stored (26% versus 23%).

Content On the Move – three quarters would like content loaded onto mobile devices

Consumers across the globe are storing content on devices to watch when away from home – but the study shows this experience could be made easier. Seventy-six percent would be interested in a service that automatically loaded content a user liked to his/her mobile phone or tablet, to enjoy when on the move.

  • Currently, 55% have downloaded or stored a TV program or film to at least one device
  • 73% of global respondents have a laptop, versus 60% and 26% who own smartphones or tablets
  • Majority of US (71%), UAE (79%) and Turkish (85%) respondents would be interested in this service
  • Consumers in France, UK and Germany are less favorable to this opportunity, with only 50%, 47% and 41% saying they would be interested in this sort of service

Younger Audiences – more likely to engage with programming via social media

Fifty percent of global consumers do not follow social media conversations about a TV program on a companion device while watching a program, but younger audiences are more inclined to interact – 60% of 16-24-year-olds do follow social conversations during programming. Some countries revealed year-on-year declines in those following social media conversation online:

  • The UK falls from 39% in 2010 to 24% in 2012; the US falls from 32% to 23%
  • Increases were seen in Turkey, 44% in 2010 to 55% in 2012; and in the UAE, rising from 60% to 64%

Though it appears the majority do not avidly follow online chatter, people are more likely to use social media channels to recommend content than they are to make oral recommendations (38% versus 34%). The study also shows potential to use social media to further deepen audience interaction and sharing. Seventy-eight percent would be interested in linking their social network profile to a TV service to share what they are watching and increase online, real-time discussion.

About Motorola Mobility’s Media Engagement Barometer

Motorola’s Media Engagement Barometer is a research project looking into the video consumption habits of 9,500 consumers across 17 markets: UK, France, Germany, Sweden, Russia, Turkey, US, Mexico, Brazil, Argentina, Australia, South Korea, Malaysia, India, Japan and China. The research was conducted on behalf of Motorola by independent agency, Vanson Bourne.

As the fourth major study from Motorola Mobility’s Home business into media consumption habits of consumers in the home, this research focused on television and video content. The aim of the study was to develop both a global and regional understanding of what video content was coming into homes and how it was being consumed, how viewing habits were evolving with the advent of new technologies such as social media and the trends service providers should seek to support both now and in the future.

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There's A Cleverly Hidden URL In The New 'Star Trek' Trailer

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While watching the new "Star Trek Into Darkness" trailer, we couldn't help but notice there was one moment that looked glaringly out of place. 

The moment features actress Alice Eve scantily clad in a trailer heavily centered around the villain, played by Benedict Cumberbatch. 

Turns out the scene depicts a hidden URL featuring a new poster for the film. 

If you've viewed the trailer for the film, the moment oddly pops up near the end of the trailer. 

Earlier: 

Like teasers before the latest one, the video begins with Cumberbatch telling an unseen audience that the world isn't safe and to "enjoy these final moments of peace."

There are explosions …

star trek into darkness trailer

... and people panicking and running away. 

star trek into darkness people panick

star trek into darkness people running

The ensuing minute and a half show more of Cumberbatch unleashing his character's vengeance on the Starfleet.

benedict cumberbatch star trek 

star trek benedict cumberbatch

… and then Captain Kirk (Chris Pine) chasing after him …

captain kirk star trek into darkness

We see a showdown between Kirk and Cumberbatch's character … 

chris pine benedict cumberbatch star trek into darkness … which doesn't appear to go over so well for Kirk. 

captain kirk knocked out star trek into darkness We even see Spock and Cumberbatch fight … 

spock fights cumberbatch star trek into darkness

And, then, out of nowhere, there's this:

alice eve star trek into darkness

There's no witty one-liner or any mention of dialogue whatsoever from either character. There's just one second of Captain Kirk and Dr. Carol Marcus (Alice Eve) without her uniform.  

alice eve dr. carol marcus

For those who follow the "Star Trek" universe you know Marcus is a love interest for Kirk; however, it seems an odd placement in this trailer, which obviously revolves so much around the villain and is plot-intensive, to hint at any sort of love scene.

The random glimpse of Eve detracts from the fluidity of the action of the entire trailer, but we imagine that was the point. 

No sooner than that clip passes is the trailer back to explosions …

star trek into darkness explosion

Kirk shooting a gun … 

star trek into darkness kirk with gun

… and, Cumberbatch bragging about how much better he is than everyone else at everything. 

star trek into darkness benedict cumberbatch

UPDATE:Trekmovie.com points out there's a hidden URL in the scene with Eve's character which leads to a new "Star Trek Into Darkness" poster.

alice eve star trek into darkness

Talk about some hidden viral marketing.

The URL reads bit.ly/WyJV4F and pops up in different forms across trailers in other languages. Check them all out here

star trek into darkness poster

SEE ALSO: Now watch the full trailer for "Star Trek Into Darkness" >

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Here's What The Cast Of 'Mad Men' Is Like In Real Life

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Mad Men Cast 2013

The cast of "Mad Men" reunited in Los Angeles Tuesday night for the season six premiere of the hit AMC show.

But the actors who play the often-stuffy sixties characters on TV, are nothing like their on-screen personas in real life.

Check out what Don and Betty Draper, Joan Harris, Peggy Olson and others are like in modern times.

“Mad Men” returns with a two-hour season premiere on Sunday, April 7.

Christina Hendricks has played office manager Joan Harris for six seasons on "Mad Men."



In real life, the 37-year-old is married to actor Geoffrey Arend and has said their home life is "like a musical."



Vincent Kartheiser plays sneaky Pete Campbell on the AMC show.



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The Most Outstanding Looks Of The Year

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jessica chastain Oscars 2013

Awards season has come to an end, and celebrities have put away their designer gowns and tuxes.

Meanwhile, the fashion world has seen the newest styles strut down runways in Paris, New York, London, and Milan.

And some amazing looks have come out of this year. 

Whether they're on the streets, runways, or red carpets, these people know how to look good.

Michelle Obama stole the spotlight at the Inaugural Ball in an elegant red Jason Wu gown.



We love this detailed laser-cut leather dress by Giles, which debuted during the Spring 2013 London Fashion Week.



Jessica Chastain defied fashion rules by wearing a nude Armani gown that almost matched her skin tone to the Oscars — and she looked stunning.



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'Twilight' Author Stephenie Meyer Unveils Dramatic Weight Loss

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"Twilight" author Stephenie Meyer revealed a much svelter look at Tuesday night's premiere of "The Host," based on her 2008 science-fiction romance novel.

"It's kind of an alien love story," director Andrew Niccol has told People of the film, while Meyers said this week that she "feels guilty" about "Twilight" stars Robert Pattinson and Kristen Stewart's fame pain.

"If they had the choice, I've no idea if they'd even do 'Twilight' again. I just don't know. I think this has all come at a heavy price," lamented the author.

Meyer hopes the same won't become of "The Host" actors Saoirse Ronan, Max Irons, Diane Kruger and Emily Browning.

But while on the red carpet for the film's Hollywood premiere, the 39-year-old author, who's worth a reported $170 million, looked happier and healthier than ever.

Here's what Meyer looked like in June 2010 at the premiere of "The Twilight Saga: Eclipse":

Stephenie Meyer

And here's what Meyer looked like three years later at Tuesday's L.A. premiere of "The Host":

Stephenie Meyer The Host

SEE ALSO: Here's what the cast of "Mad Men" look like in real life >

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Cool Musicians And Bands Say SXSW Is Now A 'Corporate Gang-Bang'

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JC Brooks south by southwest sxswThe landscape of the South by Southwest Conference & Music Festival has been ever changing over the last few years. 

First, we saw the Interactive portion becoming more prevalent as its paid attendance numbers surpassed those of Music in 2010. 

The music industry thought “no big deal”—everyone flocks to Austin to discover new music at free parties anyway. But then, many of the largest events, such as the Fader Fort, became SXSW Official in 2012, granting badge-holders priority access while keeping blog faves Danny Brown, Zola Jesus, and Kendrick Lamar as headliners. 

2013, however, ushered in the year of Prince, Justin Timberlake, Dave Grohl, Depeche Mode, Diddy, Usher, LL Cool J, Green Day, Snoop Dogg, and numerous other world-renowned musicians taking the stage at free parties, official events, and invite-only exclusives before SXSW Music even kicked off. And thus begins the decline of SXSW’s original value proposition for indie artists. 

What once was a promotional haven for indie bands has now become a “huge corporate gang-bang,” according to Zachary Cole Smith, front man of DIIV, regarding this year’s heavily branded shows such as Spotify Live, Nikon’s Warner Lounge, and the unmistakable 56-foot tall Doritos vending machine stage. Such corporate-sponsored events seem antithetical to ideals held firmly by the tattooed masses that descend on Austin every year. The message is often construed that the brands are more important than the bands. 

Even worse, the festival has resorted to packing as many shows as humanly possible into the schedule, especially those that are curated by blogs or provide access through brand affiliation.  In between countless sets for little to no money, it’s no surprise then that buzzy bands, like Foxygen, have to cancel sets for exhaustion and other health concerns.

And despite the millions of dollars poured into the events, official and unofficial, more often than not, artists don’t get paid. As incredible as many of these shows were, the promotional value and opportunity for exposure to existing and new fans for indie artists at SXSW is now severely diluted.

Indie musicians can combat this problem by taking to their preferred social media platform to build audience through an amplified digital strategy.  In running a music startup, it has become readily apparent, though, that indie bands, artists, and even labels are overwhelmed by digital.  The saturation of services like Facebook, YouTube, Instagram and Vine, can make choosing where to focus tricky.   

But, data is becoming a staple for artists and the music industry at large, creating measureable opportunities to better monetize and drive audience growth.

YouTube, for instance, provides geographic data and even watch-time viewing habits, allowing artists to learn what their audience actually likes. One of the most fascinating parts of working behind the scenes on “Harlem Shake,” was watching the audience expand across the globe through the data collected on YouTube. 

And, if the line for Baauer’s 2 AM performance outside of the LuckyMe showcase on Friday night in Austin was any indication, engaging with fans digitally absolutely helps build an audience off the platform as well.We’ll need to see a lot more “Harlem Shake”- like strategies to make SXSW worth it for the next generation of indie bands in 2014.

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Hugh Jackman Trained For 'Les Mis' By Doing Push-Ups With Slave Chains

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Not only did Hugh Jackman shave his head to play slave Jean Valjean in "Les Misérables," but he also lost weight and got super fit for the role that later earned him an Oscar nod.

"There was no bread and butter pudding going around, there was very limited food," Jackman says of his character in a new behind-the scenes video. "I was in the gym three hours a day. Once that finished, it was heaven. I got to eat."

Check out Jackman's crazy work out regimen below: 

Hugh Jackman

But after months of training, the hours in the gym resulted in a fit frame:

Hugh Jackman gif

SEE ALSO: 'Twilight' author Stephenie Meyer unveils drastic weight loss >

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Jay Leno Won't Stop Making Jokes About NBC On 'The Tonight Show'

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If and when Jay Leno leaves "The Tonight Show" next year, it doesn't look like he's going to head out gracefully. 

Every day this week the late night host has been taking shots at NBC executives in his opening monologues. 

Monday, he referred to NBC heads as snakes

Tuesday, Leno followed up by taking a jab at the network's ratings. The joke is at the 1:40 mark.

And, last night the host called the network "extinct." The joke, with a reference to "Jurassic Park," starts at the end of the clip at 3:30.

Leno's tirade at the network, of course, comes after The New York Times reported he was told to discontinue jabs at NBC's expense after joking about the network's failing ratings

Since then, multiple reports from The Hollywood ReporterNYT, and Business Insider have Jimmy Fallon stepping in next year to succeed Leno as head of "The Tonight Show" after his current contract expires next fall. 

The Hollywood Reporter pins Fallon as transitioning to "The Tonight Show" by February 2014 while The New York Times reports NBC has already "made a commitment" to the 38-year-old late-night host. 

The deal hasn't been completed yet; however, it claims NBC is quietly making studio space for the late night host to relocate from Burbank to New York.

Leno has reason to be upset.

In recent weeks, the late-night host continuously finishes first in the ratings for the network, not only among total viewers, but also the coveted 18-49 audience.

Even encore telecasts of Leno have finished at number one.

SEE ALSO: Jimmy Fallon is rumored to take over "The Tonight Show" >

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