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What is LARPing?

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You've probably heard of Dungeons and Dragons, but a similar activity called LARPing is another popular fantasy game played all around the world. It stands for Live Action Role Playing, and it involves people creating characters and acting out various fictional scenarios in real life. We spent the weekend at a steampunk themed LARP in New Jersey to see what it's all about and why people love it so much. Following is a transcript of the video.

Die!

Dodge!

Magic! Magic!

Narrator: This is LARPing. You may have heard about it from movies like "Knights of Badassdom" or "Role Models." But what exactly is LARPing and why are people so obsessed with it?

Chelsea Russell: LARP is an acronym L-A-R-P. It stands for Live Action Role Playing. Some people will say Live Action Role Playing game or they'll turn it into a verb called LARPing.

Narrator: Chelsea Russell has been LARPing for the past seven years. Going about once a month. She's part of a group of LARPers based in New Jersey called Aurum.

Russell: What LARP is, is generally a interactive role playing experience kind of like a Dungeons and Dragons or a video game come to real life.

Narrator: LARPing basically involves coming up with a character, giving it a background, making costumes and props for it, and then acting out a story.

Russell: We are currently in Stagepoint Delta of the continent of Antioch. You determine their name, their personality, you know, do they have any family members? What's their goals in life?

Since my character likes math I have a book of Sudoku puzzles.

Narrator: The basic plot has been written in advance and players use that as a launch pad to improvise the rest.

Russell: They've created a world, and they've created rules for that world.

Narrator: Aurum is a steampunk fantasy themed LARP. Some other LARPs can be post-apocalyptic, zombie, and vampire themed. In addition to participating as a player, Chelsea also writes some of the stories and works part time on the staff.

We spent the weekend at one of Aurum's monthly events to see what it's like.

This LARP took place at a Boy Scout camp in New Jersey which was closed for the season, so all the cabins and buildings were free for use.

One of the organizers, Robyn, arrived early to set up food and decorations. Soon the players who registered in advance started to show up in their cars.

Russell: When players arrive, they'll arrive out of game, out of character. You know, setting up their things and if it's a weekend thing they'll be setting up their sleeping area.

Narrator: Weekend LARPs typically run from Friday night through Saturday at midnight. They cost around 40 to 50 dollars to register per person, which doesn't include travel or any meal besides breakfast.

About 10 people were in attendance for this event. When they register, they get their character sheet with their current stats along with some cards that represent weapons and ingredients used to make items.

One of the things that people can make in the game is called a clockwork messenger. It's supposed to be a small animal, often in the shape of a dog, that can carry messages for people.

Narrator: A few people will take turns playing what's called an NPC. Think of them as temporary staff, working for the writers and organizers.

Russell: The term is call NPC, Non-Player Character. They'll send an NPC out as, "I'm a nasty orc and I'm going to burn down your farm." And the players will react as they determine that their characters will react.

Narrator: As they got into costume, the players ate dinner together.

I am Silas Arloc a dark elf explorer.

Edmund Sterling. He's a gnome entrepreneur.

Leanna-Rose. She's an Imperial scientist.

My character's name is The Mole. He has an actual name but he doesn't remember it anymore. He's a hedge mage. So he's one of the people who try to cling onto the dying magic of this world.

Narrator: Meanwhile Aurum's head of plot, Kelvin, started setting up his props.

I've been LARPing since 1995.

Narrator: Kelvin brought various items, including light up wreaths, fake plants, stuffed creatures, and lots of fake weapons. Aurum is a type of LARP called a Combat Boffer LARP.

Russell: Combat Boffer LARPs have an element of physicality to them.

Stand tall!

Narrator: They incorporate specially made weapons that you can actually fight with.

Russell: Just PVC pipe covered with insulation foam and duct tape and made in such a way to represent a sword, or an axe, or a hammer, or what have you.

Narrator: Since it's steampunk themed, there are also guns.

We use Nerf guns at this game but I painted this one specifically so it would fit the theme a little better. Like with coppers and silvers.

Narrator: If you get hit by one of the bullets it takes away real hit points off your character.

So it's literally like if you were just shooting someone for fun with a Nerf gun except now in game, that has a little bit more implication then just getting hit with a Nerf dart. He was just shot. I was just shot.

Narrator: It's a continuous storyline from month to month, so there's a lot to catch up on.

Everyone evacuated this area after the orc attack. Cool, and let's get ready to rock. Starting in 15. Thanks Kelvin.

Narrator: On Friday night Chelsea would be playing as an NPC and marshal. Marshals wear white headbands or hats to distinguish themselves from the players.

Russell: I'm out of game. I'm not in character. I'm not something to interact with. They're asking you maybe game mechanic questions. Like can I use this skill or how does this thing work?

The marshals will have the notes for the different encounters of what they are doing on these tablets.

Russell: Tonight I will be playing a... one of the departed spirits that has remained in the abandoned town. My main goal will just to be as spooky and creepy as possible.

A couple of days after Halloween when all the costume goes on sale we jokingly refer to as LARPer Christmas. So you can go to the stores and get all of your costume needs for cheap.

I actually was the one who mainly wrote the events of tonight.

Narrator: The story started at a basketball court on camp.

He's a ghost that is in a bird.

I really don't know where everyone else went.

Bernard, find them!

No, he did not find them.

Narrator: The main plot of the weekend is that the characters are trying to reclaim a town called Stagepoint Delta, which had been overrun with orcs several months ago and it's now inhabited by a number of creatures, including ghosts.

You have your ether goggles? Yes. I recommend, there's a lot of strange ghosts out there.

Yeah that's creepy. How you doin'? This is Bernard.

Narrator: One of which could be put to rest only after burying his bones.

Get back from the green menace!

What the hell is that?

Why don't we bury his bones?

Stand your ground.

Narrator: Fortunately one of the players brought a shovel.

Russell: Raccoons. Raccoons are also a creature you can encounter and they have specific skills that have been written down.

Narrator: They also were faced with other challenges. Like a puzzle they had to solve to clear the way to enter a building.

The first line is saw twa corbies query make. Second line is downy visage upon thine tree.

Narrator: Once inside, a demon was waiting to do battle.

Hit it!

Someone disarm him.

Just hit my arm damn it.

Someone throw etheric disrupter at it!

Agh! Dodge!

Magic, magic, magic, magic, magic, magic, magic! Magic!

Russell: In Aurum characters can die. They can be permanently killed.

Narrator: But that doesn't mean you have to go home. You can jump in as a new character. Or if you're only wounded, you can also be healed.

Russell: Someone can come along and say, "I'm applying first aid," and then you would be able to stand back up and you would may role play... "Oh, I've been stabbed through the chest. It hurts, but I'm alive."

Narrator: The game went on until about three AM. After patrolling the perimeter to make sure the land was secure.

In the morning Robyn made pancakes and bacon for the players who arrived at the table in costume and in character.

On Saturday, Chelsea became one of the players, and someone else took on role of marshal and NPC.

Russell: So my usual character is a sea elf mathematician. She follows the sun god called Hep'a'nen.

My name is Madriloren Avstynerhav, I'm a Vand Nisse mathematician with Stoneforge & Company.

Narrator: In the daylight, the group battled some more creatures, like a tiger.

Russell: Ow! I got clawed up real good.

Narrator: And a troll.

And things got a bit scary when real gun shots could be heard in the woods from nearby hunters.

Narrator: But they managed to tie this into the game's story.

In the background, Stoneforge is prepping the canons and getting everything ready.

Narrator: While I was filming, no one was on their phones taking selfies or posting to Facebook while in character.

Russell: It tends to break people out of their mindset of playing their character, and once you start playing in character you generally try not to talk about things that are real-world related. You wouldn't talk about, "Oh my car broke down."

Narrator: There was also no drinking at this LARP.

Everyone played for the rest of the day and then departed on Sunday back to the real world.

Russell: My real life job? I am a supervisor at a coffee shop, and then I come here, and I play math nerds and ghosts.

Narrator: Many of them will be back next month to continue the story.

Russell: It's fun to play pretend, and a lot of people I think, think that dressing up and playing pretend is childish when it doesn't have to be. The enjoyment you get is creating a story together with people. And I think that's something that a lot of people don't really realize.

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People lined up for hours at New York Comic Con to try new, unreleased video game demos — here are the hottest games at the show

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NYCC 2018 Kingdom Hearts

New York's Comic Con brought a flood of fun, geek-related fare to Manhattan last week, from elaborate cosplay outfits to trailers for the latest superhero movies to incognito celebrities.

But for me, one of the best parts of the event were the video games. 

During the weekend thousands of attendees had a chance to play unreleased games at booths across the convention floor and developers were able to showcase their upcoming titles during exclusive panels.

Some games were more popular than others, requiring fans to wait in line for hours, but by the end of the weekend it felt like time well spent. From "Kingdom Hearts III" to "Jump Force," New York Comic Con gave me a bunch of new games to look forward to in the next six months.

Here are some of the Comic Con highlights for video game fans:

SEE ALSO: 'NBA 2K19' and other sports games have gone overboard with ads — and it's ruining the fun

The long awaited "Kingdom Hearts III" drew the biggest crowds.

As sequel more than a decade in the making, Kingdom Hearts III was the most anticipated game at Comic-Con this weekend and fans flooded the Square Enix booth hours in advance for a rare chance to demo the game ahead of its January 2019 release.

"Kingdom Hearts III "combines the worlds of Disney and Final Fantasy for a massive role playing adventure. The New York Comic Con demo allowed players to visit the realms of "Toy Story" and "Hercules" with Donald Duck and Goofy in tow. "Kingdom Hearts III" feels like a significant upgrade from its predecessors and the power of current consoles allows for much larger stages to explore.

The demo was so popular that Square Enix was forced to assign specific playtimes for the huge line of players that showed up every morning during the weekend. Even with slots scheduled from 11 a.m. to 7 p.m., crowds gathered just to watch the game in action.

Kingdom Hearts III will be released worldwide on January 29th for PlayStation 4 and Xbox One.



Returning to "Resident Evil 2" was frightening in all the right ways.

The original Resident Evil 2 was a definitive game in many ways, solidifying the survival horror genre and spinning an interwoven story through two campaigns. Capcom's remake is built from the ground up using the same game engine as last year's "Resident Evil 7." The upgraded technology allows for realistic flesh and gory effects.

Fans waited for hours at a time to play the demo, which let players choose between the two different campaigns. Leon's scenario took place early on in the game, when he arrives at the police department for his first day on the job in the middle of a zombie outbreak. Claire's scenario takes place later in the game and pits her against a mutated William Birkin, one of the game's major bosses.

Damage done to the ghouls appears in real time, and the game incorporates gruesome cutscenes to hammer home the sense of danger. Even though I've played the original version, the demo of the Resident Evil 2 remake had me scared to see what was waiting around the next corner.

"Resident Evil 2" drops for PC, Xbox One and PlayStation 4 on January 25, 2019.



"Devil May Cry 5" returns to the stylish roots of the franchise.

 Capcom's "Devil May Cry 5" looks like a return to form for the demon-hunting action series. After fans had a less-than-warm response to the 2014 reboot "DmC: Devil May Cry," the new game is a true sequel to 2008's "Devil May Cry 4." 

The New York Comic Con demo follows "DMC 4" protagonist Nero into Red Grave City during a demon invasion at the start of the game. Nero is already equipped with a few of his familiar weapons and the series' signature hack-and-slash gameplay feels stylish as ever. Though the game felt familiar to pick-up and play, facing off with Goliath, the boss at the end of the demo, provided the sort of challenge "Devil May Cry" is known for.

"Devil May Cry 5" uses the same engine as "Resident Evil 2," but with a focus on realistic facial animations and large cityscapes. The game already looks beautiful in its early stages and developers have promised that it will run at 60 frames per second with 4K resolution on Xbox One X and PlayStation 4 Pro.

"Devil May Cry 5" will be released on March 8, 2019 for PlayStation 4, Xbox One and PC.



See the rest of the story at Business Insider

'Guardians of the Galaxy' star Dave Bautista wants to join James Gunn on 'Suicide Squad 2' (DIS)

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drax the destroyer guardians of the galaxy

  • "Guardians of the Galaxy" star Dave Bautista wants to join fired director James Gunn, who was fired from directing the next "Guardians" movie, on his next project: "Suicide Squad 2."
  • "Where do I sign up?" Bautista tweeted on Tuesday after Warner Bros. confirmed that Gunn will write the "Suicide Squad" sequel.
  • Disney fired Gunn from the third "Guardians of the Galaxy" movie in July after offensive tweets from Gunn resurfaced. 
  • Bautista has been the most vocal "Guardians" star to speak out against Disney since Gunn's firing.

Fired "Guardians of the Galaxy" director James Gunn is jumping ship from Marvel to DC, and "Guardians" star Dave Bautista wants to come along for the ride.

After Warner Bros. confirmed that Gunn will write "Suicide Squad 2" on Tuesday, Bautista — who plays Drax in the "Guardians" movies and "Avengers: Infinity War" — tweeted, "Where do I sign up!"

Disney fired Gunn from the third "Guardians of the Galaxy" movie in July after offensive tweets from the director resurfaced. While the entire "Guardians" cast released a statement in support of Gunn, Bautista has been the most vocal critic of Disney's actions. He has said that it's "nauseating" to work for the company now, and he even threatened to quit if Gunn's script for "Guards of the Galaxy 3" isn't used. His comments about "Suicide Squad 2" further imply that he wants to ditch the Marvel Cinematic Universe and go to its competition.

Gunn had finished the script for "Guardians 3" before he was fired, but the movie has been delayed indefinitely in the wake of his firing.

Gunn's brother, Sean Gunn, also reacted to the news on Tuesday.

 

SEE ALSO: James Gunn will write and possibly direct DC's 'Suicide Squad 2' after being fired from Marvel's 'Guardians of the Galaxy 3'

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NOW WATCH: How actors fake fight in movies

Nintendo just snuck out a new version of the original 'Legend of Zelda' — and it's available now on the Nintendo Switch

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Nintendo Switch

  • Nintendo's Switch console recently added a paid online service that offers access to a growing library of classic games from the Nintendo Entertainment System.
  • The service gets new games every month. In October, "Super Dodge Ball," "Solomon's Key," and "NES Open Tournament Golf" were the three additions.
  • In an unannounced surprise, Nintendo also released a new version of the original "Legend of Zelda" that fundamentally changes the game.

Over 30 years ago, Nintendo launched the original "Legend of Zelda" — a sprawling, 8-bit epic that captured the hearts of millions of people around the world.

This week, Nintendo re-released the game in a brand new form: "The Legend of Zelda: Living the life of luxury!" 

Better still, the game is free if you're already a paying subscriber to Nintendo Switch Online — the $20/year service that offers access to a growing library of classic Nintendo Entertainment System games. The game was added as a "save state" within the standard, original version of "The Legend of Zelda."

So, what in the world is it? 

Nintendo called it a "souped-up" version of the original game. "You'll start with a ton of rupees and items! You'll begin with all equipment, including the White Sword, the Magical Shield, the Blue Ring, and even the Power Bracelet," a description from Nintendo's eShop said. For anyone not familiar, that means that the game's main character, Link, will start the game with a load of in-game money (rupees) and powerful weapons. It's kind of like playing the game with a cheat code that grants you a bunch of free stuff.

There's also a second, more difficult version of the game, unlocked by completing the initial quest.

The Legend of Zelda (NES)

This "souped-up" version of a classic game is the first of many such versions coming to Nintendo Switch Online.

"Special save data for other NES titles will become available in the future, offering fun new entry points into fan-favorite games," Nintendo said in an announcement Wednesday morning. 

As of October, Nintendo Switch Online has 23 games — not including this new version of "The Legend of Zelda" — playable through its online library. Nintendo is promising to bring that total up to 29 by the end of 2018.

The subscription service launched in late September exclusively on Nintendo's hybrid portable/home console, the Nintendo Switch. For $20/year, subscribers get access to a growing library of classic NES games, are able to play Switch games online, and can back up game saves to the cloud. 

Take a look at this month's three new games in this video:

SEE ALSO: Nintendo's new Netflix-like service for classic games is a shattering disappointment, but it's so inexpensive that you should try it anyway

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NOW WATCH: Apple might introduce three new iPhones this year — here’s what we know

9 of the best movies on Netflix that will make you cry, according to audiences

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Room Movie Brie Larson

Netflix got weepy on Tuesday.

The streaming service asked users on Twitter to name the films that make them cry, using the hashtag "#FourFilmsThatWreckMe," and it retweeted the best ones.

We looked at what Netflix retweeted and rounded up nine of the films that you can actually watch on the service, in case you're looking for a good cry. They range from the tearjerker that won Brie Larson an Oscar to a classic high-school dramedy.

Below are nine of the best films on Netflix that will make you cry, according to Netflix users:

SEE ALSO: Mark Hamill wants 'Star Wars' fans to campaign for Carrie Fisher to receive her Walk of Fame star early for the release of 'Episode IX'

"Blue Valentine" (2010)

Description: "Two of the most gifted young actors working in cinema today — Academy Award nominees Ryan Gosling and Michelle Williams — star in 'Blue Valentine,' a romantic drama that follows the intense relationship between a couple who fall passionately in love in their early twenties, and then face challenges to their marriage six years later."



"The Breakfast Club" (1985)

Description: "They were five students with nothing in common, faced with spending a Saturday detention together in their high school library. At 7 a.m., they had nothing to say, but by 4 p.m. they had bared their souls to each other and become good friends. John Hughes, creator of the critically acclaimed Sixteen Candles, wrote, directed and produced this hilarious and often touching comedy starring Emilio Estevez, Anthony Michael Hall, Judd Nelson, Molly Ringwald and Ally Sheedy. To the outside world they were simply the Jock, the Brain, the Criminal, the Princess and the Kook, but to each other, they would always be The Breakfast Club."



"Carol" (2015)

Description: "Based on Patricia Highsmith’s novella The Price of Salt about the burgeoning relationship between two very different women in 1950s New York. One, a girl in her 20s working in a department store who dreams of a more fulfilling life, and the other, a wife trapped in a loveless, moneyed marriage desperate to break free."



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The Rock is teaming with the director of 'Jumanji' to make a Netflix original movie

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Dwayne Johnson

  • Dwayne Johnson and his production company are on board with the Netflix movie, "John Henry and The Statesmen."
  • Johnson will be playing the title role as the steel-driver folk hero.
  • Jake Kasdan, who directed Johnson in Sony's hit "Jumanji: Welcome to the Jungle," will be at the helm.

 

The Rock has found his way to Netflix. 

On Tuesday, the streaming giant announced that it will be making a movie with Dwayne Johnson titled "John Henry and The Statesmen," adding to the dozen projects he already has on his calendar. 

The movie is being touted as a "family action adventure," and will star Johnson as John Henry, the steel-driver folk hero, who will lead an ensemble of popular legends from around the world. 

The movie will be directed by Johnson's "Jumanji: Welcome to the Jungle" director Jake Kasdan.

Netflix bought the original pitch from "The Lego Ninjago Movie" screenwriter Tom Wheeler, and Johnson will also be a producer on the movie with his Seven Bucks Productions, along with his company's longtime collaborator Beau Flynn at FlynnPictureCo., according to the release. 

"Netflix is the perfect partner and platform for us to continue entertaining our global audience in a disruptive way," Johnson said in the release. "These diverse characters speak to a legacy of storytelling that is more relevant than ever and span across a worldwide audience regardless of age, gender, race or geography."

Johnson adds to the growing list of movie stars — Brad Pitt, Will Smith, Adam Sandler, Emma Stone, and Jonah Hill — who are running to Netflix because of the company's deep pockets, collaborative nature with stars, and global reach. 

The release did not state when "John Henry" will go into production, and that's probably because Johnson is so busy making other things. It will be interesting to see where he can fit this in.

Johnson has just wrapped on the Disney "Jungle Cruise" movie and he's now going into production on the "Fast and Furious" spin-off for Universal, "Hobbs and Shaw."  

SEE ALSO: All of the "A Star Is Born" movies ranked from worst to best

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NOW WATCH: How actors fake fight in movies

The most popular music artists of the past 10 years, according to Spotify

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drake in carhartt

This month marks 10 years since the music-streaming service Spotify launched, and, to celebrate, the company has revealed its most popular artists, albums, and songs of the past decade in a campaign called "Decade of Discovery."

Spotify has helped redefine how we listen to music, and it now has 180 million monthly active listeners across 65 countries.

With its "Decade of Discovery" playlist, Spotify collected the most streamed songs of the past 10 years for users to listen to here. Its top global artists of the decade include mostly pop and rap musicians, from Drake to Ariana Grande.

Below are the 10 most globally streamed artists on Spotify of the past 10 years:

SEE ALSO: After missing its original release date and angering fans, Kanye West's next album is now scheduled to come out in November

10. Ariana Grande



9. Calvin Harris



8. Justin Bieber



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The 7 best new fall TV shows, according to critics

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single parents

This fall TV season already has a few standout shows that are good now, and have the potential to get into a great groove. So they're worth investing in now before you have dozens of episodes to catch up on.  

While the networks certainly have some stinkers this season, some also have new shows with a lot of potential, like ABC's "Single Parents" and CBS' "God Friended Me."

If you've run out of good TV to watch, or just want to be up on new shows people are talking about, we took to ratings aggregator Rotten Tomatoes to rank the best shows of fall 2018. Along with the critic ranking, we included the Rotten Tomatoes audience ranking, a sample of what critics have said so far, and show descriptions courtesy of IMDB

Here are the best TV shows of fall 2018 (so far), ranked according to critics:

SEE ALSO: The 8 worst new network TV shows this fall, from 'FBI' to 'New Amsterdam'

No 7. — "Happy Together" (CBS)

Description: Claire and Jake's married life is mired in routine, but when megastar Cooper shows up at their door, they get dragged into his life of fame.

Critic Score: 60%

Audience Score: 57%

"Given the opportunity to sing, dance and flail around ridiculously in the pilot, Wayans and West try hard and I smiled frequently at their effort." -The Hollywood Reporter 



No. 6 — "God Friended Me" (CBS)

Description: An atheist's life is turned upside down when God adds him as a friend on Facebook.

Critic Score: 63%

Audience Score: 81%

"It's definitely not the worst drama you could find on network TV, and Hall is a likable, charismatic actor. Give it a one-episode trial and see how you feel." -The Ringer



No. 5 — "The Cool Kids" (Fox)

Description: Three friends at a retirement center have their comfortable existence rattled by a newcomer to the community.

Critic Score: 69%

Audience Score: 86%

"It's not particularly ambitious, in form or content, but it hits the marks it assigns itself." -Los Angeles Times



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13 directors Disney should seriously consider for 'Guardians of the Galaxy 3' after firing James Gunn

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james gunn avengers age of ultron

When Disney fired James Gunn from directing "Guardians of the Galaxy 3" in July, it came as a shock to many, and was the result of offensive tweets from years ago resurfacing online. However, fans have hoped for the last three months that Disney would change its mind.

On Tuesday, Warner Bros. confirmed that Gunn will write DC's "Suicide Squad 2," putting to rest any hopes fans had that Gunn would return to the Marvel Cinematic Universe.

Gunn managed to turn the little-known Guardians into fan favorites of the MCU, and the two movies he directed — "Guardians of the Galaxy" in 2014 and "Guardians of the Galaxy Vol. 2" in 2017 — grossed a combined $1.6 billion at the global box office. In other words, Gunn left his mark on the MCU. If Disney goes forward with "Guardians 3" (it's on hold for the time being), any director who follows him will have big shoes to fill. 

Luckily, there are a handful of worthy filmmakers who could be ready for the challenge. We've gathered together a list below of some who could take on "Guardians 3" based on their previous work and Marvel's own tendencies when hiring directors. 

There are the obvious choices such as Brad Bird, who already has a relationship with Disney having directed the "Incredibles" movies, and Taika Waititi, whose "Thor: Ragnarok" featured slapstick comedy and space adventure similar to the "Guardians" movies.

There are also less-obvious choices, but Marvel has found success in lesser-known filmmakers like the Russo Brothers ("Avengers: Infinity War") and Jon Watts ("Spider-Man: Homecoming"). Kay Cannon, for instance, proved she has a great understanding of comedy with this year's "Blockers," and Marvel values comedic chops just as much as the ability to direct an action sequence.

And then there are the long shots, the directors who would be more than capable but the studio probably wouldn't consider, or would likely pass given their history or current schedule.

Below are directors who could replace James Gunn on "Guardians of the Galaxy 3":

SEE ALSO: 'Guardians of the Galaxy' star Dave Bautista wants to join James Gunn on 'Suicide Squad 2'

Obvious choice: Brad Bird

Credits include: "The Iron Giant," "The Incredibles," "Ratatouille," "Mission: Impossible — Ghost Protocol," "Tommorowland," "Incredibles 2"

Bird already has a working relationship with Disney, having directed "Ratatouille" and both "Incredibles" movies, whose themes of family superheroics are on par with the "Guardians" movies. He's also proven he can handle a live-action set-piece or two with "Mission: Impossible — Ghost Protocol," one of the best movies in the franchise. 

 



Obvious choice: Peyton Reed

Credits include: "Bring It On," "Yes Man," "Ant-Man," "Ant-Man and the Wasp"

Reed came on the first "Ant-Man" late after original director Edgar Wright left, but he showed a better handling of the Marvel universe and its blend of action and comedy with "Ant-Man and the Wasp." One could assume he'd be right at home if he were to direct a "Guardians" movie. 



Obvious choice: Taika Waititi

Credits include: "What We Do In The Shadows," "Hunt for the Wilderpeople," "Thor: Ragnarok"

Waititi's "Thor: Ragnarok" is as close to a "Guardians" movie in tone as any other Marvel movie, which makes him a no-brainer. The only problem is that he's currently filming war-comedy "Jojo Rabbit," which could cause scheduling conflicts.



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The screenwriter of 'First Man' spent 4 years researching Neil Armstrong to craft a true-life story even some hardcore space historians didn't know

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First Man Universal

  • "First Man" screenwriter Josh Singer is known for making "based on true story" movies — "Spotlight," "The Post" — that really do recount what happened, without too many Hollywood embellishments.
  • Singer told Business Insider what the challenges were of giving Neil Armstrong's story the same treatment.

 

When Hollywood needs a true story to be told on the big screen, it often turns to one guy to write the script: Josh Singer. 

And we don’t mean a movie “based on a true story.” We mean a real true story. And there is a difference.


For as long as there have been movies, the term “true story” has been used very loosely in Hollywood. To help move forward a plot or build more drama in a story, directors and screenwriters often embellish real events, or include moments that never happened. 


Jim Garrison’s memorable closing remarks in the trial scene in Oliver Stone’s “JFK?” Never happened.
 Iranians chasing a plane down the runway at the end of “Argo?” Never happened.


It’s extremely hard to not heighten true life stories a tad, because let’s face it, we want movies to be more exciting than real life. But Singer has found a way to tell gripping true stories for the screen without adding in tons of untrue elements. 


What’s his secret? It all comes down to the story and lots of research.

Starting with “Spotlight” in 2015 — which earned a best picture Oscar, and got Singer an original screenplay Oscar with director/cowriter Tom McCarthy — Singer has given audiences a glimpse of some of the most historic events and fascinating people in American history, with an accuracy to the account that even dazzles the people who were actually there. 

“Spotlight” set the stage, as the movie’s look inside the investigative journalist unit at The Boston Globe that uncovered child sex abuse by Boston Roman Catholic priests has been viewed as a modern-day “All the President’s Men.” And that might have been why Singer was then pegged to write last year's “The Post” (along with Liz Hannah), which looks inside The Washington Post as it publishes The Pentagon Papers. Now Singer takes us to the moon with “First Man” (opening in theaters on Friday). 

The movie, which is director Damien Chazelle's follow-up to 6-Oscar-winner “La La Land,” gives an intimate look at the events that led to astronaut Neil Armstrong becoming the first man to ever set foot on the moon thanks to the successful Apollo 11 flight.

Starring Ryan Gosling as Armstrong, Chazelle doesn’t go the route of “The Right Stuff” or “Apollo 13” in making the thrills of space travel the main focus (though there definitely is that). Instead, the focus is Armstrong himself, and how the deaths of some close to him leading up to Apollo 11 — particularly his daughter Karen, who died at age 2 — was a major burden he carried throughout the historic flight. 


First Man Universal“I was just knocked out by how much we don't know about Neil Armstrong," Singer told Business Insider. "The story of his daughter, I never knew that."

As Singer read through James R. Hansen's official biography of Armstrong, "First Man: the Life of Neil A. Armstrong," which the movie is based on, he couldn't get over how much loss Armstrong suffered in the years leading up to the Apollo 11 launch. Following Armstrong's daughter's passing in 1962 (from pneumonia, which was caused by her weakened state from a malignant tumor in her brain stem), Armstrong lost two close friends in the span of a year. Astronaut Elliot See died in a plane crash in 1966 and Armstrong's neighbor, Ed White, died in the Apollo 1 fire. Then Armstrong almost died manning Gemini 8.

With that, Singer and Chazelle had found their story for "First Man." It would be the emotional journey of a man who set out to do extraordinary things, and how much he was already dealing with. Then the challenge came of telling that personal story from the point of view of someone who gives little emotion.

"With a guy like Neil, who is so internal, how do you get under that?" Singer wondered. "How do you get inside what that feels like? It was a real challenge."

Singer would not have to shoulder the entire challenge alone. Chazelle planned to give the movie powerful imagery of space travel to coincide with Armstrong's internal struggle, including incredible visuals of the moon landing shot on Imax cameras. Then there's Gosling as Armstrong, who had already built a style of acting where he could give an emotional performance without saying much at all.

First Man Universal finalBut Singer was still tasked with building a script that would be the road map for everyone to follow. And he admitted that at a few points during writing he fell in the trap of embellishing real-life moments, and paid the price for doing so.

He recalled the scene when Armstrong gets a phone call about the Apollo 1 fire, which killed all the astronauts on board, including his good friend Ed White.

"Literally Damien and I talked about mimicking what was done in 'Goodfellas' where De Niro slams the phone handle on the receiver after getting word that Joe Pesci's character was killed," Singer said.

He wrote the scene with Armstrong showing De Niro-like emotion over the news of his friend's death. He then gave it to the author of the Armstrong biography, James Hansen, to read.

"He said, 'Neil would never have done that!'" Singer recalled. "So we wound up having this moment where you see Neil go dead in the eyes and you look down and he's literally broken the glass he was holding and he's bleeding. It's like you see how hard he's trying to contain himself in that moment. And with that Jim said, 'Okay, maybe I could buy that.'"

Throughout the four years of researching and writing the script, Singer had to do a balancing act of making "First Man" a thrilling story but also true to those who knew Armstrong. He spent months with people involved at NASA at the time of the space race, former astronauts, and spoke to the Armstrong family.

Josh Singer Eugene Gologursky Getty"I just felt a huge responsibility to get it right," he said.

But he and Chazelle also wanted to show just how hard it was to get to the moon.

"The myth is that these were superheroes that got there easily," Singer said. "The truth is this is actually very hard and they were ordinary men and women who sacrificed a ton to get there."

Singer said that was one of the big things that upset him most about the controversy around the movie about not having a scene where the American flag is planted on the Moon. That specific shot is not needed, Singer said, because the entire movie is a look at patriotic sacrifice.

"To be perfectly honest, I can understand why people who haven't seen the film are questioning why that isn't there, but if you see the film you understand why," he said. "The film is so deeply patriotic to begin with it's not necessary. We also don't have the call to Nixon. We're trying to get under the myth."

And those who know the history of American space travel and Armstrong's story believe "First Man" has done just that.

Singer recalled the reaction of one well-known space expert, Robert Pearlman, after seeing the movie.

"When he saw Neil crying after his daughter's death he said he realized he was going to have to totally rethink everything he knew about Neil Armstrong," Singer said.

Singer said the best feeling about doing these "based on a true story" scripts is that the attention to detail is so refined that even those close to the material get something out of it.

"To get to that level of detail and get it right, that to me is the ultimate," Singer said. "It can function as more than a movie, it becomes a contribution to how we think about something. Whether it's the Catholic Church or journalism or how we think about space."

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Fox News is being widely mocked after criticizing Jamie Lee Curtis for using guns in the upcoming 'Halloween' movie

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Halloween

In an article published Wednesday, Fox News criticized actress Jamie Lee Curtis for using guns in the upcoming "Halloween" movie, "despite advocating for gun control" in real life.

"Curtis’s on-screen actions stand in contrast to her real-life persona as an advocate for gun control — one of several Hollywood actors who use firearms in their films while preaching against them away from the set," the article said.

People on Twitter were quick to mock Fox News for the piece, with many twisting the headline to reflect other absurd things actors have done in movies. Comedian Ronald Funches tweeted, "Outspoken child advocate Rick Moranis shrinks own kids" in reference to the movie "Honey, I Shrunk the Kids."

TV critic and author Matt Zoller Seitz simply called it, "The dumbest take of all time."

Below are some of the responses:

 

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AT&T will jump into the streaming bloodbath by launching a Netflix competitor next year

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  • AT&T announced on Wednesday it will launch a new streaming service next year.
  • The announcement comes after AT&T purchased Time Warner earlier this year.
  • HBO, which was acquired in the merger, will be bundled with the service and it will also include Warner Bros. movies and Cartoon Network animated programs.
  • It is expected to be more expensive than HBO, but a price will not be announced until next year.

 

AT&T announced on Wednesday that it will launch a new streaming service in late 2019, to compete with the likes of Netflix, Hulu, and Disney's upcoming streaming service.

"We expect to create such a compelling product that it will help distributors increase consumer penetration of their current packages and help us successfully reach more customers,” AT&T's entertainment boss and WarnerMedia CEO, John Stankey, said in a statement.

AT&T purchased Time Warner earlier this year, and this announcement reflects Stankey's vision for the company's future. Stankey has promised to make big changes to HBO, which AT&T acquired in the Time Warner merger. And HBO will serve as the bedrock of the new service. (While users will still be able to subscribe to HBO separately, the new service will not be offered without HBO.)

"You're going to see a stronger HBO as this offering comes to market," Stankey said at Vanity Fair's New Establishment Summit on Wednesday. "I believe this platform that we'll put in place will see other strong brands around it that a customer can identify with."

Since AT&T purchased Time Warner, Stankey has been committed to shifting the way HBO delivers content to be more like Netflix. HBO has always focused on quality over quantity, while Netflix has built a massive library of movies and TV shows. Now Stankey wants HBO to add more scale.

"You are competing with devices that sit in people's hands that capture their attention every 15 minutes," Stankey said during a town hall in July. "I want more hours of engagement. As I step back and think about what's unique about the brand and where it needs to go, there's got to be a little more depth to it, there's got to be more frequent engagement."

Beyond HBO, the service is expected to include Warner Bros. movies, Cartoon Network animated programs, and more WarnerMedia properties. It will also be more expensive than HBO's standalone service ($14.99), but the price will not be announced until closer to the launch date.

The new streaming service will launch AT&T into the streaming war against Netflix, Hulu, and Amazon. Disney will also debut its own service in late 2019, and is already developing original shows based on Disney's popular properties like "Star Wars" and the Marvel Cinematic Universe.

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The future is bright for Netflix and bleak for basic cable — these 3 charts show why (NFLX)

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Reed hastings

  • Traditional pay TV faces a bleak future, a new survey indicates.
  • Nearly a third of consumers now say they don't subscribe to any kind of multi-channel pay TV service.
  • Meanwhile, a plurality of US consumers say Netflix is the service they most frequently watch on their TVs, and it's significantly ahead of basic cable service.
  • Among Millennials, Netflix's lead is even larger.

We just got another glimpse at how much trouble the traditional pay TV business is in because of Netflix and online streaming.

The portion of US consumers who don't subscribe to any kind of traditional pay TV service is now nearly one in three, according to a new survey from Cowen Equity Research. Among all consumers, basic cable is now a distant second to Netflix when it comes to the service they say they use most often to watch video content on their televisions. And among Millennials, basic cable is no. 3, topped by not just Netflix, but YouTube too.

stranger thingsThe survey "once again highlights the importance of Netflix in the home, particularly among Millennials," Cowen analyst John Blackledge said in the research report that contained the survey data. Netflix's well-publicized push to invest in original, high-quality shows and movies, he continued, "likely ensures [it] the top spot in the living room over time."

Some 19% of consumers are cord cutters — those who formerly had a cable or satellite subscription but have dropped it — according to Cowen's report, which surveyed 2,500 people total. Another 12% are so-called "cord nevers," people who have never signed up for a traditional pay TV service.

That data roughly corresponds with recent research from Leichtman Research Group. At the end of the second quarter, some 91.3 million US households — about 72% — had some kind of multi-channel pay TV service. That was down from 88% of US households in 2010.

Consumers are tuning in Netflix instead of basic cable

Basic cable used to be the dominant form of TV watching. But no more. It's been displaced by Netflix.

Some 27.4% of consumers say that the video service they watch most often on their television is that of the streaming giant, according to Cowen's survey. Just 20.2% of consumers said basic cable is their most frequently viewed video service. Another 17.5% of consumers said broadcast TV was their most frequent choice.

Cowen chart on most most frequently watched video services, comparing Netflix with basic cable and YouTubeThings were even worse for traditional TV providers among younger consumers. Among consumers aged 18 to 34, streaming services ranked first, second, and fourth in terms of the video services they most frequently watched on their televisions.

A whopping 39.6% in that age group said they were most likely to tune in Netflix on their television than any other video service. In second place was YouTube, the top choice among 16.9%. In fourth place was Hulu, with 8.3%.

Basic cable came in third, the top choice among just 12.4% of those in that age group. Broadcast television was a distant fifth, with 7.1% support.

Cowen survey on most frequently viewed video services, comparing Netflix with basic cable and YouTube among MillennialsEven if all the cord cutters and cord nevers are excluded, things don't look particularly good for traditional TV service providers. Although basic cable took the top spot among these consumers in terms of the video services they watch most often, it's lead was tiny. It was the top choice among just 26% of these consumers; Netflix, by contrast, was the most frequently viewed service among 24.9% of them.

Cowen survey on most frequently watched video services, comparing Netflix with basic cable and broadcast among people who haven't cut the cord.As part of the report, Blackledge reiterated his "outperform" rating and $400 price target on Netflix's stock. That target was pushed slightly further away with Wednesday's broad market selloff. Netflix shares finished Wednesday's regular session down $29.82, or 8.4%, at $325.89.

SEE ALSO: Netflix's 1 million subscriber miss is exactly why it’s time for the company to stop hiding a critical part of its business

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SEE ALSO: Netflix dominates the US streaming market, but it may soon be an even bigger hit overseas

SEE ALSO: Netflix is now the most popular TV service in the US — here's why its lead is likely to only get larger

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'They got a $2 million raise last year?': Netflix lets any exec or director see what employees make, and people are freaking out

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  • Netflix has an open-salary policy for directors and execs, according to the Hollywood Reporter.
  • The internal system was reportedly implemented in 2017 to help high-level employees determine if they're fairly compensated, and some employees are shocked at the highest salaries.
  • Netflix pays its employees 25% to 50% more than competitors, with entry-level coordinators making six figures and vice presidents earning a minimum of $1 million, sources told the Hollywood Reporter.

As one of the world's first subscription-based streaming media services, Netflix has a reputation for disruption — and the company is paying employees top dollar to help continue that legacy. 

According to a recent article by the Hollywood Reporter's Bryn Elise Sandberg, sources said Netflix pays employees 25% to 50% more than competitors (including 5% in stock). And among top-level employees at Netflix, that pay isn't secret.

Sources told the Hollywood Reporter that any employee working at a director level or higher can see other employees' current salary and pay history.

This pay practice was reportedly implemented by chief content officer Ted Sarandos in 2017 so employees can determine if they're fairly compensated.

Netflix reportedly places "a high priority on conversations about pay" and employee efficiency, Sandberg wrote. 

Business Insider's Shana Lebowitz previously reported that in the "culture" section on Netflix's website, the company makes clear that it keeps "only our highly effective people." The site reads: "Succeeding on a dream team is about being effective, not about working hard. Sustained 'B' performance, despite an 'A' for effort, gets a respectful generous severance package."

Still, the move to reveal pay among top-level employees has left some shocked at the highest salaries.

"Everyone is always looking. It's, 'Holy sh--, they got a $2 million raise last year? What happened?!'" one employee told the Hollywood Reporter.

"We were all like, 'F---, this is crazy,'" another employee told the magazine. These reactions aren't surprising considering the company's industry-leading salaries.

For executives, that looks something like this:

  • Managers: $150,000 to $400,000
  • Directors: $400,000 to $800,000
  • Vice presidents: $1 million-plus

A top publicity executive is rumored to make a base salary of $1.5 million, according to the Hollywood Reporter's sources. Even entry-level assistants can make between $70,000 and $80,000, and some coordinators take home six figures.

The Hollywood Reporter previously reported Netflix CEO Reed Hastings could make up to $29.4 million in 2018, while COO Sarandos will earn $12 million this year, up from $1 million in 2017.

"It's not comparable to anywhere else," an employee told the Hollywood Reporter. "It's like play money."

Pay transparency isn't a new concept. Companies from Whole Foods to tech startup Buffer have implemented open-salary policies in the workplace.

And studies cited by researcher David Burkus in his 2016 book "Under New Management: How Leading Organizations are Upending Business as Usual" even point to pay transparency as a way to keep employees motivated and productive. 

Business Insider has reached out to Netflix for comment.

SEE ALSO: Netflix held a Q&A on LinkedIn, and everyone seemed to have the same 2 burning questions

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Lionel Messi's life is being turned into an elaborate Cirque du Soleil show that will tour the world next year

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Lionel Messi joins Cirque du Soleil

  • Lionel Messi is heading to the circus — sort of.
  • The FC Barcelona forward, widely considered to be La Liga's greatest showman, will be the subject of a new Cirque du Soleil show which will tour around the world next year.
  • Messi confirmed the partnership on Instagram where he juggled with what looked like a clown nose.
  • The soccer star said Cirque du Soleil is "a family favorite."

The life and talent of FC Barcelona forward Lionel Messi is being turned into an elaborate Cirque du Soleil show that will tour the world next year.

Messi is La Liga's greatest showman. He juggles the ball between his feet, darts around the pitch at tremendous speed, and makes playing soccer look like he's walking on a trapeze.

It seems natural that Cirque du Soleil, the Montreal-based group of performing artists who have become the largest theatrical producer in the world, will honor him just like they did for The Beatles and Michael Jackson.

The show will begin touring the planet in 2019, and Messi is excited.

"Cirque du Soleil is a family favourite of ours," Messi said, according to the BBC. "It feels both crazy and incredible that Cirque du Soleil will create a show based on my life, my passion, my sport.

"I have no doubt this show will amaze people as their shows always do," he said.

Jonathan Tetrault, the chief operating officer at Cirque du Soleil, added that the show is leaping "into the world of football" and will "draw inspiration from the incredible talent and accomplishments of the football legend, who embodies the unique spirit and values of his sport.

"We are convinced that bringing Messi's legacy to life on stage will touch audiences and speak to all football fans," he said.

Messi confirmed the partnership on Instagram, where he posted a video of himself playing keep-up with what appeared to be a clown's nose.

A post shared by Leo Messi (@leomessi) on

Exact details of the tour, including the venue, name, and dates, will be announced in due course.

SEE ALSO: Neymar is still being upstaged by Messi despite leaving Barça to escape living in his shadow

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Jamie Lee Curtis fired back at Fox News after it criticized her for using guns in the new 'Halloween' movie

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halloween

  • Jamie Lee Curtis responded to Fox News after it criticized her for using guns in the new "Halloween" movie despite advocating for gun control.
  • Curtis told USA Today that she supported the Second Amendment but also common-sense gun laws.
  • She said that she insisted to the filmmakers that her character, Laurie Strode, would only use guns for self-defense and would keep them locked away.
  • "I am an actor for hire," she said. "And honestly, if I had made my career as a pacifist actor, I would never have worked, ever."

 

Fox News was mocked on Wednesday after it criticized actress Jamie Lee Curtis for using guns in the upcoming "Halloween" movie even though she is a gun-control advocate. Curtis responded to the criticism on Thursday in an interview with USA Today.

Curtis said that she supported both the Second Amendment and common-sense gun laws. 

"I fully support the Bill of Rights. And fully support the Second Amendment," Curtis said. "And have absolutely no problem with people owning firearms if they have been trained, licensed, a background check has been conducted, a pause button has been pushed to give time for that process to take place. And they have to renew their license just like we do with automobiles – which are weapons also."

Curtis implied that her philosophy was applied to her character, Laurie Strode, and that she insisted that Strode would not only use sensible weapons for self-defense purposes, but keep them locked away and out of reach of others.

"I think there were myriad types of firearms that could have been used in the movie," she said. "I was very clear with the filmmakers that she used the weapons intended for self-defense for her and her family."

She added that, as an actress, there are obviously going to be times when she has to play characters who use weapons in movies.

"I’m an actress who’s in slasher movies," Curtis said. "I have to be responsible for my own personal choices in my own personal life. But I am an actor for hire. And honestly, if I had made my career as a pacifist actor, I would never have worked, ever. But I have always been proud to represent women who fight back and fight back with intelligence, cunning and creativity, and who fight for their lives and their families’ lives."

"Halloween" comes to theaters October 19.

SEE ALSO: Fox News is being widely mocked after criticizing Jamie Lee Curtis for using guns in the upcoming 'Halloween' movie

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MoviePass competitor Sinemia wants to help movie theaters start their own subscription services

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Sinemia_app2 Sinemia

  • Movie-ticket subscription service, Sinemia, unveiled a way for any movie theater in the country to start its own subscription plan.
  • Sinemia Enterprise allows theaters to set specific pricing plans for any style of movie showing, with Sinemia providing customer relationship management tools and fraud detection.

 

On Thursday, movie-ticket subscription service Sinemia unveiled a software platform that allows movie theaters to launch their own subscription services.


With "Sinemia Enterprise," the company boasts that a theater can start its own subscription plan within two weeks, just like big chains AMC and Cinemark did in response to MoviePass. The service can be used through iOS and Android apps and can support all movie showings: from standard 2D, to 3D, IMAX, or 4DX.

According to Sinemia, theaters will be able to customize any kind of ticketing or pricing plan using Sinemia tech, including plans for couples and families. The tech will integrate directly with the theater’s point-of-sale system, so subscribers can buy tickets and reserve seats in the Sinemia app without using a physical card. 

And Sinemia Enterprise will include customer relationship management tools as well as fraud detection.

Sinemia is currently working with theaters in the US and abroad to implement subscription plans that are set to launch later this month, the company said.

Sinemia told Business Insider on Thursday that the company will make money from the service by "end-to-end software platform fees based on monthly subscription volume."

"We're working with movie theaters to come up with the best pricing for each one of them," the company said. "Since we offer flexible features and plans in our Enterprise platform, pricing is also flexible."

The company also said that Sinemia Enterprise will provide a standalone app that will be "completely dedicated to that specific movie theater." The theaters can keep their own app for transactional ticketing and then offer the Sinemia Enterprise app for its subscription.

"A customer can navigate from one to another, just like Facebook and Messenger apps," a spokesman for Sinemia told Business Insider.

“When we launched Sinemia, our mission was to help as many moviegoers as possible enjoy an affordable and better experience at the movies by providing a subscription app that integrates an offline and online experience,” said Rifat Oguz, CEO and founder of Sinemia. “By partnering with theaters around the globe, we believe we can help more moviegoers, which will help us create a bigger economy for the entire industry.”

This is a new tactic by a movie-ticket subscription service to get a foothold in the industry. As opposed to MoviePass, which tried to force its way into the business by building a subscription base so large that movie theaters and studios would have to respect it, Sinemia is looking to get in using a more gentle approach.

One industry insider told Business Insider that the move by Sinemia is one many saw happening at some point, as the movie-ticket subscription craze continues. With many independently owned theaters lacking the infrastructure to launch their own plans, having a company step in as a third party was not a surprise.

Now it's wait-and-see time for how the studios will react. Sinemia Enterprise has the potential to lead to more ticket sales, benefitting both studios and theaters. But if it gets to a point where the studios are not getting the same return on ticket sales, they will make themselves known.

SEE ALSO: The screenwriter of "First Man" spent 4 years researching Neil Armstrong to craft a true-life story even some hardcore space historians didn't know

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The makers of 'Warcraft' and 'Diablo' are planning to make 'Diablo 3' work across competing consoles: 'It's a question of when, not if'

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Diablo 3 (Nintendo Switch)

  • "Diablo 3" is the latest major game to arrive on Nintendo's Switch that's nearly identical to versions of the game on competing platforms, like the Xbox One and PlayStation 4.
  • "Diablo 3" is known for being a multiplayer game, and would benefit greatly from bringing in players on competing platforms. It sounds like that support is in the works.
  • The game's maker, Blizzard Entertainment, says that cross-console support for "Diablo 3" is "a question of when, not if."

Yet another huge game from a major game developer is going to let players across competing game platforms play together.

That game is "Diablo 3," and it arrives on the Nintendo Switch on November 2.

That's the seventh platform that "Diablo 3" will be available on, in addition to Mac, PC, Xbox 360, PlayStation 3, PlayStation 4, and Xbox One. And seven different platforms means seven different player bases, all playing "Diablo 3" in isolation. Why can't they all just play together?

"It's a question of when, not if," a Blizzard Entertainment representative told Business Insider during a gameplay demo of "Diablo 3" on Nintendo Switch this week.

Though there's nothing official to announce just yet, the folks behind "Diablo 3" are actively working with partners at Sony and Microsoft to enable cross-console play with "Diablo 3" on Switch.

diablo 3 reaper of souls

It's a classic story in the world of video games: a multiplayer game is produced for competing platforms, and its players are unable to play together.

For years, the same versions of "Madden" and "Call of Duty" — and many others — have launched across competing platforms. But if you buy the new "Call of Duty" on PlayStation 4, you're unable to play with a friend who bought the same game on Xbox One. 

It's a tremendous bummer, and there's no good reason for the limitation. 

Thankfully, it's a standard that's quickly evaporating as game players demand cross-platform support. 

It all started with 'Minecraft'

The Microsoft-owned blockbuster is available on pretty much everything that plays games, from consoles to phones to handhelds.

Microsoft, which makes the Xbox One and directly competes with Sony's PlayStation 4 and Nintendo's Switch, publishes "Minecraft" on Sony and Nintendo (and Apple and Google) platforms in addition to its own Xbox consoles.

More importantly, even though Microsoft owns "Minecraft," the game can be played across competing devices. "Minecraft" players on Xbox One can join up with players on iPhone, Switch, Android, and PC/Mac — even players using a virtual-reality headset!

But Xbox One can't play with PlayStation 4 and vice versa. That unfortunately remains the case.

Minecraft

Though Sony has yet to give in with "Minecraft," the electronics giant blinked when it came to the current biggest game in the world: "Fortnite". 

When "Fortnite" launched on Nintendo Switch earlier this year, it arrived with cross-platform support. Xbox One players could play with people on iPhone/iPad, Nintendo Switch, PC, and Mac — but not PlayStation 4. Worse still, none of the stuff that "Fortnite" players purchased on their PlayStation 4 — like the Battle Pass, or any gear — would show up on other platforms, even though "Fortnite" uses an Epic Games account across all platforms.

After issuing several statements refusing to give in, Sony officially added cross-platform support to the PlayStation 4 version of "Fortnite" just recently.

Sony initially refused to budge, which sparked outrage from players. It even spawned a hashtag: #BlameSony.

And PlayStation 4 owners weren't the only ones upset — major game makers and publishers repeatedly, openly criticized Sony's decision to silo the PlayStation 4 multiplayer experience from competing platforms.

"We cannot have a game that works one way across everywhere else except for on this one thing," Pete Hines, a Bethesda Game Studios senior vice president, said in an interview regarding the launch of "The Elder Scrolls: Legends" on game consoles. It was this mountain of pushback that forced Sony's hand with "Fortnite." And now that the floodgates are open, other games are trying to push in.

Blizzard is the latest major game publisher to move into cross-console play — a testament to the ongoing movement toward truly cross-platform gaming, where multiplayer games simply pull in all players across all platforms. 

SEE ALSO: Sony gives in: After months of criticism, Sony is finally allowing 'Fortnite' players on PlayStation 4 to play with people on Xbox One and Nintendo Switch

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Walmart is helping launch original shows, claiming that Netflix and Amazon don't make enough content aimed at its core Middle America shoppers (WMT)

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  • Walmart has struck deals to back original TV shows and other programming that will air on its streaming service, Vudu. 
  • The retailer's streaming videos will be geared towards Walmart's customer base of middle- and lower-income shoppers who don't live in major cities, who Walmart believes to be underserved by current options like Netflix and Amazon.
  • Walmart's emphasis on creating video content to boost existing customers' loyalty has the potential to result in the proliferation of a distinct new wave of original programming.

Walmart is developing a new weapon against Amazon. 

On Thursday, the company announced a partnership with interactive video startup Eko. Walmart also struck a deal with MGM Holdings earlier this week to create original content for Vudu, the streaming service Walmart acquired in 2010, the Wall Street Journal reports.

Walmart spokesperson Justin Rushing told the Journal that the retailer plans to license videos for Vudu aimed at the company's "core middle- and low-income shoppers in rural and suburban communities, a demographic Walmart believes is underserved by current streaming services." 

The first original show that will come out of Walmart's deal with MGM is a remake of "Mr. Mom," which is expected to debut in 2019. Walmart doesn't have plans to launch a separate subscription video service, but instead wants to strengthen Vudu and deepen customer engagement, the Journal reports.  

Amazon has used its Prime Video service to convince subscribers to become more loyal shoppers. The company has also found critical success for its original programming, with "The Marvelous Mrs. Maisel" virtually sweeping the 2018 Emmys. 

Netflix has also found critical success with original shows such as "Orange Is the New Black" and "Stranger Things." 

However, both Amazon and Netflix have been criticized by some conservatives for what they see as a liberal bias. Some Netflix users threatened to cancel their subscriptions after the company announced a multi-year deal with the Obamas. And, Amazon and its CEO Jeff Bezos have been frequent targets of conservative criticism, including from President Donald Trump. 

Conservatives have argued that the entertainment industry tends to emphasize progressive perspectives to the detriment of the right. The lack of shows focused on poor and working-class families has also been criticized. 

Walmart's emphasis on videos that will be used to convince middle- and working-class customers to become more loyal shoppers has the potential to result in the proliferation of a different type of original programming.

Amazon Prime customers tend to be wealthier than the average Walmart shopper. As the two retail giants work to create original videos to win over customers' loyalties, the division in demographics is likely to play a major role in what new television shows and other original content end up being produced. 

SEE ALSO: Walmart looked at buying buzzy luggage brand Away — and it could be part of its plan to become the Netflix of retail

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What you need to know about the Spider-Man villain who appears in the 'Venom' after-credits scene

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Warning: This post contains spoilers for the after-credits scene of "Venom."

  • The "Venom" after-credits scene features actor Woody Harrelson as the serial killer Cletus Kasady, who in the comic books becomes the Spider-Man/Venom foe, Carnage.
  • In the comics, the Carnage symbiote is an offspring of Venom that bonds to Kasady in prison.
  • In the scene, Brock visits Kasady in prison, who vows "there's gonna be carnage" when he escapes.
  • With "Venom" a box-office hit, there's bound to be a sequel — and more Carnage.

 

Comic book readers were probably not surprised to discover who the "Venom" after-credits scene introduces to the Sony Spider-Man expanded universe: Cletus Kasady, the serial killer who becomes the symbiotic monster and one of Spider-Man's most popular foes, Carnage.

But even fans were likely taken aback by who portrayed the character in the scene: none other than Woody Harrelson, complete with a curly red wig. The scene features journalist Eddie Brock, played by Tom Hardy, visiting a prison to interview Kasady. When Brock arrives, Kasady has written "Welcome Eddie" in his own blood on the wall, and proclaims that when he escapes, "there's gonna be carnage."

For non-comic book readers, the scene — like many world-building after-credits scenes in superhero movies today — may have been a tad confusing. Who is this guy and why should casual moviegoers care?

In the comics, Carnage is an alien symbiote (or parasite) that is the offspring of Venom. When Venom bonds with Brock, he is in prison along with his cellmate, Kasady. The Carnage symbiote bonds with Kasady after Venom/Brock escape prison, setting up the long-running conflict between Venom and Carnage, in which Spider-Man has regularly been caught.

Since Kasady is a cold-blooded murderer, Carnage is more vicious than Venom, and hence doesn't have some of the barriers that Venom has shown in the comics and the movie. 

In an interview with IGN, "Venom" director Ruben Fleischer said that the movie slightly deviates away from Carnage's comic-book origin story so that Brock/Venom could be developed as an anti-hero that the audience roots for before introducing Carnage.

"I don’t think we wanted Eddie to go to jail at the end of our movie," Fleischer said. "That would’ve been a bit of a bummer. But we did want to have them in jail cell proximity and so we left the door open for how Venom can spawn Carnage and how Cletus might someday become that character."

The "Venom" movie alludes to the idea that there are hundreds more symbiotes from their home planet, and that we only saw a sliver of them. Whether a sequel sticks to the idea that Carnage is an offspring of Venom or an entirely separate symbiote remains to be seen.

Fleischer also said that the ambition "was to show that there are legs for the franchise in that a fan favorite let alone played by Woody Harrelson would be something we could look forward to in the future."

"Venom" is a surprise box-office hit, smashing expectations in its opening weekend with $80 million — the biggest October opening of all time. It's also made over $225 million worldwide. With a production budget of $100 million, it's safe to say that there will be a sequel to "Venom."

That means more Carnage.

SEE ALSO: James Gunn will write and possibly direct DC's 'Suicide Squad 2' after being fired from Marvel's 'Guardians of the Galaxy 3'

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